Killer Of Bulls Juan Belmonte The Autobiography Of A Matador

This classic book contains the autobiography of Juan Belmonte, the famous matador. Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

This book takes the reader where only brave souls dare to compete--the world of bullfighting. Matadors risk serious injury or death to compete in their art, one that has been a part of Spanish and Latin American culture for centuries. Beginning with an introduction to bullfighting as it relates to American culture (not overlooking the negative views it often attracts), the book profiles 21 American matadors in detail, including women bullfighters, and novilleros (beginners). Chapters within each section are devoted to individual bullfighters. A major feature of this work are the numerous action photographs, many of which were taken by the author himself and impressively portray the flair, skill, emotion, and faces of bullfighting.

From the first cave paintings to Britta Jaschinski's provocative animal photography, it seems we have been describing and portraying animals, in some form or another, for as long as we have been human. This book provides a broad historical overview of our representations of animals, from prehistory to postmodernity, and how those representations have altered with changing social conditions. Taking in a wide range of visual and textual materials, Linda Kalof unearths many surprising and revealing examples of our depictions of animals. She also examines animals in a broad sweep of literature, narrative and criticism: from Pliny the Elder’s Natural History to Donna Haraway’s writings on animal–human–machine interaction; and from accounts of the Black Plague and histories of the domestic animal and zoos, to the ways that animal stereotypes have been applied to people to highlight hierarchies of gender, race and class. Well-researched and scholarly, yet very accessible, this book is a significant contribution to the human–animal story. Featuring more than 60 images, Looking at Animals in Human History brings together a wealth of information that will appeal to the wide audience interested in animals, as well as to specialists in many disciplines. Linda Kalof is professor of sociology at Michigan State University. Her books include The Earthscan Reader in Environmental Values and The Animals Reader: The Essential Classic and Contemporary Writings.

Bullfighting has long been perceived as an antiquated, barbarous legacy from Spain's medieval past. In fact, many of that country's best poets, philosophers, and intellectuals have accepted the corrida as the embodiment of Spain's rejection of the modern world. In his brilliant new interpretation of bullfighting, Adrian Shubert maintains that this view is both the product of myth and a complete misunderstanding of the real roots of the contemporary bullfight. While references to a form of bullfighting date back to the Poem of the Cid (1040), the modern bullfight did not emerge until the early 18th century. And when it did emerge, it was far from being an archaic remnant of the past--it was a precursor of the 20th-century mass leisure industry. Indeed, before today's multimillion-dollar athletes with wide-spread commercial appeal, there was Francisco Romero, born in 1700, whose unique form of bullfighting netted him unprecedented fame and wealth, and Manuel Rodriguez Manolete, hailed as Spain's greatest matador by the New York Times after a fatal goring in 1947. The bullfight was replete with promoters, agents, journalists, and, of course, hugely-paid bullfighters who were exploited to promote wine, cigarettes, and other products. Shubert analyzes the business of the sport, and explores the bullfighters' world: their social and geographic origins, careers, and social status. Here also are surprising revelations about the sport, such as the presence of women bullfighters--and the larger gender issues that this provoked. From the political use of bullfighting in royal and imperial pageants to the nationalistic "great patriotic bullfights" of the late 19th and early 20th centuries, this is both a fascinating portrait of bullfighting and a vivid recreation of two centuries of Spanish history. Based on extensive research and engagingly written, Death and Money in the Afternoon vividly examines the evolution of Spanish culture and society through the prism of one of the West's first--and perhaps its most spectacular--spectator sports.

Flamenco dance and bullfighting are parallel arts with shared traditions, performance conventions and vocabularies of movement. This volume introduces readers to an ongoing discussion in Spanish scholarship about the links between these two quintessentially Spanish arts. The author--a dancer and a student of bullfighting--describes the informal practice of both arts in private settings and their emergence as formal public rituals in the bullfighting arena and on the flamenco stage. Key bullfighting techniques and their influence on flamenco dance style are discussed in the context of understanding the worldview and kinesthetic culture of Spain.