Kelly Clark

Everyone can measure their lives in a number of days, weeks, or even years. For me, I measure my life in intervals of thirty seconds; everything hinges on these sets of thirty seconds. Thirty seconds will determine whether I am seen as a "winner" or just another athlete who missed the mark that day. What most people don't see, is that for every thirty seconds of my life put on display before hundreds of thousands of people, there are years of preparation behind the scenes. It's those years of hard work, motivation, and preparation that determine how these thirty seconds will go.

A retrospective of the art of Winnipeg artist Kelly Clark (1935–1995), with many examples from various periods of his work. Foreword by Shirley Madill, Acting Chief Curator of the Winnipeg Art Gallery, Essays by George Swinton (Kelly's Artmaking), Arthur Adamson (The Human Dimension of his Art) and Donalda Johnson (Vigilant Observer/Vertical Invader). Catalogue of Clark's work and bibliography. A joint project of U of M Press and the W.A.G.

Like the first edition, the second edition of Readings in the Philosophy of Religion covers topics in a point-counterpoint manner, specifically designed to foster deep reflection. Unique to this collection is the section on the divine attributes. The book’s focus is on issues of fundamental human concern—God’s suffering, hell, prayer, feminist theology, and religious pluralism. All of these are shown, in a lengthy introduction, to relate to the standard issues in philosophical theology—omnipotence, omniscience, immutability, goodness, and eternity. For this second edition, each major section ends with an extended reflection by a philosopher who shows how to think through the issues raised in the preceding essays. Also included are a new section on the ontological argument with classical discussions by Anselm and Gaunilo, along with a new essay by Laura Garcia; a new section on religious language; new essays on the free will defense, theodicies, and feminist theology; and a new version of the cosmological argument that does not rely on the principle of sufficient reason.

Collects essays from fifteen prominent thinkers analyzing how sacred texts from different religions support religious tolerance.

Instagram sensation Clark Little shares his most remarkable photographs from inside the breaking wave, with a foreword by world surfing champion Kelly Slater. “One of the world’s most amazing water photographers . . . Now we get to experience up-close these moments of bliss.”—Jack Johnson, musician and environmentalist Surfer and photographer Clark Little creates deceptively peaceful pictures of waves by placing himself under the deadly lip as it is about to hit the sand. "Clark's view" is a rare and dangerous perspective of waves from the inside out. Thanks to his uncanny ability to get the perfect shot--and live to share it--Little has garnered a devout audience, been the subject of award-winning documentaries, and become one of the world's most recognizable wave photographers. Clark Little: The Art of Waves compiles over 150 of his images, including crystalline breaking waves, the diverse marine life of Hawaii, and mind-blowing aerial photography. This collection features his most beloved pictures, as well as work that has never been published in book form, with Little's stories and insights throughout. Journalist Jamie Brisick contributes essays on how Clark gets the shot, how waves are created, swimming with sharks, and more. With a foreword by eleven-time world surfing champion Kelly Slater and an afterword by the author on his photographic practice and technique, Clark Little: The Art of Waves offers a rare view of the wave for us to enjoy from the safety of land.

Clark provides a penetrating critique of the Enlightenment assumption of evidentialism--that belief in God requires the support of evidence or arguments to be rational. His assertion is that this demand for evidence is itself both irrelevant and irrational. His work bridges the gap between technical philosopher and educated layperson.

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