Judas 2

Judas comes face-to-face with Satan, and the Great Adversary begins to win him over.

A radical reinterpretation of the relationship of Judas and Jesus • Reexamines the role and the purpose the key figure of Judas played in the crucifixion story • Reveals how Judas was “betrayed” by Jesus, and how, taken to the limits of his humanity, he lost everything he most cherished on the path to his true self The familiar story of Judas, betrayer of Jesus, is striking because of its incomprehensibility. Why would one of Christ’s disciples and companions of the heart deliver him up to his enemies and a barbarous, ignominious, and certain death for thirty pieces of silver? Jean-Yves Leloup’s careful investigation of the gospels, various apocryphal texts, and most importantly the Coptic codex known as the Gospel of Judas, leads him to conclude that there is more to the familiar story of Judas than a simple demonstration, viewed through one man, of humanity’s inherent failings. The betrayal of Jesus to the Romans was Jesus’s idea, explains Leloup. Jesus persuaded Judas to play the role of “evil” in humankind by telling him that this enactment was crucial to God’s plan and would set Judas by Jesus’s side for eternity: “There where I am,” spoke Jesus to Judas, “is where I wish you, too, to be.” But to get there, Judas--a metaphorical representation of the darker side present in all human beings and the “shadow” counterpart to his Messiah dying on the cross-- must first shed all his human qualities. His failings of greed, deceit, and cowardice--and even his faith and hope--are washed away in the despair that engulfs him. A parallel moment occurs for Jesus on the cross, when he comes to know the despair of separation from God. The moment Judas “loses” his life and all that gave it meaning--his God, his law, his justice, his Messiah--is the very moment he finds that which cannot be discarded--life eternal. Thus, in the moment of his ultimate extremity, Judas receives Jesus’s true message and his intended gift.

This fascinating books sifts the evidence and startlingly concludes that in the earliest sources Judas was not a traitor. While the name Judas Iscariot evokes horror among many people, Klassen argues persuasively that Judas may have meant no harm in handing over Jesus to the religious authorities. The book traces the ways in which Judas is portrayed by the four writers of the gospels, showing how the picture was increasingly demonized as the later gospels were written.This is the most important study in English of Judas within the context of first-century Judaism. Klassen shows by rich reference to literature of both the ancient period and later times how the concept of Judas as traitor emerged.

In this book the origin and objects of the land description in Joshua 15 and its context are examined. Town lists and border descriptions are literarily, historiographically and theologically classified against the background of their relationships to Tetrateuch/Pentateuch/Hexateuch and the Deuteronomistic History. The first part deals with the text, context, and literary relationships of Joshua 15. The second part is devoted to the historical-geographical analysis of the area defined by the town list and border description of Joshua 15. In the third part the respective origins and objects of the successive phases in the history of the text are examined. All those who are dealing with Joshua 13-21 and the historiographical and theological meaning of land descriptions should read this thorough and encompassing study

This book contains the proceedings from the Codex Judas Congress held to discuss the newly-restored Tchacos Codex. Since this codex is a newly-conserved ancient book of Christian manuscripts which had yet to be discussed collaboratively by a body of scholars, this book is nothing less than a landmark in Gnostic studies.

From hard-hitting New York Daily News columnist Linda Stasi comes Book of Judas, a riveting religious thriller featuring beloved protagonist Alessandra Russo. When her infant son is placed in mortal danger, New York City reporter Alessandra Russo is forced to save him by tracking down the missing pages of the Gospel of Judas, a heretical manuscript that was unearthed in Al-Minya, Egypt, in the 1970s. The manuscript declares that Judas was the beloved, not the betrayer, of Jesus. The Gospel disappeared for decades before being rediscovered, rotted beyond repair, in a safety deposit box. Rumors insist that the most important pages had been stolen—pages that Alessandra now must find, if they even exist. Do the lost pages contain a secret that will challenge Christianity's core beliefs about the creation of life, or that might hold the power to unleash Armageddon? What if such explosive documents fell into the hands of modern-day terrorists, dictators, or religious fanatics? Alessandra plunges into a dark world of murder, conspiracy, and sexual depravity...and most importantly, a race against the clock to save her own child. In this exciting follow-up to The Sixth Station, award-winning journalist Linda Stasi brings her formidable investigative skills, big city street smarts, and fast-flying pen to a thriller that will leave readers breathless. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

In this fascinating historical and cultural biography, writer and broadcaster Peter Stanford deconstructs that most vilified of Bible characters: Judas Iscariot, who famously betrayed Jesus with a kiss. Beginning with the gospel accounts, Peter explores two thousand years of cultural and theological history to investigate how the very name Judas came to be synonymous with betrayal and, ultimately, human evil. But as Peter points out, there has long been a counter-current of thought that suggests that Judas might in fact have been victim of a terrible injustice: central to Jesus' mission was his death and resurrection, and for there to have been a death, there had to be a betrayal. This thankless role fell to Judas; should we in fact be grateful to him for his role in the divine drama of salvation? 'You'll have to decide,' as Bob Dylan sang in the sixties, 'Whether Judas Iscariot had God on his side'. An essential but doomed character in the Passion narrative, and thus the entire story of Christianity, Judas and the betrayal he symbolises continue to play out in much larger cultural histories, speaking as he does to our deepest fears about friendship, betrayal and the problem of evil. Judas: the ultimate traitor, or the ultimate scapegoat? This is a compelling portrait of Christianity's most troubling and mysterious character.