Kek Huuygens Smuggler

When you need something stolen, smuggled, or made to disappear, Kek Huuygens is your man In the aftermath of World War II, young couples stroll through Brussels, but they do not speak of love. Instead, they might talk about papers, passports, or relocation—and most of all, they speak of currency. As Europe rebuilds itself, fortunes are made and lost in hours, and money is worthless until it is converted into dollars. When Kek Huuygens, a Polish-born smuggler lurking among the Brussels cocktail set, hears that a wealthy industrialist is desperate to convert $5 million of Belgian francs into American currency, he offers to help. For $1 million, he will liberate the man’s fortune. All the magnate has to do is let Kek steal it. In these seven elegant short stories, Kek battles customs agents and police across Western Europe. For this dapper Pole, there is no object too large to smuggle—so long as the price is right.

The origins of literature’s finest crime fighters, told by their creators themselves Their names ring out like gunshots in the dark of a back alley, crime fighters of a lost era whose heroic deeds will never be forgotten. They are men like Lew Archer, Pierre Chambrun, Flash Casey, and the Shadow. They are women like Mrs. North and the immortal Nancy Drew. These are detectives, and they are some of the only true heroes the twentieth century ever knew. In this classic volume, Otto Penzler presents essays written by the authors who created these famous characters. We learn how Ed McBain killed—and resurrected—the hero of the 87th Precinct, how international agent Quiller wrote his will, and how Dick Tracy first announced that “crime does not pay.” Some of these heroes may be more famous than others, but there is not one whom you wouldn’t like on your side in a courtroom, a shootout, or an old-fashioned barroom brawl.

Pulitzer Prize-winning critic Michael Dirda has been hailed as "the best-read person in America" (The Paris Review) and "the best book critic in America" (The New York Observer). His latest volume collects fifty of his witty and wide-ranging reflections on a life in literature. Reaching from the classics to the post-moderns, his allusions dance from Samuel Johnson, Ralph Waldo Emerson and M. F. K. Fisher to Marilynne Robinson, Hunter S. Thompson, and David Foster Wallace. Dirda's topics are equally diverse: literary pets, the lost art of cursive writing, book inscriptions, the pleasures of science fiction conventions, author photographs, novelists in old age, Oberlin College, a year in Marseille, writer's block, and much more. As admirers of his earlier books will expect, there are annotated lists galore—of perfect book titles, great adventure novels, favorite words, books about books, and beloved children's classics, as well as a revealing peek at the titles Michael keeps on his own nightstand.Funny and erudite, Browsings is a celebration of the reading life, a fan's notes, and the perfect gift for any booklover.

Conventional theories of capitalism are mired in a deep crisis: after centuries of debate, they are still unable to tell us what capital is. Liberals and Marxists both think of capital as an ‘economic’ entity that they count in universal units of ‘utils’ or ‘abstract labour’, respectively. But these units are totally fictitious. Nobody has ever been able to observe or measure them, and for a good reason: they don’t exist. Since liberalism and Marxism depend on these non-existing units, their theories hang in suspension. They cannot explain the process that matters most – the accumulation of capital. This book offers a radical alternative. According to the authors, capital is not a narrow economic entity, but a symbolic quantification of power. It has little to do with utility or abstract labour, and it extends far beyond machines and production lines. Capital, the authors claim, represents the organized power of dominant capital groups to reshape – or creorder – their society. Written in simple language, accessible to lay readers and experts alike, the book develops a novel political economy. It takes the reader through the history, assumptions and limitations of mainstream economics and its associated theories of politics. It examines the evolution of Marxist thinking on accumulation and the state. And it articulates an innovative theory of ‘capital as power’ and a new history of the ‘capitalist mode of power’.

Commerce meets conquest in this swashbuckling story of the six merchant-adventurers who built the modern world, as told by “Canada’s Simon Winchester” (Globe and Mail). Through the Age of Heroic Commerce, from the 17th to the 19th centuries, a rogue’s gallery of larger-than-life merchant kings ruled vast tracts of the globe and expanded their far-flung monopolies to generate revenue for their shareholders, feather their own nests and satisfy their vanity and curiosity. Their exploits changed the world during an age of unfettered globalization, mirroring a world we know today. Merchant Kings looks at each ruling monopoly through its greatest merchant king and considers their stories together for the first time: Jan Pieterszoon Coen of the Dutch East India Company Pieter Stuyvesant of the Dutch West India Company Robert Clive of the English East India Company Alexandr Baranov of the Russian-American Company George Simpson of the Hudson’s Bay Company Cecil John Rhodes of the British South Africa Company

From the winner of the Nobel Prize in Literature and author of the Booker Prize–winning novel The Remains of the Day In the face of the misery in his homeland, the artist Masuji Ono was unwilling to devote his art solely to the celebration of physical beauty. Instead, he put his work in the service of the imperialist movement that led Japan into World War II. Now, as the mature Ono struggles through the aftermath of that war, his memories of his youth and of the "floating world"—the nocturnal world of pleasure, entertainment, and drink—offer him both escape and redemption, even as they punish him for betraying his early promise. Indicted by society for its defeat and reviled for his past aesthetics, he relives the passage through his personal history that makes him both a hero and a coward but, above all, a human being.

"Hain't we got all the fools in town on our side? And ain't that a big enough majority in any town?" -- Mark Twain Ross Thomas chose the quotation from Huckleberry Finn as the text of his post World War II story as well as for the title. When Lucifer Dye is released from three months in a Hong Kong prison, debriefed, handed a false passport, a new wardrobe and a $20,000 check, his haughty control makes it clear that Dye's career with his country has been permanently terminated. But a good agent is always in demand, and just a few hours later Dye is being interviewed for a highly ingenious position. Victor Orcutt, although a not very good imitation of a British pre-war gent, has creative talents of his own. He has his sights a small southern city, with the ordinary run-of-the-mill corruption one would expect in such a place. The canny Orcott knows there's no profit in that . His creed is "To get better, it must be much worse." He and his two associates have looked up Dye's history, and he now offers the ex-spy's a mission. For two and a half times the government's bounty, Dye is to thoroughly corrupt the town. And the sly Dye takes the offer.