Keats S Reading Reading Keats

This book explores John Keats’s reading practices and intertextual dialogues with other writers. It also examines later writers’ engagements with Keats’s poetry. Finally, the book honors the distinguished Keats scholar Jack Stillinger and includes an essay surveying his career as well as a bibliography of his major publications. The first section of the volume, “Theorizing Keats’s Reading,” contains four essays that identify major patterns in the poet’s reading habits and responses to other works. The next section, “Keats’s Reading,” consists of six essays that examine Keats’s work in relation to specific earlier authors and texts. The four essays in the third section, “Reading Keats,” consider how Keats’s poetry influenced the work of later writers and became embedded in British and American literary traditions. The final section of the book, “Contemporary Poetic Responses,” features three scholar-poets who, in poetry and/or prose commentary, discuss and exemplify Keats’s impact on their work.

This book explores John Keats's major works in the context of his reading and the world in which he shaped his career.

This collection comprises the works of John Keats, one of the greatest English poets and contemporary of Byron and Shelley. The collection includes "Endymion", "Lamia", "Isabella" and "Hyperion".

Offers a biography of the nineteenth century poet, offering insights into the details of his early life in London, the torments that affected him, and the imaginative sources of his works.

This unique book is about freeing psychology's poetic imagination from the dead weight of unconscious assumptions about the soul. Whether we think of the soul scientifically or medically, behaviorally or in terms of inner development, all of us are used to thinking of it in an individual context, as something personal. In this book, however, we are asked to consider psychology from a truly transpersonal perspective as a cultural, universal-human phenomenon. Cobb teaches us to look at the world as a record of the soul's struggles to awaken and as the soul's poetry. From this perspective, the real basis of the mind is poetic. Beauty, love, and creativity are as much instincts of the soul as sexuality or hunger. Cobb shows us how artists and mystics can teach us the meaning of love, death, and beauty, if only we can awaken to their creations. The exemplars here are Dante, Rumi, Rilke, Munch, Lorca, Schumann, and Tarkovsky.

Pluralist in approach and ranging across Keats's poetry and letters, this volume brings together ground-breaking historical research on the writer's schooling in Enfield, the sources of 'The Eve of St Mark', as well as an innovative discussion of Keats's writings about America. New light is shed on Keats's response to art and on his brilliant handling of the epistolary form. The workings of Keats's poetry are also reconsidered in a series of new readings. His treatment of silence is discussed; divisions put to productive use by Keats are emphasized; and the 'inward Keats' is explored in an examination of his poetry's post-Romantic, American reception.

“When I say this book is a love story, I mean it is about things that cannot be gotten over—like this world, and some of the people in it.” In 1819, the poet John Keats wrote six poems that would become known as the Great Odes. Some of them—“Ode to a Nightingale,” “To Autumn”—are among the most celebrated poems in the English language. Anahid Nersessian here collects and elucidates each of the odes and offers a meditative, personal essay in response to each, revealing why these poems still have so much to say to us, especially in a time of ongoing political crisis. Her Keats is an unflinching antagonist of modern life—of capitalism, of the British Empire, of the destruction of the planet—as well as a passionate idealist for whom every poem is a love poem. The book emerges from Nersessian’s lifelong attachment to Keats’s poetry; but more, it “is a love story: between me and Keats, and not just Keats.” Drawing on experiences from her own life, Nersessian celebrates Keats even as she grieves him and counts her own losses—and Nersessian, like Keats, has a passionate awareness of the reality of human suffering, but also a willingness to explore the possibility that the world, at least, could still be saved. Intimate and speculative, this brilliant mix of the poetic and the personal will find its home among the numerous fans of Keats’s enduring work.

Here is the first reliable edition of John Keats’s complete poems designed expressly for general readers and students. Upon its publication in 1978, Jack Stillinger’s The Poems of John Keats won exceptionally high praise: “The definitive Keats,” proclaimed The New Republic—“An authoritative edition embodying the readings the poet himself most probably intended, prepared by the leading scholar in Keats textual studies.” Now this scholarship is at last available in a graceful, clear format designed to introduce students and general readers to the “real” Keats. In place of the textual apparatus that was essential to scholars, Stillinger here provides helpful explanatory notes. These notes give dates of composition, identify quotations and allusions, gloss names and words not included in the ordinary desk dictionary, and refer the reader to the best critical interpretations of the poems. The new introduction provides central facts about Keats’s life and career, describes the themes of his best work, and speculates on the causes of his greatness.