Kaluaiko Olau The Legendary Hero Of The Kalalau Cliffs

From the Pulitzer Prize-winning author and “one of the greatest poets of our age … the Thoreau of our era” (Edward Hirsch) comes a thrilling story, in verse, of nineteenth-century Hawaii. Here is the story of an attempt by the government to seize and constrain possible victims of leprosy and the determination of one small family not to be taken. A tale of the perils and glories of their flight into the wilds of the island of Kauai, pursued by a gunboat full of soldiers. A brilliant capturing—inspired by the poet's respect for the people of these islands—of their life, their history, the gods and goddesses of their mythic past. A somber revelation of the wrecking of their culture through the exploitative incursions of Europeans and Americans. An epic narrative that enthralls with the grandeur of its language and of its vision.

Jack London (1876-1916), known for his naturalistic and mythic tales, remains among the most popular and influential American writers in the world. Jack London's Racial Lives offers the first full study of the enormously important issue of race in London's life and diverse works, whether set in the Klondike, Hawaii, or the South Seas or during the Russo-Japanese War, the Jack Johnson world heavyweight bouts, or the Mexican Revolution. Jeanne Campbell Reesman explores his choices of genre by analyzing racial content and purpose and judges his literary artistry against a standard of racial tolerance. Although he promoted white superiority in novels and nonfiction, London sharply satirized racism and meaningfully portrayed racial others--most often as protagonists--in his short fiction. Why the disparity? For London, racial and class identity were intertwined: his formation as an artist began with the mixed "heritage" of his family. His mother taught him racism, but he learned something different from his African American foster mother, Virginia Prentiss. Childhood poverty, shifting racial allegiances, and a "psychology of want" helped construct the many "houses" of race and identity he imagined. Reesman also examines London's socialism, his study of Darwin and Jung, and the illnesses he suffered in the South Seas. With new readings of The Call of the Wild, Martin Eden, and many other works, such as the explosive Pacific stories, Reesman reveals that London employed many of the same literary tropes of race used by African American writers of his period: the slave narrative, double-consciousness, the tragic mulatto, and ethnic diaspora. Hawaii seemed to inspire his most memorable visions of a common humanity.

At the dawn of the 20th century, Jack London was considered one of the first literary writing pioneers in the rapidly growing world of magazine fiction. Having written numerous novels, short stories, poems and essays, he became a well-known celebrity and world-wide house hold name. Even today, Jack London’s popular written works find a large reader audience and his stories have been adapted into feature films and television programs. Presented here is one of Jack London's classic tales of the South Pacific as one man refuses to give up any more of his possessions even though it appears that he's lost everything already. Illustrated by comic veteran Charles Yates. A Caliber Comics release.

The story of Kaluaikoolau (or Koolau) is one of Kauai's great legends. In 1892, after learning that he and his young son had contracted leprosy, Koolau fled with his family deep into Kalalau Valley. In June 1893 Koolau shot and killed a sherif and two Provisional Governemnt soldiers who had been sent to arrest him. He vowed never to be taken alive and became a powerful symbol of resistance for many Hawaiians in the years following the overthrow of Queen Liliuokalani. The story of Koolau's last years, as narrated by his devoted wife, Piilani, was published in Hawaiian in 1906. In this volume, the Hawaiian text is preceded by an English translation that successfully retains the poetic imagery and figurative language of the original. Many writers have attempted to tell Koolau's story, but none have been able to match the simple grace and poignancy of Piilani's narrative. It is one of only a handful of historical accounts by a native Hawaiian.

This ancient saga begins with the goddess Pele's migration to Kīlauea and her spirit's search for a lover. The story then details the quest of Pele's younger sister, Hi'iakaikapoliopele, to find the handsome Lohi'auipo, and bring him back to their crater home. It is a very human account of love and lust, jealousy and justice, peopled with deities, demons, chiefs and commoners. This version by Ho'oulumāhie-hie ran from 1905 to 1906 as a daily series in the Hawaiian-language newspaper Ka Na'i Aupuni. It is the most extensive form of the story ever documented, offering a wealth of detail and insights about social and religious practices, poetry and hula, healing arts, and many other Hawaiian customs.

In the bestselling tradition of In the Heart of the Sea, The Colony, “an impressively researched” (Rocky Mountain News) account of the history of America’s only leper colony located on the Hawaiian island of Molokai, is “an utterly engrossing look at a heartbreaking chapter” (Booklist) in American history and a moving tale of the extraordinary people who endured it. Beginning in 1866 and continuing for over a century, more than eight thousand people suspected of having leprosy were forcibly exiled to the Hawaiian island of Molokai -- the longest and deadliest instance of medical segregation in American history. Torn from their homes and families, these men, women, and children were loaded into shipboard cattle stalls and abandoned in a lawless place where brutality held sway. Many did not have leprosy, and many who did were not contagious, yet all were ensnared in a shared nightmare. Here, for the first time, John Tayman reveals the complete history of the Molokai settlement and its unforgettable inhabitants. It's an epic of ruthless manhunts, thrilling escapes, bizarre medical experiments, and tragic, irreversible error. Carefully researched and masterfully told, The Colony is a searing tale of individual bravery and extraordinary survival, and stands as a testament to the power of faith, compassion, and the human spirit.

Literary Nonfiction. Poetry History & Criticism. W. S. Merwin is a defining writer for our age, a poet who, over the course of sixty years and more than forty books, has created a body of work of enormous range, ambition, and complexity. He has served as the United States Poet Laureate and is the recipient of almost every major American award for poetry, including the 2005 National Book Award and two Pulitzer Prizes, first in 1971 and again in 2009. In this volume, for the first time, fifteen poets and critics gather to discuss the last quarter century of his work, beginning with The Rain in the Trees, a collection of poems that marks a turning point in Merwin's career. At times personal and at times scholarly, these essays place the poet's recent work in the context of a lifetime of writing, and help us to understand how this seminal literary figure fits into the ongoing conversation of American poetry. Includes a preface by editors Jonathan Weinert and Kevin Prufer, a transcript of an interview with W. S. Merwin, and essays by David Caplan, Steven Cramer, Debra Kang Dean, Forrest Gander, Mark Halliday, Jerry Harp, H. L. Hix, Mark Irwin, Sarah Kennedy, Eric Pankey, Lisa Russ Spaar, Michael Theune, Jeanie Thompson and Matthew Zapruder.