Judgment At Proteus

Frank Compton must join forces with his most feared enemies to defeat an ancient civilizations-devouring malevolence in the final installment of Hugo Award-winning author Timothy Zahn’s Quadrail series A dozen sentient species occupy the galaxy, and the Quadrail connects them all. Arriving at Proteus Station under a cloud of suspicion, ex-government agent Frank Compton finds he must answer for the death of six members of the Filly elite, a crime for which he has been falsely accused. Filiaelian captivity, however, is the least of Compton’s worries, for his horse-faced alien accusers are guarding a terrible secret that dates back centuries: the Shonkla-raa, a race of super-soldiers believed to be extinct. Invincible fighters bred for conquest and dedicated to the destruction of the Quadrail, as well as the annihilation of the unsuspecting billions who oppose them, the Shonkla-raa must be stopped at all cost. But to do so, Compton and his beautiful, enigmatic half-human partner, Bayta, will have to ally themselves with the insidious, mind-enslaving Mohdri, the malevolent group intelligence they have sworn to destroy. Hugo Award winner Timothy Zahn concludes his sensational Quadrail series with a riveting futuristic adventure that combines the best of three popular genres—hard science fiction, mystery, and espionage thriller. Judgment at Proteus is a breathtaking tale of deception, murder, and desperate maneuverings in a secret war that threatens the survival of every living being in the galaxy.

Plautine Trends: Studies in Plautine Comedy and its Reception, a collective volume published as a Festschrift in honour of Prof. D. Raios (University of Ioannina), aims to contribute to the current, intense discussion on Plautine drama and engage with most of the topics which lie at the forefront of recent scholarship on ‘literary Plautus’. 13 papers by experts on Roman Comedy address issues concerning a) the structure of Plautine plot in its social, historical and philosophical contexts, b) the interfaces between language and comic plot, and c) plot and language as signs of reception. Participants include (in alphabetical order): A. Augoustakis, R.R. Caston, D.M. Christenson, M. Fontaine, S. Frangoulidis, M. Hanses, E. Karakasis, D. Konstan, K. Kounaki–Philippides, S. Papaioannou, A. Sharrock, N.W. Slater, and J.T. Welsh. The papers of the volume are preceded by an introduction offering a review of the extensive literature on the subject in recent years and setting the volume in its critical context. The preface to the volume is written by R.L. Hunter. The book is intended for students or scholars working on or interested in Plautine Comedy and its reception.

If you’ve always wanted to read Shakespeare, but are intimidated by the older language, then this is the perfect edition for you! Every single Shakespeare play is included in this massive anthology! Each play contains the original language with modern language underneath!

Action science fiction, mystery, and espionage combine in books 4 and 5 of the Quadrail series from this Hugo Award–winning author. The alien Chahwyn created the Spiders to keep their intragalactic transportation system, the Quadrail, safe and running smoothly. And ex-government agent Frank Compton is there to protect its integrity. So far, Compton and his beautiful half-human, half-Chahwyn partner, Bayta, have had their hands full keeping the Quadrail open and preventing the evil Modhri from using it to spread their mind-controlling infection. But new threats are always popping up . . . The Domino Pattern: While the Quadrail is en route to the farthest edge of the galaxy, someone is poisoning passengers. Meanwhile, Compton and Bayta must prevent the system from derailing, and unless they can unmask a sinister conspiracy, the ordered universe will fall into chaos. Judgment at Proteus: The Shonkla-raa are invincible fighters dedicated to the destruction of the Quadrail. They were once thought to be extinct, but no longer. Now Compton and Bayta must join forces with their most feared enemy, the Modhri, if they hope to protect all species along the Quadrail from annihilation.

This book, a sequel to Clio and the Poets (Brill 2002), examines the inter-relationships between Latin poetry and historiography in the first century AD.

When, in the third century B.C.E., the Ptolemies became rulers in Egypt, they found themselves not only kings of a Greek population but also pharaohs for the Egyptian people. Offering a new and expanded understanding of Alexandrian poetry, Susan Stephens argues that poets such as Callimachus, Theocritus, and Apollonius proved instrumental in bridging the distance between the two distinct and at times diametrically opposed cultures under Ptolemaic rule. Her work successfully positions Alexandrian poetry as part of the dynamic in which Greek and Egyptian worlds were bound to interact socially, politically, and imaginatively. The Alexandrian poets were image-makers for the Ptolemaic court, Seeing Double suggests; their poems were political in the broadest sense, serving neither to support nor to subvert the status quo, but to open up a space in which social and political values could be imaginatively re-created, examined, and critiqued. Seeing Double depicts Alexandrian poetry in its proper context—within the writing of foundation stories and within the imaginative redefinition of Egypt as "Two Lands"—no longer the lands of Upper and Lower Egypt, but of a shared Greek and Egyptian culture.

Originally published in 1918. While it requires little thought to recognize in Hecatacus a figure of importance in his day, an appraisal in detail of his contribution to science and history is a matter of considerable difficulty. This book includes a general survey of him as well as chapters on Hecataeus as Historian of Egypt, and the objections to this view.