Kin Of Cain

A gripping, action-packed historical tale set in the world of the Bernicia Chronicles. Perfect for fans of Bernard Cornwell and Conn Iggulden. AD 630. Anglo-Saxon Britain. Winter grips the land in its icy fist. Terror stalks the hills, moors and marshes of Bernicia. Livestock and men have been found ripped asunder, their bones gnawed, flesh gorged upon. People cower in their halls in fear of the monster that prowls the night. King Edwin sends his champions, Bassus and Octa, and band of trusted thegns to hunt down the beast and to rid his people of this evil. Bassus leads the warriors into the chill wastes of the northern winter, and they soon question whether they are the hunters or the prey. Death follows them as they head deeper into the ice-rimed marshes, and there is ever only one ending for the mission: a welter of blood that will sow the seeds of a tale that will echo down through the ages. Reviewers on Matthew Harffy: 'A brilliant characterization of a difficult hero in a dangerous time. Excellent!' Christian Cameron 'He is really proving himself the rightful heir to Gemmell's crown.' Jemahl Evans 'A genuinely superb novel.' Steven McKay 'Beobrand is the warrior to follow' David Gilman

Monsters and the monstrous, whether from the remote pagan past or the new world of Christian Latin learning, haunted the Anglo-Saxon imagination in a variety of ways. In this series of detailed studies, Andy Orchard demonstrates the changing range of Anglo-Saxon attitudes towards the monstrous by reconsidering the monsters of Beowulf against the background of early medieval and patristic teratology and with reference to specific Anglo-Saxon texts. The immediate manuscript context of the monsters in Beowulf is analysed, shedding light on the poet's treatment of the theme of the monstrous and its integration into his work, and a series of parallel discussions consider a range of medieval treatments of the same theme in a variety of analogous texts (all provided with translation), in Latin, Old English, Middle Irish, and Old Icelandic. The twin themes of pride and prodigies are suggested by tracing changing attitudes towards the concept of pride and establishing a close link between the proud pagan warriors depicted in Christian tradition and the monsters they fight, and with whom they become increasingly identified. An appendix contains new editions and translations (some for the first time in English) of the Liber Monstrorum, The Letter of Alexander to Aristotle, and The Wonders of the East. Originally published in 1995 by Boydell & Brewer.

In Inhabited Spaces, Nicole Guenther Discenza examines a variety of Anglo-Latin and Old English texts to shed light on Anglo-Saxon understandings of space.

Anglo-saxon poetry was circulated orally in a preliterate society, and gathered at last into books over some six centuries before the Norman Conquest ended English independence. Against the odds some of these books survive today. This anthology of prose translations covers most of the surviving poetry, revealing a tradition which is outstanding among early medieval literatures for its sophisticated exploration of the human condition in a mutable, finite, but wonderfully diverse and meaning-filled world.

The study of pre-modern anthropology requires the close examination of the relationship between nature and human society, which has been both precarious and threatening as well as productive, soothing, inviting, and pleasurable. Much depends on the specific circumstances, as the works by philosophers, theologians, poets, artists, and medical practitioners have regularly demonstrated. It would not be good enough, as previous scholarship has commonly done, to examine simply what the various writers or artists had to say about nature. While modern scientists consider just the hard-core data of the objective world, cultural historians and literary scholars endeavor to comprehend the deeper meaning of the concept of nature presented by countless writers and artists. Only when we have a good grasp of the interactions between people and their natural environment, are we in a position to identify and interpret mental structures, social and economic relationships, medical and scientific concepts of human health, and the messages about all existence as depicted in major art works. In light of the current conditions threatening to bring upon us a global crisis, it matters centrally to take into consideration pre-modern discourses on nature and its enormous powers to understand the topoi and tropes determining the concepts through which we perceive nature. Nature thus proves to be a force far beyond all human comprehensibility, being both material and spiritual depending on our critical approaches.

This is a literary-critical analysis of the myth of Cain and Abel, masterfully related in Genesis 4 by the Yahwist, probably the greatest storyteller in the Hebrew Bible. The Yahwist narrates the initial slaughter of one human being by another, and strikingly, it is described as fratricidal. The book explores the anthropological, theological, and psychological dimensions of this universal myth and shows the readers such a vivid and intense story that one feels like will never get to the bottom of it. Thus, after a deep reading, this well known story is much more than what could seem at first sight; it can be said to be the portrait of human that is always torn between the innocence of Eden and its denial; between what is considered 'doing well' and 'not doing well'.