Killer Of Rome

Carbo returns in an unputdownable novel of murder and mystery in ancient Rome After years of captivity and torture by German barbarians, former legionary Cicurinus’ ordeal should be over. Hearing of the legendary Carbo, he returns to Rome to seek out this hero who might help to bring him balance. Instead he finds Carbo descending into alcoholism and gambling, a broken man who brutally rebuffs him. Devastated and disgusted by the immoral city around him, Cicurinus, embarks on a rampage of slaughter through Rome’s poor and downtrodden. And to hide his tracks, he frames Carbo for the crimes. With everything at stake, can Carbo master his demons, clear his name, and stop the Killer of Rome? This latest from Alex Gough, a master of the genre, is a Roman thriller that you won’t be able to put down. Perfect for readers of Simon Scarrow, Conn Iggulden and Ben Kane.

The road to Rome is long and full of peril. Following his retirement, ex-legionnaire Carbo journeys back to Rome, blissfully unaware of the dangers that await him there. On the way he encounters many adventures, strives to solve a mysterious theft, and meets an old friend getting ready for gladiatorial combat. In other stories we visit Elissa, the evil priestess, and Vespillo, the trusty watchman, and discover more about their colourful histories. We see a young boy’s first battle, and travel all the way to the barbaric Hadrian’s Wall. These are vivid tales of ancient Rome, perfect for fans of Wallace Breem, Simon Scarrow and Ben Kane.

An entertaining and informative look at the unique culture of crime, punishment, and killing in Ancient Rome In Ancient Rome, all the best stories have one thing in common—murder. Romulus killed Remus to found the city, Caesar was assassinated to save the Republic. Caligula was butchered in the theater, Claudius was poisoned at dinner, and Galba was beheaded in the Forum. In one 50-year period, 26 emperors were murdered. But what did killing mean in a city where gladiators fought to the death to sate a crowd? In A Fatal Thing Happened on the Way to the Forum, Emma Southon examines a trove of real-life homicides from Roman history to explore Roman culture, including how perpetrator, victim, and the act itself were regarded by ordinary people. Inside Ancient Rome's darkly fascinating history, we see how the Romans viewed life, death, and what it means to be human.

September 314 AD and once more death strikes the sprawling streets of Imperial Rome in Paul Doherty's new Claudia novel. When two prostitutes are found murdered - their bodies ripped open and their right eyes gouged out - it's feared a notorious killer, the Nefandus, has returned. Rumoured to be an imperial officer, he once waged bloody murder amongst Rome's prostitutes but vanished before his identity could be discovered. Has he reappeared, or is someone working in his guise? Desperate to retain order, the Empress Helena turns to her most trusted agent, Claudia. Helena commands her to discover the truth behind the Nefandus, before Rome descends further into chaos and confusion.

After twenty-five long years serving in the Roman Legions, Carbo returns to Rome to retire in peace. Life has moved on in the time he’s been at the front, and he finds himself friendless and homeless. But when he comes across Rufa, a childhood friend he swore an oath to protect, he must fight to rescue her from an evil priestess, liberate her from slavery and save Rome from total annihilation. Luckily, the Watchmen of Rome have his back... but will they be able to save their city and the Republic itself? Watchmen of Rome is a thrilling historical adventure, perfect for fans of Ben Kane, Gordon Doherty and Simon Scarrow.

Embarking on a unique study of Roman criminal law, Judy Gaughan has developed a novel understanding of the nature of social and political power dynamics in republican government. Revealing the significant relationship between political power and attitudes toward homicide in the Roman republic, Murder Was Not a Crime describes a legal system through which families (rather than the government) were given the power to mete out punishment for murder. With implications that could modify the most fundamental beliefs about the Roman republic, Gaughan's research maintains that Roman criminal law did not contain a specific enactment against murder, although it had done so prior to the overthrow of the monarchy. While kings felt an imperative to hold monopoly over the power to kill, Gaughan argues, the republic phase ushered in a form of decentralized government that did not see itself as vulnerable to challenge by an act of murder. And the power possessed by individual families ensured that the government would not attain the responsibility for punishing homicidal violence. Drawing on surviving Roman laws and literary sources, Murder Was Not a Crime also explores the dictator Sulla's "murder law," arguing that it lacked any government concept of murder and was instead simply a collection of earlier statutes repressing poisoning, arson, and the carrying of weapons. Reinterpreting a spectrum of scenarios, Gaughan makes new distinctions between the paternal head of household and his power over life and death, versus the power of consuls and praetors to command and kill.

Many men killed Julius Caesar. Only one man was determined to kill the killers. From the spring of 44 BC through one of the most dramatic and influential periods in history, Caesar's adopted son, Octavian, the future Emperor Augustus, exacted vengeance on the assassins of the Ides of March, not only on Brutus and Cassius, immortalized by Shakespeare, but all the others too, each with his own individual story. The last assassin left alive was one of the lesser-known: Cassius Parmensis was a poet and sailor who chose every side in the dying Republic's civil wars except the winning one, a playwright whose work was said to have been stolen and published by the man sent to kill him. Parmensis was in the back row of the plotters, many of them Caesar's friends, who killed for reasons of the highest political principles and lowest personal piques. For fourteen years he was the most successful at evading his hunters but has been barely a historical foot note--until now. The Last Assassin dazzlingly charts an epic turn of history through the eyes of an unheralded man. It is a history of a hunt that an emperor wanted to hide, of torture and terror, politics and poetry, of ideas and their consequences, a gripping story of fear, revenge, and survival.

Could the killing of Germanicus Julius Caesar—the grandson of Mark Antony, adopted son of the emperor Tiberius, father of Caligula, and grandfather of Nero—while the Roman Empire was still in its infancy have been the root cause of the empire's collapse more than four centuries later? This brilliant investigation of Germanicus Caesar’s death and its aftermath is both a compelling history and first-class murder mystery with a plot twist Agatha Christie would envy.