Kafka S Monkey And Other Phantoms Of Africa

Even though many of France's former colonies became independent over fifty years ago, the concept of "colony" and who was affected by colonialism remain problematic in French culture today. Seloua Luste Boulbina, an Algerian-French philosopher and political theorist, shows how the colony's structures persist in the subjectivity, sexuality, and bodily experience of human beings who were once brought together through force. This text, which combines two works by Luste Boulbina, shows how France and its former colonies are haunted by power relations that are supposedly old history, but whose effects on knowledge, imagination, emotional habits, and public controversies have persisted vividly into the present. Luste Boulbina draws on the work of Michel Foucault, Frantz Fanon, and Édouard Glissant to build a challenging, original, and intercultural philosophy that responds to blind spots of inherited political and social culture. Kafka's Monkey and Other Phantoms of Africa offers unique insights into how issues of migration, religious and ethnic identity, and postcolonial history affect contemporary France and beyond.

'A high-spirited, richly informed, and original portrait, a cross between biography, literary analysis and a study in modern canonisation: Karolina Watroba is an inspired guide and her book a pleasure to read.' Marina Warner In 2024, exactly one hundred years after his death at the age of 40, readers all over the world will reach for the works of Franz Kafka. Many of them will want to learn more about the enigmatic man behind the classic books filled with mysterious courts and monstrous insects. Who, exactly, was Franz Kafka? Karolina Watroba, the first Germanist ever elected as a Fellow of Oxford's All Souls College, will tell Kafka's story beyond the boundaries of language, time and space, travelling from the Prague of Kafka's birth through the work of contemporary writers in East Asia, whose award-winning novels are in part homages to the great man himself. Metamorphoses is a non-chronological journey through Kafka's life, drawing together literary scholarship with the responses of his readers through time. It is a both an exploration of Kafka's life and an exciting new way of approaching literary history.

In Africa, the twenty-first century began with new challenges surrounding and regarding philosophical discourses. Questions of economic and political liberation, the displacement of populations and the process of urbanization present ongoing challenges, linked to problems such as endemic diseases and famine, the restructure of the traditional family, gender and the position of women, the transmission of culture from past to future generations. Changes in labor relations resulting from introduction of financial speculation, cutting edge technologies, and differential access to digital and older cultural forms have placed real demands on Africans and Africanists working in philosophy. This volume explores the ways in which African philosophies express “transitional acts,” those acts by which thought interacts with history as it is being made and by which it assures its own renewal in proposing provisional solutions to historical problems. A transitional act combines both the audacity of confrontation and the novelty of creation, prudence in the face of risks and anticipation in the face of the unexpected. Influential and emerging thinkers from both sides of the Atlantic consider this dual activity in the realm of criticism and imagination, public spaces in Africa, and the relationship between historical politics and historical poetics.

In his preface to Deleuze and Guattari’s Anti-Oedipus, Michel Foucault notes that in the late sixties, there is a turn away from Freud anda movement toward what he calls an “experience and technology of desire that is no longer Freudian”. Foucault, Deleuze, and Guattari were interested in, and engaged with this shift and their collective work in these areas spawned a larger post-Freudian literature. This book gathers contributions from international scholars with the aim of exploring the social, political, and philosophical dimension of Deleuze and Guattari’s, and Foucault’s critical encounters with psychoanalytic thought: Their possible connections, their divergences, the fields of reflection that these encounters open, and the problems and debates that led Foucault and Deleuze and Guattari to engage with psychoanalysis in the ways that they did. In doing so, the main goal of the book is not to engage in a critique of the discipline of Psychoanalysis as such, but to investigate how Foucault’s and Deleuze’s critique of Psychoanalysis gives rise to a political reflection that draws on some of Psychoanalysis key notions. Among these, the concept of Desire is central as it allows us to grasp the different ways in which Foucault and Deleuze politically engage with Psychoanalysis: for Deleuze, Desire is the element through which Revolution becomes possible, whereas for Foucault Desire is a cornerstone of the modern mechanisms of subjection. Drawing both on new material like Confessions of the Flesh, the 4th volume of Foucault’s History of Sexuality and on Foucault and Deleuze main work, the book covers a variety of topics including the contrast between Foucault’s and Deleuze political understanding of desire and pleasure; the genealogy of desire as a way to investigate the historical shaping of psychoanalysis; the relationship between psychoanalysis and the normalizing mechanisms of power (e.g. biopolitics and disciplinary regimes); the ways in which psychoanalysis and neoliberalism come together in particular moments, the status and role of desire in revolt, resistance, and transformation; Foucault and Deleuze’s different approaches to the unconscious; the role of desire in the formation of identity; etc.,. In the 50th anniversary of Deleuze and Guattari’s Anti-Oedipus, one of the major references that inspires the many chapters in this book, we aim to pay homage to these two important figures of contemporary thought by enriching and opening new lines of thought and problematization of the political reflection on Desire that Foucault and Deleuze developed.

‘Esteemed members of the Academy! You have done me the great honour of inviting me to give you an account of my former life as an ape.’ Imprisoned in a cage and desperate to escape, Kafka's monkey reveals his journey to become a walking, talking, spitting, smoking, hard-drinking man of the stage. Based on the short story A Report to an Academy by Franz Kafka, this new adaptation is by acclaimed writer Colin Teevan. Kafka's Monkey was performed to critical acclaim at the Young Vic Theatre in Spring 2009, and will return from the 19th May to 11th June 2011.

This book sets out to understand the ethical dimension of Black lives and deaths in the modern period. Recent events—from the brutal murder of George Floyd to the pervasive violence meted out daily on the streets of our cities—have demonstrated all too clearly the fundamental trait that shapes our contemporary moment: the Black condition is defined by indignity. Ajari takes dignity as his starting point because dignity is what white people try to abolish in their violence toward Black people, and it is what they deprive themselves of in exerting this violence. Dignity is also what Black people collectively affirm when they rise up against white domination. When a young Black man or woman’s dignity is taken from them as the result of assault, rape, or assassination at the hands of the state, the roots of a long history of struggle, conquest, and affirmation of African humanity are exposed and shaken. Above all, dignity is the ability of the oppressed, trapped between life and death, to remain standing. Dignity or Death offers an uncompromising critical analysis of the European philosophical tradition in order to recover the misunderstood history of radical thought in Black worlds. Slave uprisings, Negritude, radical Christian traditions in North America and South Africa, and political ontology are all steps on a long and troubled path of liberation.

A critical exploration of James Benning's films, the material environments they explore and the perceptual environments they create