John Henry The Revelator

Since 1934 the Tennessee Folklore Society Bulletin has been a respected source on the wonderfully diverse history and traditions of the Volunteer State, but until now that publication's wide-ranging articles have been largely restricted to the society's membership. With the appearance of A Tennessee Folklore Sampler, editors Ted Olson and Anthony P. Cavender provide a broad audience with a rich selection of the work published over the course of this acclaimed journal's seventy-five-year history. Packed with colorful descriptions and analysis of the state's folkways, A Tennessee Folklore Sampler covers all three of the grand divisions of Tennessee--East, Middle, and West-- and includes articles by some prominent students of folklore, among them Charles Wolfe, Charles Faulkner Bryan, Thomas Burton, Donald Davidson, Herbert Halpert, Mildred Haun, Michael Lofaro, Michael Montgomery, and Tom Rankin. Following an introductory section that places the book into historical, cultural, and socioeconomic contexts, A Tennessee Folklore Sampler is divided into ten parts covering material culture, medicine, beliefs and practices, customs, play and recreation lore, speech, legends, ballad and song, instrumental traditions and music collecting, and folk communities. Each part begins with an introduction that places the selections in context and concludes with suggestions for further reading. The appendix features an essay that explores the history of the Tennessee Folklore Society and the evolution of folklore studies of the state. The anthology will be a welcome resource for folklorists and scholars in many fields as well as a special treasure for general readers. With more than sixty illustrations complementing the text, A Tennessee Folklore Sampler presents a vivid overview of Tennessee folk culture that illuminates the very soul of the state. Ted Olson is the author of Blue Ridge Folklife and Breathing in Darkness: Poems, and the coeditor of The Bristol Sessions: Writings about the Big Bang of Country Music. He teaches at East Tennessee State University. Anthony P. Cavender is professor of anthropology in the Department of Sociology and Anthropology at East Tennessee State University. He is the author of Folk Medicine in Southern Appalachia and has published articles in Social Science and Medicine, Journal of Folklore Research, Journal of Ethnopharmacology, Human Organization, Appalachian Journal, and American Speech, among others.

“We live in an age of relativism. What is beautiful for one is not for another, what is good and moral for one is not for another, and what is true for one is not for another. Such an attitude, widespread in the world, condemns those who testify of truth... I shudder at the thought that my presentation here will lead to such soft relativism. I do not think that everything is up for grabs, with each person's opinion being equally valid. Just as Jesus was either Savior and Redeemer of the world or he was not, so Joseph Smith was either a true, authorized prophet of God or he was not. In recounting his visions, either he spoke the truth or he did not. Yet the fact remains that different people saw him in different ways. Even his followers emphasized different facets at different times. All human beings are complex and resist the reductionism that would dismiss them with a single adjective or noun. People like Joseph Smith are rich and complex... Different people saw him differently or focused on a different facet of his personality at different time. Inescapably, what they observed or found out about him was refracted through the lens of their own experience. Some of the different, flickering, not always compatible views are the subject of this book.” — Davis Bitton Davis Bitton's life was cut short before he could finish revisions on this collection of insightful essays about Joseph Smith, a prophet whom he also considers a hero in both classical terms and the context of nineteenth-century America. Knowing Brother Joseph Again explores images of Joseph Smith from both the devotion of believers and the hostility and skepticism of opponents.

Volumes 3 and 4 of the The Encyclopedia of More Great Popular Song Recordings provides the stories behind approximately 1,700 more of the greatest song recordings in the history of the music industry, from 1890 to today. In this masterful survey, all genres of popular music are covered, from pop, rock, soul, and country to jazz, blues, classic vocals, hip-hop, folk, gospel, and ethnic/world music. Collectors will find detailed discographical data—recording dates, record numbers, Billboard chart data, and personnel—while music lovers will appreciate the detailed commentaries and deep research on the songs, their recording, and the artists. Readers who revel in pop cultural history will savor each chapter as it plunges deeply into key events—in music, society, and the world—from each era of the past 125 years. Following in the wake of the first two volumes of his original Encyclopedia of Great Popular Song Recordings, this follow-up work covers not only more beloved classic performances in pop music history, but many lesser -known but exceptional recordings that—in the modern digital world of “long tail” listening, re-mastered recordings, and “lost but found” possibilities—Sullivan mines from modern recording history. The Encyclopedia of Great Popular Song Recordings, Volumes 3 and 4 lets the readers discover, and, through their playlist services, from such as iTunes toand Spotify, build a truly deepcomprehensive catalog of classic performances that deserve to be a part of every passionate music lover’s life. Sullivan organizes songs in chronological order, starting in 1890 and continuing all the way throughto the present to include modern gems from June 2016. In each chapter, Sullivanhe immerses readers, era by era, in the popular music recordings of the time, noting key events that occurred at the time to painting a comprehensive picture in music history of each periodfor each song. Moreover, Sullivan includes for context bulleted lists noting key events that occurred during the song’s recording

The Song Index features over 150,000 citations that lead users to over 2,100 song books spanning more than a century, from the 1880s to the 1990s. The songs cited represent a multitude of musical practices, cultures, and traditions, ranging from ehtnic to regional, from foreign to American, representing every type of song: popular, folk, children's, political, comic, advertising, protest, patriotic, military, and classical, as well as hymns, spirituals, ballads, arias, choral symphonies, and other larger works. This comprehensive volume also includes a bibliography of the books indexed; an index of sources from which the songs originated; and an alphabetical composer index.