Keri Hulme

Integrating both Maori myth and New Zealand reality, The Bone People became the most successful novel in New Zealand publishing history when it appeared in 1984. Set on the South Island beaches of New Zealand, a harsh environment, the novel chronicles the complicated relationships between three emotional outcasts of mixed European and Maori heritage. Kerewin Holmes is a painter and a loner, convinced that "to care for anything is to invite disaster." Her isolation is disrupted one day when a six-year-old mute boy, Simon, breaks into her house. The sole survivor of a mysterious shipwreck, Simon has been adopted by a widower Maori factory worker, Joe Gillayley, who is both tender and horribly brutal toward the boy. Through shifting points of view, the novel reveals each character's thoughts and feelings as they struggle with the desire to connect and the fear of attachment. Compared to the works of James Joyce in its use of indigenous language and portrayal of consciousness, The Bone People captures the soul of New Zealand. After twenty years, it continues to astonish and enrich readers around the world.

Stonefish is a collection of short stories and poems by the only New Zealand writer to win the Pegasus Prize for M ori Literature and the Booker Prize. 'a The scallops arranged in the spider lambis were succulently decadent. A bottle of rare wine had been reduced to its essence and sprinkled over the raw bodies, and rough salt, and finely-chopped redware. The flush of the shell echoed visually the wine and the seaweed, and although there were but five scallops, they were truly sweet meat. The slices of mild green pepper were almost transparent, and they tangled artfully with shreds of young daikon, and pressure-steamed fragments of ti. Hot and crisp and oily-melting, a challenging blend. And the tea, as always, was Black Dragon tea, a hint of smoky coolness in the steam, and a consummation in the mouth. People died just to get it to these islands she had learned. She could think of many worse reasons to diea.'

Te Kaihau / The Windeater is Keri Hulme's first book of short stories. It brings together 10 years of her writing. Many of the stories are new and are printed here for the first time. One story, 'A Drift in Dream' gives a pre-bone people glimpse of Simon and his parents. Table of contents: * Foreword: Tara Diptych * Kaibatsu-San * Swansong * King Bait * A Tally if the Souls of Sheep * One Whale, Singing * Planetesimal * Hooks and Feelers * He Tauware Kawa, He Kawa Tauware * The Knife and the stone * While My Guitar Gently Sings * A Nightsong for the Shining Cuckoo * The Cicadas of Summer * Kiteflying Party at Doctors' Point * Unnamed Islands in the Unknown Sea * Stations on the Way to Avalon * A Window Drunken in the Brain * A Drift in Dream * Te Kaihau / The Windeater * Afterword: Headnote to a Maui Tale.

A celebration of Keri Hulme (1947-2021) the first novelist from Aotearoa New Zealand to win the Booker Prize, for 'the bone people'. Keri Hulme: Our Kuru Pounamu, from the group that first published 'the bone people' includes tributes, essays, poems, interviews, ephemera, art works and photographs. These come from Keri's family — her whānau was always at the centre of her life; from her tahu-tuhituhi, her beloved writing associates; and from her neighbours and friends. To include her in the kōrero — she loved conversation! — Keri is represented by poems, art works, a long essay about Te Wāhipounamu - South West New Zealand World Heritage Area, shorter essays, and extracts from her letters. The title comes from a letter that the late Dr Erihapeti Rehu-Murchie wrote to Spiral. The cover is by Kāi Tahu artist Madison Kelly. Keri Hulme: Our Kuru Pounamu is in seven parts — Kā Tahu-Tuhituhi Arapera Blank, Bill Manhire, Brian Potiki, Cathie Dunsford, Fergus Barrowman, Gaylene Preston, Janet Charman, Keri Hulme, Maclean Barker, Madison Kelly, Patricia Grace, Philip Tremewan, Renée, Rowley Habib, Sandi Hall, Sharon Murphy Moeraki — The Black Bach Keri Hulme, Siobhan McNulty Te Tai Poutini — Kā Naybore Andris Apse, David Alexander, Keri Hulme, Sonja Worthington Spiral & The Women's Gallery Bridie Lonie, Keri Hulme, Marian Evans the bone people Arapera Blank, Dulcie Smart, Erihapeti Murchie, Irihapeti Ramsden, Keri Hulme, Lynne Ciochetto, Mark Cubey, Sylvia Mary Bowen, Vicki McDonald Te Whānau Tommy Rangikino Miller, Mary Miller, Kate Salmons, Matthew Salmons The book ends with a waiata composed by the late Miriama Evans of Spiral and sung at the launch of the bone people.

They have left me. The door is locked. The room is entirely bare. . . . Lost Possessions, a novella, was published in 1985, shortly before The Bone People won the Booker Prize.

"Graceful and impassioned, The Woman in the Red Dress offers important new approaches to narratives about father-daughter incest as well as stories that contaminate the myth of home as a safe space and map a geography of sexual violence, victimization, and survival. Gwin situates her analysis of fiction such as Morrison's The Bluest Eye. Alice Walker's The Color Purple, Dorothy Allison's Bastard out of Carolina, and Jane Smiley's A Thousand Acres within contemporary debates concerning survivor discourse, theories of domestic space, and issues of race and class. She also explores books - such as Hulme's The Bone People - that enter a murky and liminal queer space in which gender itself travels and the most claustrophic physical and social spaces can unexpectedly unhinge and open.".