Jungle Of Steel And Stone

From the author of the Mongo Mysteries: Former CIA operative Veil Kendry uses his paranormal powers to track down a stolen African artifact. When Veil Kendry dreams, he possesses a clarity normal people never experience, along with the power of volition, which allows him to enter the minds of others. Veil’s strange gift was invaluable as an operative for the CIA, but now he’s left that life behind and instead channels his unusual ability into art. When needed, though, he still applies his supernatural and clandestine skills to helping those in trouble. So when Veil crosses paths with a thief who stole a K’ung tribe religious idol from the same midtown art gallery that exhibits his dream-paintings, he’s compelled to get involved—despite threats from a corrupt cop named Carl Nagle. Using his dream powers, Veil attempts to enter the mind of the thief in order to apprehend him. But there are others on the hunt, desperate to possess the artifact— and soon, Veil will find himself fighting just to stay alive. Jungle of Steel and Stone is the 2nd book in the Veil KendrySuspense Novels, but you may enjoy reading the series in any order.

When a priceless African artwork is stolen from a Manhattan art gallery by a K'ung warrior-prince, Veil Kendry, a clairvoyant painter and expert in the martial arts, must draw on all his powers to track down the thief

In this book the late Jeffrey Clark subjects the history of colonialism among the Wiru of Papua New Guinea to a fresh and subtle examination. He reflects upon his own fieldwork as an anthropologist as he scrutinizes the cultural construction of encounters and exchanges between New Guineans and Australians from the 1930s on. Colonized and colonizers alike are the focus of an analysis that draws upon theories of culture, temporality, discursive representation, and anthropology in the postcolonial era. Steel to Stone offers an original critique of several different theories and perspectives and, in its ensemble of frameworks, constitutes a highly innovative contribution to anthropological thinking about history and culture. Of especial interest is Clark's application, in a New Guinean context, of Foucault's analysis of `the way in which new regimes of power and knowledge are inscribed on the body'. The Wiru, faced with the impact of a colonizing culture, are shown to inscribe their own history on the body, and to read in it their understanding of particular events. Overall, Clark provides a compelling picture of a contemporary Melanesian culture, at the critical point at which the Wiru people are interpreting, invoking, and reinventing their history in the context of a developing nation state.

An acclaimed rock and roll journalist evokes the legacy of The Rolling Stones—iconic, granitic, commercially unstoppable as a collective; and fascinating, contradictory, and occasionally disturbing as individuals. As Lesley-Ann Jones writes, the Rolling Stones are "still roaming the globe like rusty tanks without a war to go to. Jumping, jacking, flashing, posturing, these septuagenarian caricatures with faces that might have been microwaved but coming on like eternal thirty-year-olds.” On 12th July 1962, the Rollin’ Stones performed their first-ever gig at London’s Marquee jazz club. Down the line, a ‘g’ was added, a spark was lit and their destiny was sealed. No going back. These five white British kids set out to play the music of black America. They honed a style that bled bluesy undertones into dark insinuations of women, sex, and drugs. Denounced as ‘corruptors of youth’ and ‘messengers of the devil,’ they created some of the most thrilling music ever recorded. Now their sound and attitude seem louder and more influential than ever. Elvis is dead and the Beatles are over, but Jagger and Richards bestride the world. The Stones may be gathering moss, but on they roll. Yet how did the ultimate anti-establishment misfits become the global brand we know today? Who were the casualties, and what are the forgotten legacies? Can the artist ever be truly divisible from the art? Lesley-Ann Jones’s new history tracks this contradictory, disturbing, granitic and unstoppable band through hope, glory and exile, into the juggernaut years and beyond into rock’s ongoing reckoning . . . where the Stones seem more at odds than ever with the values and heritage against which they have always rebelled. Good, bad, and often ugly, here are the Rolling Stones as never seen before.

Tired of reality? Tired of heroic origin stories? Tired of the same old same old superhero and fantasy tripe? Tired of people treating the genre as kids stuff? Then Demiurge is your answer.Walking on the dark side, The Adventures of ATM is the mature tale of a villain, inspired by the world of comic books and fantasy RPGs.From a world of magic and monsters, an armored dark knight arrives on a world of heroes, villains and caped superhumans of all types. Sent to kill a rogue member of the Villain's Union, the Aire Tam Man must deal with not only a mechanical army standing between him and his target but a trio of heroes seeking him for a horrendous crime.The first book in an epic series, "Day One" begins The Adventures of ATM. A wicked novel with just the right mix of fantasy, action, comedy and drama unlike anything you've read before.Be vile. Embrace your malevolence. Join AoATM.

Celebrating 25 years of Everette Hartsoe's RAZOR. The best stories from the dark hit cult underground comic series from the 90's

Man or machine? Alive or animated? Conscious or construct? Little is known about the Dollz, and even less is known about their creator, the enigmatic Dollmaker. But to the powerful, pleasure-seeking elite, the Dollz are the ultimate symbol of status and wealth. In this near-future fable, "Toy Story" meets "Blade Runner," and fantasy becomes reality in a hedonistic world being consumed by its own hunger for carnal pleasure and power. Playtime is over, but the fun is just beginning!

The acclaimed chronicle of the discovery of the legendary lost civilization of the Maya. Includes the history of the major Maya sites, including Palenque, Uxmal, Chichen Itza, Tuloom, Copan, and more. NEW YORK TIMES BESTSELLER • Illustrated with a map and more than 100 images. In 1839, rumors of extraordinary yet baffling stone ruins buried within the unmapped jungles of Central America reached two of the world’s most intrepid travelers. Seized by the reports, American diplomat John Lloyd Stephens and British artist Frederick Catherwood—both already celebrated for their adventures in Egypt, the Holy Land, Greece, and Rome—sailed together out of New York Harbor on an expedition into the forbidding rainforests of present-day Honduras, Guatemala, and Mexico. What they found would upend the West’s understanding of human history. In the tradition of Lost City of Z and In the Kingdom of Ice, former San Francisco Chronicle journalist and Pulitzer Prize finalist William Carlsen reveals the remarkable story of the discovery of the ancient Maya. Enduring disease, war, and the torments of nature and terrain, Stephens and Catherwood meticulously uncovered and documented the remains of an astonishing civilization that had flourished in the Americas at the same time as classic Greece and Rome—and had been its rival in art, architecture, and power. Their masterful book about the experience, written by Stephens and illustrated by Catherwood, became a sensation, hailed by Edgar Allan Poe as “perhaps the most interesting book of travel ever published” and recognized today as the birth of American archaeology. Most important, Stephens and Catherwood were the first to grasp the significance of the Maya remains, understanding that their antiquity and sophistication overturned the West’s assumptions about the development of civilization. By the time of the flowering of classical Greece (400 b.c.), the Maya were already constructing pyramids and temples around central plazas. Within a few hundred years the structures took on a monumental scale that required millions of man-hours of labor, and technical and organizational expertise. Over the next millennium, dozens of city-states evolved, each governed by powerful lords, some with populations larger than any city in Europe at the time, and connected by road-like causeways of crushed stone. The Maya developed a cohesive, unified cosmology, an array of common gods, a creation story, and a shared artistic and architectural vision. They created stucco and stone monuments and bas reliefs, sculpting figures and hieroglyphs with refined artistic skill. At their peak, an estimated ten million people occupied the Maya’s heartland on the Yucatan Peninsula, a region where only half a million now live. And yet by the time the Spanish reached the “New World,” the Maya had all but disappeared; they would remain a mystery for the next three hundred years. Today, the tables are turned: the Maya are justly famous, if sometimes misunderstood, while Stephens and Catherwood have been nearly forgotten. Based on Carlsen’s rigorous research and his own 1,500-mile journey throughout the Yucatan and Central America, Jungle of Stone is equally a thrilling adventure narrative and a revelatory work of history that corrects our understanding of Stephens, Catherwood, and the Maya themselves.