Keeping An Eye Open

The updated edition of Julian Barnes’ best-loved writing on art, with seven new exquisite illustrated essays ‘Flaubert believed that it was impossible to explain one art form in terms of another, and that great paintings required no words of explanation. Braque thought the ideal state would be reached when we said nothing at all in front of a painting. But we are very far from reaching that state. We remain incorrigibly verbal creatures who love to explain things, to form opinions, to argue... It is a rare picture which stuns, or argues, us into silence. And if one does, it is only a short time before we want to explain and understand the very silence into which we have been plunged.’ Julian Barnes began writing about art with a chapter on Géricault’s The Raft of the Medusa in his 1989 novel A History of the World in 101⁄2 Chapters. Since then he has written a series of remarkable essays, chiefly about French artists, which trace the story of how art made its way from Romanticism to Realism and into Modernism. Fully illustrated in colour throughout, Keeping an Eye Open contains Barnes’ essays on Géricault, Delacroix, Courbet, Manet, Morisot, Fantin-Latour, Cézanne, Degas, Cassatt, Redon, Van Gogh, the legendary critic Huysmans, Bonnard, Vuillard, Vallotton, Braque, Magritte, Oldenburg, Howard Hodgkin and Lucian Freud. It also offers new perspectives on the fruitful relationship between writers and artists, and on the rivalry among Russian collectors of French art in the late 19th century. ‘A typically elegant and absorbing book by one of the greatest contemporary English writers.’ Guardian *Books of the Year* ‘Gave me a new confidence in how to understand and, more importantly, enjoy wandering around an exhibition.’ Mariella Frostrup ‘My book of the year.’ Natalie Haynes, Independent

An extraordinary collection of essays on the great masters of nineteenth- and twentieth-century art—from the Booker Prize-winning, bestselling author of The Sense of an Ending. “An engaging and empathetic volume.” —The New York Times Book Review As Julian Barnes notes: “Flaubert believed that it was impossible to explain one art form in terms of another, and that great paintings required no words of explanation. Braque thought the ideal state would be reached when we said nothing at all in front of a painting … But it is a rare picture that stuns, or argues, us into silence. And if one does, it is only a short time before we want to explain and understand the very silence into which we have been plunged.” This is the exact dynamic that informs his new book. In his 1989 novel A History of the World in 10½ Chapters, Barnes had a chapter on Géricault’s The Raft of the Medusa, and since then he has written about many great masters of art, including Delacroix, Manet, Fantin-Latour, Cézanne, Degas, Redon, Bonnard, Vuillard, Vallotton, Braque, Magritte, Oldenburg, Lucian Freud and Howard Hodgkin. The seventeen essays gathered here help trace the arc from Romanticism to Realism and into Modernism; they are adroit, insightful and, above all, a true pleasure to read.

An extraordinary collection--hawk-eyed and understanding--from the Booker Prize-winning, bestselling author of The Sense of an Ending and Levels of Life. As Julian Barnes explains: "Flaubert believed that...great paintings required no words of explanation. Braque thought the ideal state would be reached when we said nothing at all in front of a painting... But it is a rare picture which stuns, or argues, us into silence. And if one does, it is only a short time before we want to explain and understand the very silence into which we have been plunged." This is the exact dynamic that informs his new book. Barnes, in his 1989 novel A History of the World in 10 1/2 Chapters, had a chapter on Géricault's The Raft of the Medusa, and since then he has written about many great masters of nineteenth- and twentieth-century art, including Delacroix, Manet, Fantin-Latour, Cezanne, Degas, Redon, Bonnard, Vuillard, Vallotton, Braque, Magritte, Oldenburg, Howard Hodgkin and Lucian Freud. The seventeen essays gathered here are adroit, insightful and, above all, a true pleasure to read.

Don’t miss these four unforgettable psychological thrillers, now together in one electrifying e-book package from bestselling masters of suspense Mary Kubica and Heather Gudenkauf, as well as Graeme Cameron and Kaira Rouda. The twists and turns will keep you guessing, and keep you up reading late at night! DON’T YOU CRY In downtown Chicago, Esther Vaughan disappears from her apartment without a trace. A haunting letter addressed to My Dearest is found among her possessions, leaving her roommate Quinn to question how well she really knew her friend. Meanwhile, in a small town an hour outside Chicago, a mysterious woman appears in the quiet coffee shop where eighteen-year-old Alex works as a dishwasher. He is immediately drawn to her, but what starts as an innocent crush quickly spirals into something far more sinister. As Quinn searches for answers about Esther, and Alex is drawn further under the stranger’s spell, master of suspense Mary Kubica takes readers on a taut and twisted thrill ride that builds to a stunning conclusion and shows that no matter how fast and far we run, the past always catches up with us. THE WEIGHT OF SILENCE It happens quietly one hot August morning in Iowa: two families awaken to find their little girls have gone missing in the night. Seven-year-old Calli Clark suffers from selective mutism brought on by a tragedy when she was a toddler. Petra Gregory is Calli’s best friend—and her voice. But neither girl has been heard from since they vanished. Now, Calli and Petra’s parents are tied by the question of what happened to their children. And the answer is trapped in the silence of unspoken family secrets. NORMAL He lives on your street, in a nice house with a tidy garden. He shops at your local supermarket. He drives beside you on the highway, waving to let you into the lane ahead of him. He also has an elaborate cage in a secret basement under his garage. The food he’s carefully shopping for is to feed a young woman he’s holding there against her will—one in a string of many, unaware of the fate that awaits her. This is how it’s been for a long time. It’s normal…and it works. Perfectly. But this time it’s different… BEST DAY EVER Paul Strom is the perfect husband: breadwinner, protector, provider. That’s why he’s planned a romantic weekend for his wife, Mia, at their lake house, just the two of them. And he’s promised today will be the best day ever. But as Paul and Mia drive out of the city and toward the countryside, a spike of tension begins to wedge itself between them and doubts start to arise. How much do they trust each other? And how perfect is their marriage, or any marriage, really? Forcing us to ask ourselves just how well we know those who are closest to us, Best Day Ever is a gripping, tautly suspenseful tale of deception and betrayal dark enough to destroy a marriage…or a life.

TKO Studios presents "One Eye Open" by New York Times Bestselling author Alex Grecian (THE YARD) After her mother’s sudden passing, Laura and her daughter Juniper return to her childhood home in the rural outskirts of Denmark. In the scenic village amidst seas of wheat fields, Laura hopes they have finally let tragedy behind them. Then, Juniper begins to notice something strange about the people she encounters, the same people who have worked in these fields for centuries. In tracing her lineage back through her mother and beyond, Juniper makes a horrifying discovery. This town is alive with more than just nature, and the endless fields of wheat demand to be harvested, whether the hands that do so are alive or dead… An occult thriller about coming home and the monsters that await us there. By NY Times Bestselling Author Alex Grecian (The Yard) with illustrations by Andrea Mutti

How do women writers cope with changes and juggle the demands in their already full lives to make time for their lives as artists? In this anthology, noted female novelists, journalists, essayists, poets, and nonfiction writers address the old and new challenges of "doing it all" that face women writers as the twenty-first century approaches. With eloquence, sensitivity, and more than a touch of wry humor, Sleeping with One Eye Open relates positive stories from women who lead effective lives as artists, emphasizing how sources of inspiration, discipline, resourcefulness, and determination help them succeed despite the obstacle of "no time." The title essay, Judith Ortiz Cofer's "The Woman Who Slept with One Eye Open," defines the collection. Cofer relates the ways in which a mythological story from her Puerto Rican culture gave her confidence and courage, encouraging her creative success and emphasizing the rewards of "women's power" and personal strength. Denise Levertov's "The Vital Necessity" urges poets to make time for daydreams--essential, empowering creative food. Tillie Olsen offers a frank discussion of the pressures of work and expectations that too often sap creative energy. Tess Gallagher connects her mother's creative gardening with her own inspiration as a poet and the need for growth in her writing. Marilyn Kallet's interview with Lucille Clifton relates the personal strength that helped Clifton raise six children and publish her first book at the same time. This affirming collection offers a wealth of writing advice, given through honest accounts of perseverance and accomplishment.

A love letter to Paris and a meditation on how it has changed in two decades, evolving from the twentieth century into the twenty-first, from analog to digital. Your telephone is precious. It may be envied. We recommend vigilance when using it in public. --Paris bus public notice In fall 2014 Lauren Elkin began keeping a diary of her bus commutes in the Notes app on her iPhone 5c, writing down the interesting things and people she saw in a Perecquian homage to Bus Lines 91 and 92, which she took from her apartment in the 5th Arrondissement to her teaching job in the 7th. Reading the notice, she decided to be vigilant when using her phone: she would carry out a public transport vigil, using it to take in the world around her and notice all the things she would miss if she continued using it the way she had been, the way everyone does--to surf the web, check social media, maintain her daily sense of self through digital interaction. Her goal became to observe the world through the screen of her phone, rather than using her phone to distract from the world. During the course of that academic year, the Charlie Hebdo attacks occurred and Elkin had an ectopic pregnancy, requiring emergency surgery. At that point, her diary of dailiness became a study of the counterpoint between the everyday and the Event, mediated through early twenty-first century technology, and observed from the height of a bus seat. No. 91/92 is a love letter to Paris, and a meditation on how it has changed in the two decades the author has lived there, evolving from the twentieth century into the twenty-first, from analog to digital.

If the lies don't kill you, the truth will An electrifying, high-octane thrill ride; the new must-read standalone from a Sunday Times bestseller. Dark, gritty and always at the edge of your seat, this unforgettable new outing from master storyteller, Paul Finch, will appeal to fans of Peter James, Mark Billingham and Angela Marsons. ********************************** Readers love ONE EYE OPEN: "Finch does it again! Tightly plotted, well written and pacy as hell" - Netgalley Review "Excellent thriller with great characters." - Netgalley Review "Paul's writing yet again catapults you straight into the book..." - Netgalley Review ********************************** YOU CAN RUN A high-speed crash leaves a man and woman clinging to life. Neither of them carries ID. Their car has fake number plates. In their luggage: a huge amount of cash. Who are they? What are they hiding? And what were they running from? YOU CAN HIDE DS Lynda Hagen, once a brilliant detective, gave it all up to raise her family. But something about this case reignites a spark in her... BUT YOU'LL ALWAYS SLEEP WITH... What begins as an investigation soon becomes an obsession. And it will lead her to a secret so dangerous that soon there will be nowhere left to hide. ONE EYE OPEN