Julius Winsome

Julius Winsome lives in a cabin in the hunting heartland of the Maine woods, with only his books and his dog for company. That is until the morning he finds that his dog has been shot dead - and not by accident. Gerard Donovan weaves an extraordinary tale of revenge that is also a tender and heartbreaking paean to lost love. Narrated by the unforgettable voice of Julius himself - at once compassionate, vulnerable and threatening - it reads like a timeless, lost classic.

Julius Winsome vit seul avec son chien, Hobbes, au fin fond du Maine le plus sauvage. Eduqué dans le refus de la violence et l’amour des mots, ce doux quinquagénaire ne chasse pas, contrairement aux hommes virils de la région. Il se contente de chérir les milliers de livres qui tapissent son chalet. La vision de Hobbes ensanglanté et mourant le changera en tueur fou...

In an unnamed European village, in the middle of a civil war, one man digs while another watches over him. Gradually, they begin to talk. Over the course of the afternoon, as the snow falls and truck-loads of villagers are corralled in the next field, we discover why they are there - not just who they are and how specific, sinister events in their country have led them to be separated by a deepening grave, but why the history of civilization is inseparable from the history of mass violence. Beautifully written, with a poet's eye for detail coupled with a chilling narrative drive, Gerard Donovan's first novel has been compared with Franz Kafka and Bernhard Schlink. SCHOPENHAUER'S TELESCOPE is current in the best sense - not merely about Bosnia or Kosovo, but in attempting to make art out of brutal life.

A young man driving across Ireland with his wife asks her how long she would wait before being with another man if he died. A man is trapped, hidden, in a small changing room by the sea on Galway Bay, as he listens to his friends discuss his wife's infidelity. An anguished young boy and his widowed mother struggle to reconstruct their lost father and husband in their own respective ways. The stories in Country of the Grand magnify a New Ireland as it copes with the rewards and pressures of its fresh success: immigration, mid-life crisis, adultery and divorce, a lost sense of place and history, and of course, what to do with all that prosperity.

Shortlisted for the Booker Prize. In a small East Anglian town, Florence Green decides, against polite but ruthless local opposition, to open a bookshop.

Best-selling books such as Freakonomics and The Undercover Economist have paved the way for the flourishing economics-made-fun genre. While books like these present economics as a strong and explanatory science, the ongoing economic crisis has exposed the shortcomings of economics to the general public. In the face of this crisis, many people, including well-known economists such as Paul Krugman, have started to express their doubts about whether economics is a success as a science. As well as academic papers, newspaper columns with a large audience have discussed the failure of economic to predict and explain ongoing trends. The emerging picture is somewhat confusing: economics-made-fun books present economics as a method of thinking that can successfully explain everyday and "freaky" phenomena. On the other hand, however, economics seems to fail in addressing and explaining the most pressing matters related to the field of economics itself. This book explores the confusion created by this contradictory picture of economics. Could a science that cannot answer its own core questions really be used to explain the logic of everyday life? This book was originally published as a special issue of the Journal of Economic Methodology.

A tightly spun, atmospheric and powerful psychological suspense. Living in a remote Devon farmhouse, Anna and her family have always been close to nature, surrounded by the haunting beauty of the moor. But when a convict escapes from nearby Dartmoor prison, their isolation suddenly begins to feel more claustrophobic than free. Fearing for her children's safety, Anna's behaviour becomes increasingly irrational. But why is she so distant from her kind husband Robert, and why does she suspect something sinister of her son Paul? All teenagers have their difficult phases... Meanwhile, a young idealistic teacher has just started her first job, determined to 'make a difference'. But when she is brutally attacked by one of her students, her version of events is doubted by even those closest to her. Struggling to deal with the terrible consequences, she does what she can to move on and start afresh. As the two narratives converge, the tension builds to a devastating denouement, shattering everything you thought you believed about nature, nurture and the true meaning of family.