Jews And Ukrainians In Russia S Literary Borderlands

Studies of Eastern European literature have largely confined themselves to a single language, culture, or nationality. In this highly original book, Glaser shows how writers working in Russian, Ukrainian, and Yiddish during much of the nineteenth century and the early part of the twentieth century were in intense conversation with one another. The marketplace was both the literal locale at which members of these different societies and cultures interacted with one another and a rich subject for representation in their art. It is commonplace to note the influence of Gogol on Russian literature, but Glaser shows him to have been a profound influence on Ukrainian and Yiddish literature as well. And she shows how Gogol must be understood not only within the context of his adopted city of St. Petersburg but also that of his native Ukraine. As Ukrainian and Yiddish literatures developed over this period, they were shaped by their geographical and cultural position on the margins of the Russian Empire. As distinctive as these writers may seem from one another, they are further illuminated by an appreciation of their common relationship to Russia. Glaser’s book paints a far more complicated portrait than scholars have traditionally allowed of Jewish (particularly Yiddish) literature in the context of Eastern European and Russian culture.

FULLY UPDATED 'A fascinating and often violent odyssey, spanning more than 1,000 years of conflict and culture' INDEPENDENT Flat, fertile, and fatally tempting to invaders, for centuries Ukraine was fought over by more powerful neighbours. Though its modern national movement dates back to the early nineteenth century, it did not win real independence until 1991, with the collapse of the Soviet Union. Since then, Ukrainians have proved themselves one of the world's most remarkable nations. In 2014 mass demonstrations forced out a corrupt pro-Russian president. Russia responded by invading, first seizing Crimea and the eastern Donbass, and then in February 2022 marching on Kyiv. With Western help, Ukraine is fighting back. But in what form it will emerge from the war - the bloodiest in Europe since 1945 - remains to be seen. For this fourth edition of her classic history, Anna Reid returns to the scene. Talking to refugees, politicians and victims of widespread Russian war crimes, she adds a new chapter to the complex biography of a country on the frontline of the conflict between democracy and dictatorship.

In Cold Rush Martin Breum travels through and describes the new quest for the Arctic and the tortuous ongoing diplomatic endeavours to maintain peace, while the governments involved all develop still stronger security presences.

In post-1917 Russian and Yiddish literature, films, and reportage, Sasha Senderovich finds a new cultural figure: the Soviet Jew. Suddenly mobile after more than a century of restrictions under the tsars, Jewish authors created characters who traversed space and history, carrying with them the dislodged practices and archetypes of a lost world.

A Dorothy Rosenberg Prize–winner: "A remarkable social history that investigates the process of Sovietization among Jews in Belorussia” (Jeffrey Veidlinger, author of In the Shadow of the Shtetl). This insightful history demonstrates how Jewish life in Belorussia fundamentally changed when Jews started joining the Bolshevik movement and populating the front lines of the revolutionary struggle. While Andrew Sloin’s story follows the arc of Bolshevik history, it also shows how the broader movement was enacted in factories and workshops, workers’ clubs and union meetings, and on the Jewish streets of White Russia. In the eyes of the Bolshevik leadership, the project of transforming Jews into integrated Soviet citizens was bound inextricably to labor. The protagonists here are shoemakers, speculators, glassmakers, peddlers, leatherworkers, needleworkers, soldiers, students, and local party operatives who were swept up, willingly or otherwise, under the banner of Marxist socialism. With extensive research and keen insight, Sloin stresses the fundamental relationship between economy and identity formation as party officials grappled with the Jewish Question in the wake of the revolution.

Russia's large-scale invasion on the 24th of February 2022 once again made Ukraine the focus of world media. Behind those headlines remain the complex developments in Ukraine's history, national identity, culture and society. Addressing readers from diverse backgrounds, this volume approaches the history of Ukraine and its people through primary sources, from the early modern period to the present. Each document is followed by an essay written by an expert on the period, and a conversational piece touching on the ongoing Russian aggression against Ukraine. In this ground-breaking collection, Ukraine's history is sensitively accounted for by scholars inviting the readers to revisit the country's history and culture. With a foreword by Olesya Khromeychuk.

This is a biography of a borderland between Russia and Poland, a region where, in 1925, people identified as Poles, Germans, Jews, Ukrainians, and Russians lived side by side. Over the next three decades, this mosaic of cultures was modernized and homogenized out of existence by the ruling might of the Soviet Union, then Nazi Germany, and finally, Polish and Ukrainian nationalism. By the 1950s, this "no place" emerged as a Ukrainian heartland, and the fertile mix of peoples that defined the region was destroyed. Brown's study is grounded in the life of the village and shtetl, in the personalities and small histories of everyday life in this area. In impressive detail, she documents how these regimes, bureaucratically and then violently, separated, named, and regimented this intricate community into distinct ethnic groups. Drawing on recently opened archives, ethnography, and oral interviews that were unavailable a decade ago, A Biography of No Place reveals Stalinist and Nazi history from the perspective of the remote borderlands, thus bringing the periphery to the center of history. We are given, in short, an intimate portrait of the ethnic purification that has marked all of Europe, as well as a glimpse at the margins of twentieth-century "progress." Table of Contents: Glossary Introduction 1. Inventory 2. Ghosts in the Bathhouse 3. Moving Pictures 4. The Power to Name 5. A Diary of Deportation 6. The Great Purges and the Rights of Man 7. Deportee into Colonizer 8. Racial Hierarchies Epilogue: Shifting Borders, Shifting Identities Notes Archival Sources Acknowledgments Index This is a biography of a borderland between Russia and Poland, a region where, in 1925, people identified as Poles, Germans, Jews, Ukrainians, and Russians lived side by side. Over the next three decades, this mosaic of cultures was modernized and homogenized out of existence by the ruling might of the Soviet Union, then Nazi Germany, and finally, Polish and Ukrainian nationalism. By the 1950s, this "no place" emerged as a Ukrainian heartland, and the fertile mix of peoples that defined the region was destroyed. Brown's study is grounded in the life of the village and shtetl, in the personalities and small histories of everyday life in this area. In impressive detail, she documents how these regimes, bureaucratically and then violently, separated, named, and regimented this intricate community into distinct ethnic groups. Drawing on recently opened archives, ethnography, and oral interviews that were unavailable a decade ago, A Biography of No Place reveals Stalinist and Nazi history from the perspective of the remote borderlands, thus bringing the periphery to the center of history. Brown argues that repressive national policies grew not out of chauvinist or racist ideas, but the very instruments of modern governance - the census, map, and progressive social programs - first employed by Bolshevik reformers in the western borderlands. We are given, in short, an intimate portrait of the ethnic purification that has marked all of Europe, as well as a glimpse at the margins of twentieth century "progress." Kate Brown is Assistant Professor of History at University of Maryland, Baltimore County. A Biography of No Place is one of the most original and imaginative works of history to emerge in the western literature on the former Soviet Union in the last ten years. Historiographically fearless, Kate Brown writes with elegance and force, turning this history of a lost, but culturally rich borderland into a compelling narrative that serves as a microcosm for understanding nation and state in the Twentieth Century. With compassion and respect for the diverse people who inhabited this margin of territory between Russia and Poland, Kate Brown restores the voices, memories, and humanity of a people lost. --Lynne Viola, Professor of History, University of Toronto Samuel Butler and Kate Brown have something in common. Both have written about Erewhon with imagination and flair. I was captivated by the courage and enterprise behind this book. Is there a way to write a history of events that do not make rational sense? Kate Brown asks. She proceeds to give us a stunning answer. --Modris Eksteins, author of Rites of Spring: The Great War and the Birth of the Modern Age Kate Brown tells the story of how succeeding regimes transformed a onetime multiethnic borderland into a far more ethnically homogeneous region through their often murderous imperialist and nationalist projects. She writes evocatively of the inhabitants' frequently challenged identities and livelihoods and gives voice to their aspirations and laments, including Poles, Ukrainians, Germans, Jews, and Russians. A Biography of No Place is a provocative meditation on the meanings of periphery and center in the writing of history. --Mark von Hagen, Professor of History, Columbia University