Kenny Rogers Presents The Greatest

The song and now book captures that rare moment in children's lives when the ball game is more important than the score. The book is based on Roger's song "The Greatest" and contains a collectors' edition audio CD of the hit single. Color illustrations.

A Christmas miracle saves Hank's used toy store from being closed by a dour businessman. Words from accompanying songs are interspersed with story.

A living legend of Country Music and a worldwide music icon, superstar Kenny Rogers has enjoyed a fascinating five decades in show business, and he tells the full story of his remarkable life and career in Luck or Something Like It. From his days with hit group The First Edition to his sterling solo work, the artist who "knows when to hold 'em and knows when to fold 'em" knows how to tell a captivating life story as well–bringing a golden era of Country Music to life as he recounts his remarkable rise to the top of the charts. An honest, moving, eye-opening view of a musician's life on the road, Luck or Something Like It is the definitive music memoir–a backstage pass to fifty years of performing and recording presented by the one and only Kenny Rogers, one of the bestselling artists ever.

Over 30 of country music's brightest stars share their favorite food stories, told through a combination of fond recollections of great meals with family and friends, favorite memories and meals "from the road", sneak-peaks into their home kitchens, and over 100 of their own favorite recipes. Readers will be tapping their toes and humming along as they head to the kitchen to recreate these soon-to-be flavor favorites. Inspired by the recipes drawn from the files and food memories of some country music's greatest celebrities--from legends like Wynonna Judd and George Strait to today's brightest stars like Taylor Swift and Zac Brown--Southern Living Country Music's Greatest Eats celebrates the genre's greatest hits and irresistible flavors. Readers will truly have the sense of getting up close and personal with their favorite artists--and there's no better place to get to know someone than in their kitchen.

A week-by-week listing of the nearly 5,000 records that reached the top position on Billboard's major charts from January, 1950 through December, 1991. Includes #1s from the Pop Singles and Albums, RandB Singles and Albums, Country Singles and Albums, and Adult Contemporary Singles charts.

The only complete history of Billboard's "Hot RandB/Hip-Hop Singles" chart, this book by Joel Whitburn is a mammoth monument to one of America's most beloved music styles. All the chart hits are here with complete with in-depth chart data, essential artist information and much, much more! Arranged by artist, this authorized Billboard Chart book includes everything from the the early RandB bands, doo-wop groups, sweet soul singers, hot funk unites, sexy divas and the hottest hip-hop stars of today. Each listing has a bio summary and then shows peak chart position, chart debut date, total weeks charted for every song that cracked the charts. Over 4,400 artists and nearly 20,000 song titles.

If you drive into any American city with the car stereo blasting, you’ll undoubtedly find radio stations representing R&B/hip-hop, country, Top 40, adult contemporary, rock, and Latin, each playing hit after hit within that musical format. American music has created an array of rival mainstreams, complete with charts in multiple categories. Love it or hate it, the world that radio made has steered popular music and provided the soundtrack of American life for more than half a century. In Top 40 Democracy, Eric Weisbard studies the evolution of this multicentered pop landscape, along the way telling the stories of the Isley Brothers, Dolly Parton, A&M Records, and Elton John, among others. He sheds new light on the upheavals in the music industry over the past fifteen years and their implications for the audiences the industry has shaped. Weisbard focuses in particular on formats—constructed mainstreams designed to appeal to distinct populations—showing how taste became intertwined with class, race, gender, and region. While many historians and music critics have criticized the segmentation of pop radio, Weisbard finds that the creation of multiple formats allowed different subgroups to attain a kind of separate majority status—for example, even in its most mainstream form, the R&B of the Isley Brothers helped to create a sphere where black identity was nourished. Music formats became the one reliable place where different groups of Americans could listen to modern life unfold from their distinct perspectives. The centers of pop, it turns out, were as complicated, diverse, and surprising as the cultural margins. Weisbard’s stimulating book is a tour de force, shaking up our ideas about the mainstream music industry in order to tease out the cultural importance of all performers and songs.