Kent Ridge

"Everything you might want to know about Kent Ridge in one book. Kent Ridge, a corner of Singapore island, has been home to the National University of Singapore (NUS) since the 1980s, but the area entered the historical record centuries earlier. From the white sands of its shoreline marked on navigators' maps, to the Alexandra Barracks of the Singapore Mutiny, from tiger traps and plantations to kampong and rich men's seaside bungalows, the rocky ridge running parallel to Singapore's western seashore has formed one of the most memorable of the island city-state's landscapes. Extending from Clementi Road in the west to Alexandra Road in the east, and divided by the "ninety-nine curves" of South Buona Vista Road, Kent Ridge extends its imaginative pull on many Singaporeans and visitors, but especially those who have graduated -or are studying- at the NUS. This book helps you look beneath the shiny exteriors of today's institutions, to the area's geological past, and the wealth of flora and fauna that still can be found here: from indigenous plants such as the tembusu, tiup tiup, and sendudok, to monitor lizards, flying dragons and oriental green snakes. The book guides you through the changing human geography of the region, and tells the inside stories behind the original campus master plan drawn up in the 1970s. Richly illustrated with photos, historical maps and images, each chapter of this book is written by NUS faculty and staff who are passionate about the Ridge"--back cover.

When mayhem descends on a tiny logging town, former sheriff Cork O’Connor is called upon to investigate a murder in this “wonderful page-turner” (The Denver Post) that “prolongs suspense to the very end” (Publishers Weekly) by Edgar Award-winning author William Kent Krueger. Not far from Aurora, Minnesota (population 3,752), lies an ancient expanse of great white pines, sacred to the Anishinaabe tribe. When an explosion kills the night watchman at wealthy industrialist Karl Lindstrom’s nearby lumber mill, it’s obvious where suspicion will fall. Former sheriff Cork O’Connor agrees to help investigate, but he has mixed feelings about the case. For one thing, he is part Anishinaabe. For another, his wife, a lawyer, represents the tribe. Meanwhile, near Lindstrom’s lakeside home, a reclusive shipwreck survivor and his sidekick are harboring their own resentment of the industrialist. And it soon becomes clear to Cork that danger, both at home and in Aurora, lurks around every corner…

Over the last three decades, the visual artist William Kentridge has garnered international acclaim for his work across media including drawing, film, sculpture, printmaking, and theater. Rendered in stark contrasts of black and white, his images reflect his native South Africa and, like endlessly suggestive shadows, point to something more elemental as well. Based on the 2012 Charles Eliot Norton Lectures, Six Drawing Lessons is the most comprehensive collection available of Kentridge’s thoughts on art, art-making, and the studio. Art, Kentridge says, is its own form of knowledge. It does not simply supplement the real world, and it cannot be purely understood in the rational terms of traditional academic disciplines. The studio is the crucial location for the creation of meaning: the place where linear thinking is abandoned and the material processes of the eye, the hand, the charcoal and paper become themselves the guides of creativity. Drawing has the potential to educate us about the most complex issues of our time. This is the real meaning of “drawing lessons.” Incorporating elements of graphic design and ranging freely from discussions of Plato’s cave to the Enlightenment’s role in colonial oppression to the depiction of animals in art, Six Drawing Lessons is an illustration in print of its own thesis of how art creates knowledge. Foregrounding the very processes by which we see, Kentridge makes us more aware of the mechanisms—and deceptions—through which we construct meaning in the world.

Introduction : on the southern tip of Africa -- Process as metaphor : the metaphorics of erasure -- History as process : theaters of politics and Hegel in Africa -- Process/procession : a process of change -- Drawing up, drawing out : drawing as thinking -- Projection : the most promiscuous of metaphors -- Being contemporary up south : world time and other doubtful enterprises

South African artist William Kentridge’s drawings, films, books, installations, and collaborations with opera and theater companies have established him as a world-class star in contemporary art, media, and theater. In 2010, and again in 2013, he staged Dmitri Shostakovich’s The Nose at the Metropolitan Opera; after the premiere, the New York Times noted that “Kentridge, who directed this production, helped design the sets and created the videos that animate the staging, received the heartiest bravos.” In this book, Jane Taylor, Kentridge’s friend and frequent collaborator, invites us to take an extraordinary behind-the-scenes look at his work for the show. Kentridge has long been admired for his unconventional use of conventional media to produce art that is stunning, evocative, and narratively powerful—and how he works is as important as what he creates. This book is more than just a simple record of The Nose. The opera serves as a springboard into a bracing conversation about how Kentridge’s methods serve his unique mode of expression as a narrative and political artist. Taylor draws on his etchings, sculptures, and drawings to render visible the communication that occurs between his mind and hand as he thinks through the activity of making. Beautifully illustrated in color, William Kentridge offers striking insights about one of the most innovative artists of our present moment.

This visually compelling publication highlights The Museum of Modern Art's unparalleled collection of prints and books byWilliam Kentridge - nearly fifty works spanning the past three decades. The book also features a succession of artistic interventions made by Kentridge especially for the occasion. Kentridge's practice brings together drawing, film animation, books, sculpture and performance. Too little known is the extent to which the artist applies his astonishing draftsmanship to the techniques of printmaking, including etching, screenprinting, lithography and linoleum cut. In fact printmaking has always been essential to his work, from his first forays into visual art in the 1970s to his recent large-scale operas. Kentridge's love of the printed image extends to an embrace of books. He often draws and prints on unbound pages from encyclopaedias, ledgers and the like, the readymade support adding nuance and complexity to his work. He has extended these practices in William Kentridge: Trace, using translucent pages interspersed throughout the book to respond to his prints reproduced between them in a visual dialogue between the past and the present. The book also includes an essay, an annotated checklist, a chronology and the text of a lecture by Kentridge on printmaking, illuminating its relevance to his broader practice. The publication coincides with the Museum's presentation of the touring exhibition William Kentridge: Five Themes. MoMA's presentation will be unique in its addition to the numerous collection works, including most of the prints reproduced in this volume.

The Canadian Rockies in winter are nothing short of spectacular, and snowshoes provide an easy, fun and exciting way to see some of the best winter scenery Canada has to offer. "Snowshoeing in the Canadian Rockies" describes 61 great routes for snowshoers of all levels--from beginners who have never snowshoed, to experienced backcountry travellers who are looking for new challenges. The trips extend from scenic Waterton in the far south to the breathtaking Columbia Icefield in the north section of Banff National Park. Photos, maps and detailed route descriptions are provided for each trip, as well as level of difficulty, objective hazards and additional equipment requirements. Whether you are looking for an easy day on flat terrain amid beautiful surroundings or far-reaching and magnificent views from the summit of a picturesque mountain, you will find it in this spectacular new guidebook.