John Ormonds Organic Mosaic

In a uniquely dualistic creative career spanning five decades, John Ormond made major contributions to both English-language poetry and documentary filmmaking. Born in Swansea, he learned to ‘think in terms of pictures’ while working as a journalist in London, where he secured a job at the celebrated photojournalist magazine Picture Post. Employed later by the BBC in Cardiff during the early days of television, Ormond went on to become a pioneer in documentary film. This book is the first in-depth examination of the fascinating correspondences between Ormond’s twin creative channels; viewing his work against the backdrop of a changing Wales, it constitutes an important case study in the history of documentary filmmaking, in the history of British television, and in the cultural history of Wales.

John Ormond is considered by writers and critics alike to be one of the very best of Wales's post-war poets. Born in Dunvant and educated at University College, Swansea, he joined the staff of Picture Post in 1945. He returned to Swansea in 1949 and, in 1957, began what was to be a distinguished career with BBC Wales as a director and producer of documentary films. Ormond 'returned to poetry' in the mid-sixties, having destroyed much of his early poetry. His first major volume Requiem and Celebration was published in 1969, and his reputation was enhanced in 1973 by the appearance of Definition of a Waterfall and his inclusion in Penguin Modern Poets. A volume of selected poems was published in 1987. This is the first book-length study of John Ormond and offers a perceptive examination of Ormond the poet and film-maker.

'Letters from Wales stands alone as an invaluable guide to Welsh writing.' – Sam Young, Wales Arts Review 'In these columns, as impressive for their depth as they are for their intellectual breadth, Adams analyses the work of acclaimed Welsh writers ... with scholarly panache' – Joshua Rees, Buzz Magazine 'illuminating and entertaining' – Jon Gower, Nation.Cymru Since 1996, Sam Adams's 'Letter from Wales' column has been appearing in PN Review, one of the most highly-regarded UK poetry magazines, offering insight and appreciation of Welsh writing, culture and history. This landmark volume collects these letters – a quarter century of work – and offers one of the most unique, independent and passionate critical voices on the writing and cultural output of Wales during this period. Here you will find erudite appreciations of the work of a wide range of recent and contemporary Welsh writers from Gillian Clarke to Roland Mathias, RS Thomas to Rhian Edwards. Alongside this, Adams offers us lyric essays to Welsh history, and clear-eyed examinations of the institutions of Welsh culture. Collected for the first time in this volume, the 'letters' are among the most significant and sustained attempts during this period to present Welsh writing to an audience throughout the UK and beyond.

Dylan Thomas’s reputation precedes him. In keeping with his claim that he held ‘a beast, an angel, and a madman in him’, interpretations of his work have ranged from solemn adoration to exaggerated mythologising. His many voices continue to reverberate across culture and the arts: from poetry and letters, to popular music and Hollywood film. However, this wide and sometimes controversial renown has occasionally hindered serious analysis of his writing. Counterbalancing the often-misleading popular reputation, this book showcases eight new critical perspectives on Thomas’s work. It is the first to provide in one volume a critical overview of the multifaceted range of his output, from the poetry, prose and correspondence to his work for wartime propaganda filmmaking, his late play for voices Under Milk Wood, and his reputation in letters and wider society. The whole proves that Thomas was much more than, to use his own dubious self-description, 'a writer of words, and nothing else’.

Rather than being limited to political or legal discussion (like most books on Brexit), this book explores the relationship between cultural production and Brexit (both in the lead up to it; and in its aftermath). It is the first major study to take a comparative approach to analysing the relationship between cultural production and Brexit in all 4 nations of the UK. This comparative approach is necessary to get a detailed picture of the complex dynamics at work across each. This book is highly interdisciplinary in nature, looking at the rise of the cultural industries; the relationship between the UK City of Culture festival and its fore-runner, the European Capital of Culture; national book prizes in Britain and Europe; British variations on Nordic Noir TV; and the Brexit novel. As a result, it draws on research in the disciplines of geography, economics, film and television studies, history and politics as well as publishing and literary studies.

This book argues for a new Welsh Way, one that is truly radical and transformational. A call for a political engagement that will create real opportunity for change. Neoliberalism has firmly taken hold in Wales. The 'clear red water' is darkening. The wounds of poverty, inequality, and disengagement, far from being healed, have worsened. Child poverty has reached epidemic levels: the worst in the UK. Educational attainment remains stubbornly low, particularly in deprived communities. Prison population rates are among the highest in Europe. Unemployment remains stubbornly high. House prices are rising, with the private rented sector lining the pockets of an ever-increasing number of private landlords. Minority groups are consistently marginalised. All this is not to mention the devastatingly disproportionate impact of the coronavirus pandemic on working class communities. The Welsh Way interrogates neoliberalism's grasp on Welsh life. It challenges the lazy claims about the 'successes' of devolution, fabricated by Welsh politicians and regurgitated within a tepid, attenuated public sphere. These wide-ranging essays examine the manifold ways in which neoliberalism now permeates all areas of Welsh culture, politics and society. They also look to a wider world, to the global trends and tendencies that have given shape to Welsh life today. Together, they encourage us to imagine, and demand, another Welsh future.

This study places the internationally renowned poetry of two major figures, R. S. Thomas and Rowan Williams, in a new and illuminating context. It demonstrates how theological convictions are embodied in the very form and texture of poems. The book draws attention to a cultural phenomenon of European resonance, because it runs counter to established secular practice in the UK, in Western Europe and in the US.

• This is the first study of the representation of animals and animality in Welsh literature. It introduces the reader to key ideas and concepts from the new and fast-growing field of animal studies, and suggests how Welsh rural and urban history might be redrawn from the perspective of animals and their agenda. • It provides new and exciting insights into a range of Welsh writings about animals, and examines how Welsh literature explores ways of thinking about intelligence, sensibilities and knowledge from an animal perspective. • The book introduces readers to the concept of a relational universe in which all life is bound together through a network of relations and connections and illustrates its importance to animal studies and Welsh writing.