Kallimachos

Greek and Roman history has largely been reconstructed from the works of Herodotus, Thucydides, Livy, Tacitus, and other major authors who are today well represented in English translations. But much equally valuable documentary material is buried in inscriptions and papyri and in the works of Greek and Roman grammarians and scholars, and less well known historians and literary figures, of whose writings only isolated quotations have been preserved. Translated Documents of Greece and Rome has been planned to provide, above all, primary source material for the study of the classical world. It makes important historical documents available in English to scholars and students of classical history. The format of the translations is remarkable in attempting to reproduce faithfully the textual difficulties and uncertainties inherent in the documents, so that the reader without a knowledge of classical languages can assess the reliability of the various readings and interpretations. The author's purpose in compiling this book is to help the teaching of Hellenistic history at undergraduate and graduate level by providing students and teachers with a representative selection of accurately translated documents dealing with the political and social history of Greece and the Near and Middle East from c. 300 to c. 30 BC. The continuing vitality of the Greek cities in the Hellenistic period and the interaction of Greek and non-Greek cultures in the Near and Middle East after Alexander are the two themes to which the author pays particular attention. In accordance with the principles of this series, selections from readily available major authors such as Polybius and Plutarch have been excluded except where unavoidable. Instead the bulk of the selections have been drawn from papyrological and epigraphical sources, many of which have never been translated into English before. The texts include city decrees and regulations, royal letters and ordinances, records of embassies and judicial decisions, dedications, treaties, statue bases, and documents dealing with the establishment of festivals, dynastic and other religious cults, education and other endowments. Brief commentaries and bibliographical notes accompany each text. Students and teachers of ancient history and classical civilization will welcome this book. Those studying Jewish history and the historical background of early Christianity will also find it interesting.

Millennium transcends boundaries - between epochs and regions, and between disciplines. Like the Millennium-Jahrbuch, the journal Millennium-Studien pursues an international, interdisciplinary approach that cuts across historical eras. Composed of scholars from various disciplines, the editorial and advisory boards welcome submissions from a range of fields, including history, literary studies, art history, theology, and philosophy. Millennium-Studien also accepts manuscripts on Latin, Greek, and Oriental cultures. In addition to offering a forum for monographs and edited collections on diverse topics, Millennium-Studien publishes commentaries and editions. The journal primary accepts publications in German and English, but also considers submissions in French, Italian, and Spanish. If you want to submit a manuscript please send it to the editor from the most relevant discipline: Wolfram Brandes, Frankfurt (Byzantine Studies and Early Middle Ages): [email protected] Peter von M llendorff, Gie en (Greek language and literature): [email protected] Dennis Pausch, Dresden (Latin language and literature): [email protected] Rene Pfeilschifter, W rzburg (Ancient History): [email protected] Karla Pollmann, Bristol (Early Christianity and Patristics): [email protected] All manuscript submissions will be reviewed by the editor and one outside specialist (single-blind peer review).

This is the final volume in Brunilde Sismondo Ridgway's series of books covering the entire range of Greek sculpture, from its inception to its virtual end as it merged into the production of the Roman Imperial world. Volume III discusses sculptural works, both architectural and free-standing, from approximately 100 B.C. to the Battle of Actium (31 B.C.), which removed from power the last Hellenistic ruler. Although some monuments may belong to the years just before or just after this timespan, Ridgway's aim is to concentrate on works plausibly dated to the first century B.C., even those with highly controversial chronologies. Famous sculptures--the Laokoon, the epic groups from the Sperlonga cave, the Belvedere Torso, the bronze Boxer in the Terme Museum, and many others--are discussed together with less well known pieces. Ridgway gives special emphasis to the finds from two shipwrecks--the Mahdia and the Antikythera wrecks--that provide a reasonable terminus ante quem, and argues that many of the stylistic trends and decorative objects usually considered typically Roman instead have their roots in the Greek world. This last Hellenistic phase is perhaps the most interesting of the three because it documents, to a great extent, the transformation of the products of one culture into those of another with different interests and priorities. Far from being an unimaginative, inferior output driven by commercial considerations, the statuary of the first century B.C. is vibrant and inventive, drawing from many sources in a stylistic eclecticism.

A stimulating investigation of some of Ovid's source-material.

"This volume contains a wide range of articles. It provides a survey of current developments in research on one of the most influential authors of Hellenistic poetry and reflects the large amount of scholarly interest in Callimachus during the last decade. In the papers there is a particular focus on issues of metapoetics, intertextuality, fictional orality, the impact of poetic collections and the function of Callimachus' poetry in Ptolemaic Alexandria as well as an interest in the reception of Callimachus' poetry among Roman poets."--BOOK JACKET.

This volume contains twenty-five contributions adapted from papers presented at the International Conference on Poetic Language and Religion in Greece and Rome, held at the University of Santiago de Compostela on 31tst May – 1st June 2012. The book fulfils two principal aims: to highlight the impulse and continuity of a research field that combines Indo-European and Classical Studies, which has generally been recognised for several decades as a very fruitful collaboration, and to provide the academic community with the current results of one of the most important topics of Classical Studies. The first part of the book focuses on the Indo-European tradition, tracking its remnants, particularly in the Classical languages. The Indo-European poetic tradition can be traced through linguistic reconstruction (formulae, onomastics) and some scattered mentions in literary texts. In the second part, the focus is placed on the poetic language in Greece and Rome. The rich and complex tradition of Classical literatures makes a clear-cut description of the inherited or innovative aspects of the religious and literary development more problematical. Ritual or cultic poetry, onomastics, phraseology, paeans and hymns, oracles as divine language, and magic all receive deep and thorough treatment from a reliable ensemble of scholars.

A Companion to Greek Mythology presents a series of essays that explore the phenomenon of Greek myth from its origins in shared Indo-European story patterns and the Greeks’ contacts with their Eastern Mediterranean neighbours through its development as a shared language and thought-system for the Greco-Roman world. Features essays from a prestigious international team of literary experts Includes coverage of Greek myth’s intersection with history, philosophy and religion Introduces readers to topics in mythology that are often inaccessible to non-specialists Addresses the Hellenistic and Roman periods as well as Archaic and Classical Greece

The papers in this volume derive from the proceedings of the nineteenth International Bronze Congress, held at the Getty Center and Villa in October 2015 in connection with the exhibition Power and Pathos: Bronze Sculpture of the Hellenistic World. The study of large-scale ancient bronzes has long focused on aspects of technology and production. Analytical work of materials, processes, and techniques has significantly enriched our understanding of the medium. Most recently, the restoration history of bronzes has established itself as a distinct area of investigation. How does this scholarship bear on the understanding of bronzes within the wider history of ancient art? How do these technical data relate to our ideas of styles and development? How has the material itself affected ancient and modern perceptions of form, value, and status of works of art? www.getty.edu/publications/artistryinbronze