Kant S Analytic

A critque and analysis of Kant's Analytic.

Robert Hanna presents a fresh view of the Kantian and analytic traditions that have dominated continental European and Anglo-American philosophy over the last two centuries, and of the relation between them. The rise of analytic philosophy decisively marked the end of the hundred-year dominance of Kant's philosophy in Europe. But Hanna shows that the analytic tradition also emerged from Kant's philosophy in the sense that its members were able to define and legitimate their ideas only by means of an intensive, extended engagement with, and a partial or complete rejection of, the Critical Philosophy. Hanna's book therefore comprises both an interpretative study of Kant's massive and seminal Critique of Pure Reason, and a critical essay on the historical foundations of analytic philosophy from Frege to Quine. Hanna considers Kant's key doctrines in the Critique in the light of their reception and transmission by the leading figures of the analytic tradition—Frege, Moore, Russell, Wittgenstein, Carnap, and Quine. But this is not just a study in the history of philosophy, for out of this emerges Hanna's original approach to two much-contested theories that remain at the heart of contemporary philosophy. Hanna puts forward a new 'cognitive-semantic' interpretation of transcendental idealism, and a vigorous defence of Kant's theory of analytic and synthetic necessary truth. These will make Kant and the Foundations of Analytic Philosophy compelling reading not just for specialists in the history of philosophy, but for all who are interested in these fundamental philosophical issues.

This book is Jonathan Bennett's engaging and influential study of the first half of Kant's Critique of Pure Reason.

Kant claims to have established his table of categories or "pure concepts of the understanding" according to the "guiding thread" provided by logical forms of judgment. By drawing extensively on Kant's logical writings, Béatrice Longuenesse analyzes this controversial claim, and then follows the thread through its continuation in the transcendental deduction of the categories, the transcendental schemata, and the principles of pure understanding. The result is a systematic, persuasive new interpretation of the Critique of Pure Reason. Longuenesse shows that although Kant adopts his inventory of the forms of judgment from logic textbooks of his time, he is nevertheless original in selecting just those forms he holds to be indispensable to our ability to relate representations to objects. Kant gives formal representation to this relation between conceptual thought and its objects by introducing the term "x" into his analysis of logical forms to stand for the object that is "thought under" the concepts that are combined in judgment. This "x" plays no role in Kant's forms of logical inference, but instead plays a role in clarifying the relation between logical forms (forms of concept subordination) and combinations ("syntheses") of perceptual data, necessary for empirical cognition. Considering Kant's logical forms of judgment thus helps illuminate crucial aspects of the Transcendental Analytic as a whole, while revealing the systematic unity between Kant's theory of judgment in the first Critique and his analysis of "merely reflective" (aesthetic and teleological) judgments in the third Critique.

This book presents an integrated interpretation and appraisal of Kant's mature aesthetic. The writer draws readers into the realization of what is important and enduring in the Critique of Aesthetic Judgment by taking up the issues Kant raises and relating them to contemporary themes in aesthetics. Those parts of Kant's theory that raise issues engaging contemporary discussion and debate, such as the role of pleasure, the tenability of the aesthetic attitude, the justification of claims to interpersonal agreement in aesthetic judgment in and the relation of beauty to excellence in art are given special emphasis and subjected to careful scrutiny.

The prevailing interpretation of Kant&’s First Critique in Anglo-American philosophy views his theory of a priori knowledge as basically a theory about the possibility of empirical knowledge (or experience), or the a priori conditions for that possibility (the representations of space and time and the categories). Instead, Robert Greenberg argues that Kant is more fundamentally concerned with the possibility of a priori knowledge&—the very possibility of the possibility of empirical knowledge in the first place. Greenberg advances four central theses:(1) the Critique is primarily concerned about the possibility, or relation to objects, of a priori, not empirical knowledge, and Kant&’s theory of that possibility is defensible; (2) Kant&’s transcendental ontology must be distinct from the conditions of the possibility of a priori knowledge; (3) the functions of judgment, in Kant&’s discussion of the Table of Judgments, should be seen according to his transcendental logic as having content, not as being just logical forms of judgment making; (4) Kant&’s distinction between and connection of ordering relations (Verhaltnisse) and reference relations (Beziehungen) have to be kept in mind to avoid misunderstanding the Critique. At every step of the way Greenberg contrasts his view with the major interpretations of Kant by commentators like Henry Allison, Jonathan Bennett, Paul Guyer, and Peter Strawson. Not only does this new approach to Kant present a strong challenge to these dominant interpretations, but by being more true to Kant&’s own intent it holds promise for making better sense out of what have been seen as the First Critique&’s discordant themes.