Kay Nielsen East Of The Sun And West Of The Moon

‘East of the Sun and West of the Moon’ is a collection of Nordic and Norwegian folklore, edited and collated by Peter Christen Asbjørnsen and Jørgen Engebretsen Moe. The two men were so closely united in their lives’ work that their folk tale anthologies are commonly mentioned only as ‘Asbjørnsen and Moe.’ This volume contains the classic ‘East of the Sun and West of the Moon’ and ‘The Three Billy Goats Gruff’, alongside other lesser-known stories such as ‘The Three Princesses of Whiteland’, ‘The Widow’s Son’, and ‘The Cat on the Dovrefell’. The stories of ‘East of the Sun and West of the Moon’ are accompanied by the dazzling colour and black and white illustrations of Kay Nielsen (1886 – 1957). Nielsen was a Danish artist belonging to the golden age of illustration. He was influenced by Japanese art and the Swedish folklore – becoming a crucial participant in the Art Nouveaux movement. His art is characterised by long, swooping lines, open spaces and a certain macabre, yet ephemeral quality. Presented alongside the text, his illustrations further refine and elucidate the Asbjørnsen and Moe’s masterful storytelling. Pook Press celebrates the great ‘Golden Age of Illustration‘ in children’s literature – a period of unparalleled excellence in book illustration. We publish rare and vintage Golden Age illustrated books, in high-quality colour editions, so that the masterful artwork and story-telling can continue to delight both young and old.

A collection of ten Norwegian folk and fairy tales illustrated by well-known Danish artist Kay Nielsen.

The Moon, Father Forest, Great Fish of the Sea, and North Wind help a maiden rescue her true love from a troll princess in a faraway kingdom.

Enchanting images from Nielsen's illustrations for the Brothers Grimm, Hans Christian Andersen, and Nordic fables from East o' the Sun and West o' the Moon. 59 illustrations.

These 55 masterworks by one of the most influential illustrators of children's books include exquisite images for "The Sleeping Beauty," "Cinderella," "The Snow Queen," "The Real Princess," and other beguiling tales.

Alfred David and Mary Elizabeth Meek have compiled a collection of fairy tales that ranges from the Grimm brothers' inimitable recreations of archetypal folktales to the modern prose charm of James Thurber's Many Moons. The appeal of the stories is wide and varied: the refined intelligence of Perrault, the wondrous imagination of Andersen, the descriptive power of Ruskin, the bittersweet melancholy of Wilde. These are but a few of the artists represented in this remarkably inclusive selection of works from Germany, Russia, France, Scandinavia, England, and America. Many are in new translations in the modern idiom and all testify eloquently to the unceasing vitality of this literary genre.

Originally published in 1924, this collection The Fairy Tales of Hans Christian Andersen is illustrated with the magnificent Art Nouveau colour illustrations of Kay Nielsen. It was a project that took Nielsen twelve years to complete, and his illustrations perfectly capture the other-worldly spirit of Andersen's subject matter. It includes such well-known and loved tales as 'The Snow Queen', 'The Real Princess', 'The Hardy Tin Soldier' and 'The Nightingale.' Hans Christian Andersen (1805-1875) was a Danish poet and author celebrated for his children's stories but perhaps best known for his fables and fairy tales – meant for both adults and children. They were frequently written in a colloquial style, using idioms and spoken language in a manner previously unseen in Danish literature. Though simple at first glance, the fairy tales of Hans Christian Andersen often convey sophisticated moral teachings; in equal measure heart-breaking and heart-warming. Kay Nielsen (1886-1957) was a Danish illustrator of the golden age of illustration. He was influenced by Japanese art and the Swedish folklore – becoming a crucial participant in the Art Nouveaux movement. His art is characterised by long, swooping lines, open spaces and a certain macabre, yet ephemeral quality. Presented alongside the text, his illustrations further refine and elucidate Andersen's masterful storytelling.

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