Kevin S Inferno

“Nel mezzo del cammin di nostra vita...In the middle of life’s journey...Well not quite the middle for me. Unlike Dante, I was only twenty-five when I was taken on my journey through the netherworld. Taken by whom? I have to name God as the ultimate trip planner, but He assigned a distinguished guide the task of accompanying me on the many legs of the journey. Dante had a poet guide him through Hell, the poet Virgil, but I was given a different guide, a philosopher whom you will meet. Perhaps Virgil was not up to a second trip. Once is enough!” So opens Kevin’s Inferno. Spend thirty-four calendar days with Kevin O’Rourke, days and evenings in Brooklyn, nights in Hell, following in the footsteps of the immortal Dante Alighieri. You will never forget the journey.

"Nel mezzo del cammin di nostra vita...In the middle of life's journey...Well not quite the middle for me. Unlike Dante, I was only twenty-five when I was taken on my journey through the netherworld. Taken by whom? I have to name God as the ultimate trip planner, but He assigned a distinguished guide the task of accompanying me on the many legs of the journey. Dante had a poet guide him through Hell, the poet Virgil, but I was given a different guide, a philosopher whom you will meet. Perhaps Virgil was not up to a second trip. Once is enough!" So opens Kevin's Inferno. Spend thirty-four calendar days with Kevin O'Rourke, days and evenings in Brooklyn, nights in Hell, following in the footsteps of the immortal Dante Alighieri. You will never forget the journey.

When you have been wandering the cosmos from one end of eternity to another for nearly a thousand years, what's your philosophy of life, the universe, and everything? Doctor Who is 50 years' old in 2013. Through its long life on television and beyond it has inspired much debate due to the richness and complexity of the metaphysical and moral issues that it poses. This is the first in-depth philosophical investigation of Doctor Who in popular culture. From 1963's An Unearthly Child through the latest series, it considers continuity and change in the pictures that the programme paints of the nature of truth and knowledge, science and religion, space and time, good and evil, including the uncanny, the problem of evil, the Doctor's complex ethical motivations, questions of persisting personal identity in the Time Lord processes of regeneration, the nature of time travel through 'wibbley-wobbley, timey-wimey stuff, how quantum theory affects our understanding of time; and the nature of the mysterious and irrational in the Doctor's universe.

Hunt Emerson, the dazzlingly talented cartoonist, tackles the biggest literary name of them all: Dante. Emerson's Inferno delights on many levels: as an ingenious translation of classic verse; an effortlessly readable introduction to a complex poem; a delicious crib for anxious Dante students; and as a warm tribute from the master of one art form to the grand master of another. Hunt's cartoon is followed by Kevin Jackson's essay on Dante. Wildly clever and witty, but essentially reverent, it is a wonderful treat for anyone who already loves Dante.

"Delivers fascinating material across genres, periods, and theoretical issues." TIMES LITERARY SUPPLEMENT This volume is a special issue dedicated to Professor Elizabeth Archibald, who has had such an impact on, and made so many significant contributions to, the field of Arthurian Studies. It maintains its tradition of diverse approaches to the Arthurian tradition - albeit on this occasion with a particular focus on Malory, appropriately reflecting one of Professor Archibald's main interests. It starts with the essay awarded this year's D.S. Brewer Prize for a contribution by an early career scholar, which considers the little-known debt owed by early modern sailors to Arthurian knighthood and pageantry. The essays that follow begin with a wide-ranging account of manuscript decorations and annotations in Geoffrey of Monmouth's Historia, before turning to the Evil Custom trope in Sir Gawain and the Green Knight. Further contributions explore the formalities of requests and conditions in Malory's '"Tale of Gareth", emotional excess and magical transformation in several scenes across the Morte Darthur, tensions between public and private and self and identity in Malory's "Sankgreal", and friction between the (external and imposed) law and (internal and subjective but honourable) code of chivalry, especially apparent in Malory's final Tales. The last article examines the ways in which Mordred's origins in modern Arthurian fiction build on Malory's false, or forgotten, promise to relate Mordred's upbringing. The volume closes with a short tribute to Elizabeth Archibald, highlighting her leadership in the field and her encouragement of scholarly collaboration and community.

Arthurian Literature has established its position as the home for a great diversity of new research into Arthurian matters. It delivers fascinating material across genres, periods, and theoretical issues. TIMES LITERARY SUPPLEMENT This issue offers stimulating studies of a wide range of Arthurian texts and authors, from the Middle Ages to the nineteenth century, among which is the first winner of the Derek Brewer Essay Prize, awarded to a fascinating exploration of Ragnelle's strangeness in The Weddyng of Syr Gawen and Dame Ragnelle. It includes an exploration of Irish and Welsh cognates and possible sources for Merlin; Bakhtinian analysis of Geoffrey of Monmouth's playful discourse; and an account of the transmission of Geoffrey's text into Old Icelandic. In the Middle English tradition, there is an investigation of material Arthuriana in Sir Gawain and the Green Knight, followed by explorations of shame in Malory's Morte Darthur. The post-medieval articles see one paper devoted to the paratexts of sixteenth-century French Arthurian publishers; one to eighteenth-century Arthuriana; and one to a range of nineteenth-century rewritings of the virginity of Galahad and Percival's Sister. Two Notes close this volume: one on Geoffrey's Vita Merlini and a possible Irish source, and one on a likely source for Malory's linking of Trystram with the Book of Hunting and Hawking in an early form of The Book of St Albans.

The American Villain: Encyclopedia of Bad Guys in Comics, Film, and Television seeks to provide one go-to reference for the study of the most popular and iconic villains in American popular culture. Since the 1980s, pop culture has focused on what makes a villain a villain. The Joker, Darth Vader, and Hannibal Lecter have all been placed under the microscope to get to the origins of their villainy. Additionally, such bad guys as Angelus from Buffy the Vampire Slayer and Barnabas Collins from Dark Shadows have emphasized the desire for redemption—in even the darkest of villains. Various incarnations of Lucifer/Satan have even gone so far as to explore the very foundations of what we consider "evil." The American Villain: Encyclopedia of Bad Guys in Comics, Film, and Television seeks to collect all of those stories into one comprehensive volume. The volume opens with essays about villains in popular culture, followed by 100 A–Z entries on the most notorious bad guys in film, comics, and more. Sidebars highlight ancillary points of interest, such as authors, creators, and tropes that illuminate the motives of various villains. A glossary of key terms and a bibliography provide students with resources to continue their study of what makes the "baddest" among us so bad.

In 1997, James Cameron's "Titanic", became the first motion picture to earn a billion dollars worldwide. These essays ask the question: What made "Titanic" such a popular movie? Why has this film become a cultural and film phenomenon? What makes it so fascinating to the film-going public?