Keeping Dallas

Sometimes secrets have to be exposed in order to capture something worth keeping. Torn between two alphas, Dallas has to decide if he is willing to give up his position in the pack to keep his human master happy. Born a submissive wolf shifter, Dallas has dreamt of finding the perfect mate. Unfortunately, none of the other shifters attract him as much as his sexy Laurence. Laurence is riddled with guilt over the secrets he keeps from his beautiful sub. He wants Dallas for a long time to come, but he's nervous about exposing his inner abilities to a man who he loves but might not be able to trust. Two men with secrets have to learn to give a little in order to keep the one they love.

Winner, T. R. Fehrenbach Award, Texas Historical Commission, 2007 From the nineteenth century until today, the power brokers of Dallas have always portrayed their city as a progressive, pro-business, racially harmonious community that has avoided the racial, ethnic, and class strife that roiled other Southern cities. But does this image of Dallas match the historical reality? In this book, Michael Phillips delves deeply into Dallas's racial and religious past and uncovers a complicated history of resistance, collaboration, and assimilation between the city's African American, Mexican American, and Jewish communities and its white power elite. Exploring more than 150 years of Dallas history, Phillips reveals how white business leaders created both a white racial identity and a Southwestern regional identity that excluded African Americans from power and required Mexican Americans and Jews to adopt Anglo-Saxon norms to achieve what limited positions of power they held. He also demonstrates how the concept of whiteness kept these groups from allying with each other, and with working- and middle-class whites, to build a greater power base and end elite control of the city. Comparing the Dallas racial experience with that of Houston and Atlanta, Phillips identifies how Dallas fits into regional patterns of race relations and illuminates the unique forces that have kept its racial history hidden until the publication of this book.

Commemorated to honor the 50th anniversary of the Dallas Cowboys—one of the most prominent and popular franchises in professional sports—Cowboys Chronicles presents the colorful history of "America's Team." This lively retrospective features every game of every season, the unforgettable players, coaches, and Super Bowl teams, and even the world-famous Dallas Cowboys cheerleaders.

The year is 1988. Naval Intelligence Service Vice Admiral Mark J. 'Malibu' Bowman is on the verge of putting a .45 caliber round in his own temple. In a single moment his Gulfstream III has been torn from the sky taking with it the two women who made his life what it is. He is stopped in his intention by the arrival of his replacement. He agrees to take on a mysterious, suicidal assignment in the desolation of Southern Arizona. Once there he becomes embroiled in a project leading to a plot hatched by the President himself to take over the world. Malibu's investigation into the conspiracy leads him to form an alliance with Vierte Reich, the Fourth Reich, with world domination plans of their own. A romantic alliance with a hard core attractive bar owner further complicates his mission. And this is just the beginning. He is joined by Dallas Raines, his former Executive Officer. After 9/11, the conspiracy goes to places that will kill millions. It is up to them to overcome the opposition and stop it.

During the iQSo's, in a frontier atmosphere of enterprise and sharp struggle, an American television system took shape. But even as it did so, itspioneers pushed beyond American borders and became programmers to scores of other nations. In its first decade United States television was already a world phenomenon. Since American radio had for some time had international ramifications, American images and sounds were radiatingfrom transmitter towers throughout the globe. They were called entertainment or news or education but were always more. They were a reflection of a growing United States involvement in the lives of other nationsan involvement of imperial scope. The role of broadcasters in this American expansion and in the era that produced it is the subject matter of The Image Empire, the last of three volumes comprising this study.