Jewish Identity In Western Pop Culture

This book looks at the post-Holocaust experience with emphasis on aspects of its impact on popular culture.

Musician Josh Groban claims that he is not Jewish because of his paternal lineage. Contrariwise, Comedian Tiffany Haddish claims Jewish identity specifically because of similar lineage. Using this contrast as a jumping off point, this book explores how Judaism and Jewishness represent themselves in popular culture.

Like many Jews of our generation, Jon Stratton grew up in a family more concerned about assimilation than about preserving Jewish tradition. While he could easily 'pass' among non-Jews, he found himself increasingly torn between his fear of not belonging and a deeply-felt commitment to his family's past. Coming Out Jewish examines the unique challenge of constructing an identity amid the clash between ethnicity and conformity. For many Jews, the idea of full assimilation ended with the Holocaust. But the pressure to adapt to the mainstream, Stratton eloquently argues, remains powerful, especially for those with anglicized names, assimilationist parents, a history of recent immigration, or ambivalent experiences of themselves as Jews. With reference to the work of Daniel Boyarin, Ien Ang, and Homi Bhabha, among others, Stratton offers fresh analysis on a wide range of topics, including the Jewish origins of pluralism in the US, anti-Semitism in Germany, the Jewishness of sitcoms like Seinfeld, and the Yiddishization of American culture since World War II. More than a book about Jews and Jewishness, Coming Out Jewish smartly and accurately mines the Jewish experience in the West to give voice to the issues of migration, Diaspora, assimilation and identity that affect those, displaced and 'othered', around the world.

An investigation of Jewish identity politics and Jewish contemporary ideology using both popular culture and scholarly texts. Jewish identity is tied up with some of the most difficult and contentious issues of today. The purpose in this book is to open many of these issues up for discussion. Since Israel defines itself openly as the ‘Jewish State’, we should ask what the notions of ’Judaism’, ‘Jewishness’, ‘Jewish culture’ and ‘Jewish ideology’ stand for. Gilad examines the tribal aspects embedded in Jewish secular discourse, both Zionist and anti Zionist; the ‘holocaust religion’; the meaning of ‘history’ and ‘time’ within the Jewish political discourse; the anti-Gentile ideologies entangled within different forms of secular Jewish political discourse and even within the Jewish left. He questions what it is that leads Diaspora Jews to identify themselves with Israel and affiliate with its politics. The devastating state of our world affairs raises an immediate demand for a conceptual shift in our intellectual and philosophical attitude towards politics, identity politics and history.

This study of Israeli culture affords a meaningful insight into a society in a state of transition.

The past few decades have seen a remarkable surge in Jewish influences on American culture. Entertainers and artists such as Jerry Seinfeld, Adam Sandler, Allegra Goodman, and Tony Kushner have heralded new waves of television, film, literature, and theater; a major klezmer revival is under way; bagels are now as commonplace as pizza; and kabbalah has become as cool as crystals. Does this broad range of cultural expression accurately reflect what it means to be Jewish in America today? Bringing together fourteen new essays by leading scholars, You Should See Yourself examines the fluctuating representations of Jewishness in a variety of areas of popular culture and high art, including literature, the media, film, theater, music, dance, painting, photography, and comedy. Contributors explore the evolution that has taken place within these cultural forms and how we can best explain these changes. Are variations in our understanding of Jewishness the result of general phenomena such as multiculturalism, politics, and postmodernism, or are they the product of more specifically Jewish concerns such as the intermarriage/continuity crisis, religious renewal, and relations between the United States and Israel? Accessible to students and general readers alike, this volume takes an important step toward advancing the discussion of Jewish cultural influences in this country.

The resurgence of ethnic consciousness over the past decade has had a profound effect on many Jewish artists, writers, performers, and the Jewish community at large. Surprisingly, however, Jewish identity remains one of the least explored terrains in contemporary discussions of multiculturalism and identity-based art. Too Jewish? takes a fresh, often confrontational and sometimes humorous, approach to newly considered representations of Jewish identity. This book, accompanied by a major exhibition at The Jewish Museum, New York, places the Jewish identity subjects in the recent art of such artists as Deborah Kass, Rona Pondick, Archie Rand, Elaine Reichek, Art Spiegelman, Hannah Wilke, and others within a larger continuum of influences ranging from nineteenth-century art history to twentieth-century media and pop culture. Essays by major writers explore the historic and scientific roots of the construction of the Jew's "otherness," assimilation strategies, and stereotypes inherent in past and present definitions of Jewish masculinity and femininity. The contributors include cultural critic Maurice Berger, sociologist Sander L. Gilman, playwright Tony Kushner, art theorist Rhonda Lieberman, art historian Margaret Olin, and anthropologist Riv-Ellen Prell. Renowned art historian Linda Nochlin provides a clever and highly personal foreword that captures her complicated reaction to the Hasidic-inspired clothing from Jean Paul Gaultier's Fall 1993 collection. The exhibition curator and editor of this work, Norman L. Kleeblatt, offers an insightful introduction on the complex history of post war Jewish identity and its impact on visual artists. This is a lively and provocative book that offers a unique critical perspective on Jewish identity, multiculturalism, or contemporary art.

The subject of Jewish identity is one of the most vexed and contested issues of modern religious and ethnic group history. This interdisciplinary collection draws on work in law, anthropology, history, sociology, literature, and popular culture to consider contemporary and historical responses to the question: "Who and what is Jewish?"