John Lee Johnson In The Valley Of The Sun Along Came Jones

John Lee Johnson in the Valley of the Sun is part of a series pitting John Lee Johnson, the powerfully strong and talented gunman against his nemesis, former Brigadier-General Frank McGrew, a very wealthy steel and railroad magnate. Their enmity goes back to the Civil War (just recently ended.) McGrew has hired private assassins; has sent waves of gunman. He even lured the big Texan into a pit fight with the meanest man alive. When Johnson defeated the toughest man in Chihuahua in a wild and exciting slugfest, McGrew conceived the plan to entice Johnson to return to Chihuahua, Mexico to brace the fastest gunman known on the planet for $100,000 in Mexican gold. The location is the Valley of the Sun...a desolate place of death. Beneath a cruel, inexorable sun constantly shining on nauseating yellow sand---surrounded by stark mountains that form a horseshoe shape valley lay the ruins of both a Christian mission and a sacrificial Aztec altar from centuries past. The hauntingly beautiful Marilla Urmacher, once an enemy to John Lee Johnson, but now a faithful ally comes to his rescue. She sends California's best gunfighter to run interference for the man she secretly loves, John Lee Johnson. The struggles on the journey and the list of strange characters that John Lee Johnson encounters make this an excellent read. It is a classic story of good versus bad. The reader may wonder if good will really win in the end. This western is different. It is not just a melodrama. It pits the money and influence of a wealthy man against the strongest and most singular man in Texas. Their struggles against each other influences so many other singular individuals that are caught up in this eventual death struggle.

Many of the stars of silent westerns were young horse wranglers who left the open fields to make some extra money bulldogging steers and chasing Indians around arenas in traveling Wild West shows. They made their way to Hollywood when the popularity of the Wild West shows began to decline, found work acting in action-packed silent westerns, and became idols for early moviegoers everywhere. Over 100 of those cowboys who starred in silent westerns between 1903 and 1930 are highlighted in this work. Among those included are Broncho Billy Anderson, Art Acord, Harry Carey, William Desmond, Hoot Gibson, William S. Hart, Jack Hoxie, William Farnum, Jack Holt, Buck Jones, J. Warren Kerrigan, Tim McCoy, Ken Maynard, Tom Mix, Fred Thompson, Fred Cody, Bob Custer, Jack Daugherty, William Duncan, Neal Hart, Leo Maloney, Pete Morrison, Jack Mower, Dustin Farnum, George Larkin, Jack Perrin, Buddy Roosevelt, William Russell, Bob Steele, Tom Tyler, and Wally Wales, to name just a few. Biographical information and a complete filmography are provided for each actor. Richly illustrated with over 300 picture stills.

Discover a forgotten chapter of American history with Steven Cowie's riveting account of the Battle of Antietam. The Battle of Antietam, fought in and around Sharpsburg, Maryland, on September 17, 1862, was the bloodiest day in American history. Despite the large number of books and articles on the subject, the battle’s horrendous toll on area civilians is rarely discussed. When Hell Came to Sharpsburg: The Battle of Antietam and Its Impact on the Civilians Who Called It Home by Steven Cowie rectifies this oversight. By the time the battle ended about dusk that day, more than 23,000 men had been killed, wounded, or captured in just a dozen hours of combat—a grim statistic that tells only part of the story. The epicenter of that deadly day was the small community of Sharpsburg. Families lived, worked, and worshipped there. It was their home. And the horrific fighting turned their lives upside down. When Hell Came to Sharpsburg investigates how the battle and opposing armies wreaked emotional, physical, and financial havoc on the people of Sharpsburg. For proper context, the author explores the savage struggle and its gory aftermath and explains how soldiers stripped the community of resources and spread diseases. Cowie carefully and meticulously follows the fortunes of individual families like the Mummas, Roulettes, Millers, and many others—ordinary folk thrust into harrowing circumstances—and their struggle to recover from their unexpected and often devastating losses. Cowie’s comprehensive study is grounded in years of careful research. He unearthed a trove of previously unused archival accounts and examined scores of primary sources such as letters, diaries, regimental histories, and official reports. Packed with explanatory footnotes, original maps, and photographs, Cowie’s richly detailed book is a must-read for those seeking new information on the battle and the perspective of the citizens who suffered because of it. Antietam’s impact on the local community was an American tragedy, and it is told here completely for the first time.

More than twenty years in the making, Country Music Records documents all country music recording sessions from 1921 through 1942. With primary research based on files and session logs from record companies, interviews with surviving musicians, as well as the 200,000 recordings archived at the Country Music Hall of Fame and Museum's Frist Library and Archives, this notable work is the first compendium to accurately report the key details behind all the recording sessions of country music during the pre-World War II era. This discography documents--in alphabetical order by artist--every commercial country music recording, including unreleased sides, and indicates, as completely as possible, the musicians playing at every session, as well as instrumentation. This massive undertaking encompasses 2,500 artists, 5,000 session musicians, and 10,000 songs. Summary histories of each key record company are also provided, along with a bibliography. The discography includes indexes to all song titles and musicians listed.

Million Dollar Quartet’ is the name given to recordings made on Tuesday December 4, 1956 in the Sun Record Studios in Memphis, Tennessee. The recordings were of an impromptu jam session among Elvis Presley, Jerry Lee Lewis, Carl Perkins, and Johnny Cash.The events of the session. Very few participants survive. Includes interviews with the drummer and the sound engineer. A detailed analysis of the music played – and its relevance to subsequent popular music. The early lives and careers of the quartet – where they were in 1956. Relevant social and economic factors which meant that a massive audience of young people were keenly looking for a new kind of music they could call their own. The “reunions” of surviving members of the quartet. The emergence of the tapes, first on bootleg and then on legitimate CDs. The genesis of the stage show and its reception – the enduring appeal of the music.