Kes

Penguin Decades bring you the novels that helped shape modern Britain. When they were published, some were bestsellers, some were considered scandalous, and others were simply misunderstood. All represent their time and helped define their generation, while today each is considered a landmark work of storytelling. Barry Hines's A Kestrel for a Knave was published in 1968, and was made into one of the key British films of the sixties. Billy Casper is beaten by his drunken brother, ignored by his mother and failing at school. He seems destined for a hard, miserable life down the pits, but for a brief time, he finds one pleasure in life: a wild kestrel that he has raised and tamed himself.

Kamal's Kes is a body-positive picture book, rooted in dismantling standards of beauty that harm the mental health of young persons. With such few representations of body hair in picture books, cultural conditioning sends the message of feeling ashamed of natural hair. This Own Voices story offers young girls an empowering choice when it comes to their developing body hair. Kamal will have to confront her deepest thoughts to reimagine what beautiful means to her.

Ken Loach's 1969 drama Kes, considered one of the finest examples of British social realism, tells the story of Billy, a working class boy who finds escape and meaning when he takes a fledgling kestrel from its nest. David Forrest's study of the film examines the genesis of the original novel, Barry Hines' A Kestrel for a Knave (1968), the eventual collaboration that brought it to the screen, and the film's funding and production processes. He provides an in depth analysis of key scenes and draws on archival sources to shed new light on the film's most celebrated moments. He goes on to consider the film's lasting legacy, having influenced films like Ratcatcher (1999) and This is England (2006), both in terms of its contribution to film history and as a document of political and cultural value. He makes a case for the film's renewed relevance in our present era of systemic economic (and regional) inequality, alienated labour, increasingly narrow educational systems, toxic masculinity, and ecological crisis. Kes endures, he argues, because it points towards the possibility for emancipation and fulfilment through a more responsive and nurturing approach to education, a more delicate and symbiotic relationship with landscape and the non-human, and an emotional articulacy and sensitivity shorn of the rigid expectations of gender.

Life After Kes examines the history and legacy of the 1969 award-winning British film, Kes, about a boy's (Billy Casper) relationship with a kestrel. This fascinating book not only pays homage to the vision and extraordinary talent involved both in front and behind the camera but also looks at subsequent changes in the educational system, posing some important questions. Are we any better off today? Have schools and teaching staff moved forward over the last few decades? Have successive government's learnt anything from the mistakes of the past? Life After Kes explores the lives of the cast and production team since the making of the film including David (Dai) Bradley who played the lead role and examines why the legacy of Billy Casper and the national perception of Kes cast a shadow over South Yorkshire. Does Casper’s ghost still haunt this ex-mining community and is director Ken Loach’s gritty northern drama as relevant today as it was then? This book is a must-have for all film fans, anyone who enjoyed Kes and all those with an interest in British social history.

King Edward VII School, 1965 - 1970, in Apartheid Johannesburg was a stick-wielding, traditional boys school of its times. But the Establishment did not count on a cohort that displayed an over-developed spirit of rebellion. In this unofficial, unauthorized and somewhat scandalous account, over 70 schoolmates used the Covid-19 lockdown to describe their complicated relationship with the institution that helped shape their lives over the last 50 years. Anyone who has ever reflected on their own schooldays will enjoy the humour and escapades of a group determined to resist the rules and constraints of a very rigid society.

The Heinemann Plays series offers contemporary drama and classic plays in durable classroom editions. Many have large casts and an equal mix of boy and girl parts. In this dramatization of Barry Hines's novel, 15-year-old Billy trains a kestrel for whom he learns to feel great affection.

A literary crime thriller from a mysterious new voice in Atlantic fiction