Kill The Irishman

The story of Irish-American racketeer Danny Greene and his war with the Mafia. Basis for the film Kill the Irishman starring Ray Stevenson, Vincent D'Onofrio, with Val Kilmer and Christopher Walken.

This is the true crime story of Danny Greene, a fiercely proud and fearless Irish-American gangster who fought the Mafia for control of the rackets. After numerous bungled attempts, the brazen Celtic mobster was murdered with a mob bomb. Danny's murder brought about the development of several high-ranking Mafia turncoats including Jimmy 'The Weasel' Fratianno and Angelo 'Big Ange' Lonardo, whose testimony helped to cripple La Cosa Nostra families in Los Angeles, Cleveland, Kansas City, Youngstown, Pittsburgh and Milwaukee. Fratianno and Lonardo were predecessors to more recent, powerful L C N turncoats like Sammy 'the Bull' Gravano. Read about figures like the notorious Shondor Birns and feared Mafia enforcer Eugene 'the Animal' Ciasullo, and their roles in the battles with the Irishman. Over fifty photographs including modern La Cosa Nostra figures like Joe 'Loose' Iacobacci and Lenny Strollo.

New York Times Bestseller — #1 True Crime Bestseller The inspiration for the major motion picture, THE IRISHMAN. “The best Mafia book I ever read, and believe me, I read them all.” — Steven Van Zandt “Charles Brandt has solved the Hoffa mystery.” — Professor Arthur Sloane, author of Hoffa “Sheeran’s confession that he killed Hoffa in the manner described in the book is supported by the forensic evidence, is entirely credible, and solves the Hoffa mystery.” — Michael Baden M.D., former Chief Medical Examiner of the City of New York “It’s all true.” — New York Police Department organized crime homicide detective Joe Coffey “Gives new meaning to the term ‘guilty pleasure.’’’ — The New York Times Book Review **Includes an Epilogue and a Conclusion that detail substantial post-publication corroboration of Frank Sheeran's confessions to the killings of Jimmy Hoffa and Joey Gallo. "I heard you paint houses" are the first words Jimmy Hoffa ever spoke to Frank "the Irishman" Sheeran. To paint a house is to kill a man. The paint is the blood that splatters on the walls and floors. In the course of nearly five years of recorded interviews, Frank Sheeran confessed to Charles Brandt that he handled more than twenty-five hits for the mob, and for his friend Hoffa. He also provided intriguing information about the Mafia's role in the murder of JFK. Sheeran learned to kill in the US Army, where he saw an astonishing 411 days of active combat duty in Italy during World War II. After returning home he became a hustler and hit man, working for legendary crime boss Russell Bufalino. Eventually Sheeran would rise to a position of such prominence that in a RICO suit the US government would name him as one of only two non-Italians in conspiracy with the Commission of La Cosa Nostra, alongside the likes of Anthony "Tony Pro" Provenzano and Anthony "Fat Tony" Salerno. When Bufalino ordered Sheeran to kill Hoffa, the Irishman did the deed, knowing that if he had refused he would have been killed himself. Charles Brandt's page-turner has become a true crime classic.

Be sure to see Kill the Irishman—the major motion picture based on Rick Porrello’s true-crime masterpiece! A modern warrior known as Greene Was very quick and smart, and mean. He scrambled hard and fought like hell, And led a charmed existence. They shot him down and blew him up With most regular persistence. —From The Ballad of Danny Greene Clevelan d, the 1970s: A fearless Irishman boldly muscles in on the Italian-American Mafia—intrepid, charismatic, shrewd, cunning, and armed with a master plan to take over the rackets under the auspices of the Irish banner of which he was so fiercely proud. His name is Greene, his signature color is green, and with his Irish luck for surviving bungled mob attempts on his life, he is seemingly indestructible. In the end, the war with Danny Greene—and his ultimate murder—severely crippled the Italian stranglehold on organized crime, with historic repercussions that outlived the unsinkable Irishman himself.

DIV THE STUNNING FINAL INSTALMENT OF THE MULTI-MILLION-COPY BESTSELLING DARK ICELAND SERIES **Sunday Times BOOK OF THE MONTH** 'JÓnasson is an automatic must-read for me ... possibly the best Scandi writer working today' Lee Child 'Is this the best crime writer in the world today? ... Truly a master of his genre' The Times 'The engaging Ari Thor returns in this darkly claustrophobic tale. Perfect mid-winter reading' Ann Cleeves 'A stunningly atmospheric story. Ari ThÓr Arason returns in this pitch-perfect, beautifully paced crime novel ... Ragnar JÓnasson is at the top of his game, and a master of the genre' Will Dean ______________ A blizzard is approaching SiglufjÖrður, and that can only mean one thing... When the body of a nineteen-year-old girl is found on the main street of SiglufjÖrður, Police Inspector Ari ThÓr battles a violent Icelandic storm in an increasingly dangerous hunt for her killer ... The chilling, claustrophobic finale to the international bestselling Dark Iceland series. Easter weekend is approaching, and snow is gently falling in SiglufjÖrður, the northernmost town in Iceland, as crowds of tourists arrive to visit the majestic ski slopes. Ari ThÓr Arason is now a police inspector, but he's separated from his girlfriend, who lives in Sweden with their three-year-old son. A family reunion is planned for the holiday, but a violent blizzard is threatening and there is an unsettling chill in the air. Three days before Easter, a nineteen-year-old local girl falls to her death from the balcony of a house on the main street. A perplexing entry in her diary suggests that this may not be an accident, and when an old man in a local nursing home writes 'She was murdered' again and again on the wall of his room, there is every suggestion that something more sinister lies at the heart of her death... As the extreme weather closes in, cutting the power and access to SiglufjÖrður, Ari ThÓr must piece together the puzzle to reveal a horrible truth ... one that will leave no one unscathed. Chilling, claustrophobic and disturbing, Winterkill is a startling addition to the multi-million-copy bestselling Dark Iceland series and cements Ragnar JÓnasson as one of the most exciting and acclaimed authors in crime fiction. _______________ Praise for Ragnar JÓnasson'A sinister twisted tragedy' The Times 'If Iceland missed out on the Golden Age of crime writing, the country – and Jonasson – is certainly making up for it now' Sunday Times 'Outstanding ... Series fans will be sorry to see the last of Ari ThÓr' Publishers Weekly 'Jonasson's Dark Iceland novels are instant classics' William Ryan 'JÓnasson's punchy, straightforward prose is engrossing ... A diverting mystery' Foreword Reviews 'Consummate crime writing ... poignant and disturbing' New Books Magazine 'Chilling, creepy, perceptive, almost unbearably tense' Ian Rankin 'A tense, gripping read' Anthony Horowitz 'Icelandic noir of the highest order, with JÓnasson's atmospheric sense of place, and his heroine's unerring humanity shining from every page' Daily Mail 'Ragnar JÓna

A memoir of the then-fifteen-year-old author's high school experience to that point, in which diary entries reflect her struggles, angst, and rebellion.

From the acclaimed author of The Magdalen Girls and The Taster comes a powerful, unforgettable novel of strength and resilience, set against the backdrop of the Irish famine. Ireland, 1845. To Briana Walsh, no place on earth is more beautiful than Carrowteige, County Mayo, with its sloping fields and rocky cliffs perched above the wild Atlantic. The small farms that surround the centuries-old Lear House are managed by her father, agent to the wealthy, reckless Sir Thomas Blakely. Tenant farmers sell the oats and rye they grow to pay rent to Sir Thomas, surviving on the potatoes that flourish in the remaining scraps of land. But when the potato crop falls prey to a devastating blight, families Briana has known all her life are left with no food, no resources, and no mercy from the English landowner, who seems indifferent to everything except profit. Rory Caulfield, the hard-working young farmer Briana hopes to marry, shares the locals’ despair—and their anger. There’s talk of violent reprisals against the callous gentry and their agents. Briana’s studious older sister, Lucinda, dreams of a future far beyond Mayo. But even as hunger and disease settle over the country, killing and displacing millions, Briana knows she must find a way to guide her family through one of Ireland’s darkest hours—toward hope, love, and a new beginning. Praise for V.S. Alexander’s The Taster “This haunting and engrossing novel will appeal to fans of Anthony Doerr and Kristin Hannah.” —Booklist “The ‘taster’s’ story adds to a body of nuanced World War II fiction such as Elizabeth Wein’s Code Name Verity, Anthony Doerr’s All the Light We Cannot See, and Tatiana de Rosnay’s Sarah’s Key. Book clubs and historical fiction fans will love discussing this and will eagerly await more from Alexander.” —Library Journal

'Brilliant . . . I couldn't stop reading' Jo Spain 'Exceptional . . . Deeply chilling' Jane Casey ______________ Des is a good husband, a good father - a good man. He encourages his wife's artistic endeavours, reads bedtime stories to his children every night, and holds down a well-paid job. But appearances can be deceptive. His wife seems to be forgetting that her art is for his eyes only. Rumours at work are threatening his reputation as a devoted family man. And his kids don't seem to need him as much as they once did. Des is afraid. Afraid of the world encroaching on his home. Afraid of past mistakes catching up with him. So afraid of losing control over his family that he is contemplating the unthinkable. A Good Father is a dark and gripping novel that takes you into the mind of a man on the edge. __________________ 'This intricately made novel marks the debut of a writer from whom, and of whom, we shall be hearing much in coming times' John Banville 'Captivating . . . Readers will come for the premise and stay for its clever unpacking' Irish Times 'A devastating new voice in Irish fiction . . . Magnificent' Joe Duffy 'A great read, it's gripping, at times disturbing' Miriam O'Callaghan, RTÉ Radio 1