Joyful Noise

From the Newbery Medal-winning author of Seedfolks, Paul Fleischman, Joyful Noise is a collection of irresistible poems that celebrates the insect world. Funny, sad, loud, and quiet, each of these poems resounds with a booming, boisterous, joyful noise. The poems resound with the pulse of the cicada and the drone of the honeybee. They can be fully appreciated by an individual reader, but they're particularly striking when read aloud by two voices, making this an ideal pick for classroom use. Eric Beddows′s vibrant drawings send each insect soaring, spinning, or creeping off the page in its own unique way. With Joyful Noise, Paul Fleischman created not only a fascinating guide to the insect world but an exultant celebration of life.

Featured as a "This Week's Reading/What We're Loving" pick at The Paris Review Named the Best Music-Related Book of 2014 by Joel Gausten "If you're a Jesus Lizard fan or a David Yow devotee, you're sure all over this. But even if you've never heard of the band, the book stands as one of the best ways to experience being in a tight, cohesive band. You get everything except the sweat, spilled beer, and blood. It's a fun ride, and the closest thing possible to getting in the van with these guys." --Mother Jones "The Jesus Lizard Book is a beautiful document of a band that wasn't afraid to be abrasive, chaotic, brutal, and sometimes, ugly." --The Chicago Tribune/Printers Row "These guys deserve to pat themselves on the back...If the spectacular photography in The Jesus Lizard Book is to be believed, their shows resembled nothing more than that scene in Indiana Jones and the Temple of Doom where some poor dude has his still-beating heart removed in an elaborate ritual." --The Paris Review "As a reader, you don’t need to hear the songs to appreciate the story--and Book delivers the band right to your coffee table loud and clear." --BoingBoing.net "The gorgeously crafted, 176-page hardcover Book...dives deep and candidly into the Jesus Lizard's first decade and touches a bit on that 2009 coda, too. Through many thousands of words, hundreds of photos, and collected ephemera, it celebrates the sweat, menace, humor, musicianship, lasting power, and genitals of one of the best bands ever coughed up by the rock underground." --The Village Voice "Book is a valuable document that brings us back to the era when artists were conditioned to practice the art of self-defense." --Pitchfork "A series of essays and photos that illuminates the Jesus Lizard--humorous, jolting, sometimes surprisingly moving." --The Chicago Tribune "If there is any recurring theme within the 176 pages of the newly released The Jesus Lizard Book it's this: The Chicago-grown noise rockers will be remembered as one of the greatest live bands to ever grace--or very well desecrate--the stage." --Chicago Sun-Times "Impressively candid, informed and informative history of a remarkable group of musicians. A 'must read' for their legions of appreciative fans...Highly recommended." --Midwest Book Review "Even if you're unfamiliar with or disinterested with the band's music, Book makes for an intriguing exploration of the alternative music scene of the '90s--a short burst in time when a band as gloriously odd as The Jesus Lizard could do whatever they wanted to do and get a pot of gold at the end of the rainbow." --Joel Gausten The Jesus Lizard Book is a coffee table affair of exclusive photography, art, and other imagery with written pieces by all four members of the seminal indie rock band the Jesus Lizard. The layout is stylish and elegant, particularly in contrast with the harshness of much of the band's music. Included are many Polaroids by David Wm. Sims, a delicious recipe by David Yow, a concise list of every show the Jesus Lizard played, and writings by two producers who recorded the band--Steve Albini and Andy Gill. There is biographical material of each member that covers childhood to the demise of the group. Other contributors include, Mike Watt, Alexander Hacke, Steve Gullick, Rebecca Gates, Jeff Lane, Sasha Frere-Jones, KRK, Bernie Bahrmasel, and many more.

By forbidding the music they dont like, they alienate the young. Ed Christian argues that music should be judged not by personal tastes, but by its spiritual fruits. God approves of music that leads people closer to Him, whether we like it or not. When it comes to music for the worship service, however, unity is important. Appropriate church music doesnt alienate or offend, but brings people together and lifts them up to God.The author examines the arguments of those who reject contemporary Christian music in favor of traditional classics, and show how God can use the new music to bless churches and change lives.

Music stirs powerful emotions and illumines divine truth, and has been at the heart of Christian worship since biblical times. Now more than ever, congregational song shapes our understanding and experience of God. In his new work. Joyful Noise: A Guide to Music in the Church for Pastors and Musicians, William S. Smith explores the contemporary issues affecting worship music and the roles of clergy and staff in shaping the church's musical experience. Drawing on his deep knowledge of hymnology and current musical styles, Smith invites us to a fresh exploration of the ancient art that brings us closer to God.

There is no better way to share the love of God with children than doing the things that kids love best--moving, singing, and making noise! These Bible-based songs, rhymes, and creative play activities present basic Christian concepts in an age appropriate maner. All activities are developmentally appropriate for the cognitive and physical abilities of PreK through first grade children.

A Queerly Joyful Noise examines how choral singing can be both personally transformative and politically impactful. As they blend their different voices to create something beautiful, LGBTIQ singers stand together and make themselves heard. Comparing queer choral performances to the uses of group singing within the civil rights and labor movements, Julia “Jules” Balén maps the relationship between different forms of oppression and strategic musical forms of resistance. She also explores the potential this queer communal space creates for mobilizing progressive social action. A proud member of numerous queer choruses, Balén draws from years of firsthand observations, archival research, and extensive interviews to reveal how queer chorus members feel shared vulnerability, collective strength, and even moments of ecstasy when performing. A Queerly Joyful Noise serves as a testament to the power of music, intimately depicting how participation in a queer chorus is more than a pastime, but a meaningful form of protest through celebration.

A picture book for magical yet imperfect children everywhere, written by debut author Ashley Franklin and perfect for fans of such titles as Matthew A. Cherry's Hair Love, Grace Byers's I Am Enough, and Lupita Nyong'o's Sulwe. Tameika is a girl who belongs on the stage. She loves to act, sing, and dance—and she’s pretty good at it, too. So when her school announces their Snow White musical, Tameika auditions for the lead princess role. But the other kids think she’s “not quite” right to play the role. They whisper, they snicker, and they glare. Will Tameika let their harsh words be her final curtain call? Not Quite Snow White is a delightful and inspiring picture book that highlights the importance of self-confidence while taking an earnest look at what happens when that confidence is shaken or lost. Tameika encourages us all to let our magic shine.

This diverse collection of articles by group work professionals who work in the classroom and in the field captures not only the art and science of social work with groups but also its soul, highlighting practice, teaching, and writing ideas that promote the power of group work - and the people who do it. Making Joyful Noise reinforces the value and uniqueness of group work as a positive, optimistic, empowering, and affirming way of working with people. The articles presented here cover a wide range of age groups, populations, and settings and include examples on the use of activity and discussion in groups: a poetry club for children, the meaning of camp for preadolescents, a boxing group for adolescents who live in the inner city, self-defense classes for adults, and caregiver support for the elderly. The book also steps into the classroom to promote the teaching of social group work and the education of advanced group work practitioners and to encourage practitioners to write about their group work practice. Finally, the book presents and illustrates a number of concepts that are unique to group work and that encourage front-line practitioners to “be bold” and to “stay in the mess.” While organized as a tribute to the late Dr. Roselle Kurland, Making Joyful Noise is in and of itself an important collection of articles and essays on social group work and one that is certain to provide all practitioners who are interested in group work with a spark, a smile, and some needed inspiration for their important work. Making Joyful Noise includes: essentials for preserving, promoting, and portraying group work practice the critical relationship between human and professional ethics in group work six common mistakes that practitioners make in regard to group purpose using organizational analysis to improve group work practice creatively blending activity and discussion in diverse settings cultivating collegiality to reduce isolation and enhance practice developing a capacity to “stay in the mess” in group work with people of all ages skills for effectively working with transitions, separation, and loss in group guidelines for practitioners wishing to write for publication and much more! This book is a rich and diverse collection that is required reading for anyone working to promote social work with groups.