Kiss Like You Mean It

In 1916 Ambrose March, a young cameraman, was wounded on the Western Front. Nearly a century later his astonishing film remains testament to his talent. Now a major Hollywood movie company is aiming to recreate his final days. On set, Rory Defoe is giving the performance of his life, frequently reducing the crew to tears with his brilliant portrayal of the tormented Ambrose March. Off set, he’s proving the typical Hollywood bad boy: often so out of control he’s in danger of wrecking the film. In utter despair, the director knows there’s only one person he can turn to. Ella Buchan is tired of stars like Rory, with their obsessive fans and egos the size of the Beverly Hills Hotel. As Rory’s make-up artist she’s already spending hours each day shut up in her trailer with him. She certainly doesn’t want to get any closer. But the director needs Ella to save his film and she reluctantly agrees to get involved. She has no idea what she’s letting herself in for.

My love is poison. His kiss is mine."The first time he saw me I was shattered glass, and he was a shadow. If I had stayed, he would have just faded away."It's strange how easy it is to tell our stories to a stranger's eyes. The truth about Connor Stratford and I had always been a sad tale. Over ten years of chasing, tears, lies, vows, and leaving. Two people who never loved each other at the same time, but couldn't let each other go.Now here I was telling our story over drinks midday in an airport bar with my old diary clutched in my hand. Telling some version of our story, anyway.I left him once with no goodbye. Now I was returning home to give him what he needed to move on."It's important. It's what you're thinking."I knew what his message meant, sent in the middle of the night after I woke from a fever dream.He was finally ready, and so was I. I just needed to finally give him the kiss he begged for.The one that meant goodbye.

Many couples find themselves at a point where they need a passion boost. How can husbands and wives break through the many obstacles and issues that have derailed their desire and get back on track to being the crazy-in-love couple they once were? Solomon had a few secrets up his ancient sleeves, and marriage therapist Dr. David Clarke helps readers learn why the passionate exchanges and God-inspired, 3,000-year-old techniques of Solomon and Shulamith worked then--and still work today. Readers will learn how to troubleshoot problems and conflicts, put each other first, employ praise, have fun, flirt, be more playful and sensual, and rediscover the lost art of a great kiss. Every married couple can experience exhilarating passion; Dr. Clarke and the Song of Solomon reveal how!

Three A.M. on a hot midsummer’s night in Manchester. A party taking place in a shabby Victorian terrace house. In the back garden Tony and Ruth meet, thanks to a stolen can of beer. On the floor above, Don and Edie are having a party of their own. As the night progresses, love is definitely in the air – but then so is the smell of cheap lager. And even cheaper aftershave. Kiss Me Like You Mean It was shortlisted for the Meyer-Whitworth Award, and has subsequently been produced in various venues around the world, including a successful three month run in Paris in 2004.

When recently-dumped Charlotte and Anthony cross paths at the airport in New York City and get caught there by a blizzard, the two set out into the city with a self-help book from the gift shop with the intention of getting over their heartbreaks.

A collection of extracts from plays, designed for use in the short performance assessment in the GCSE Drama specifications. The plays have been selected to last approximately 20 minutes and aim to develop the performance skills of students from a wide ability range.

My love is poison. His kiss is mine. “The first time he saw me I was shattered glass, and he was a shadow. If I had stayed, he would have just faded away.” It’s strange how easy it is to tell our stories to a stranger’s eyes. The truth about Connor Stratford and I had always been a sad tale. Over ten years of chasing, tears, lies, vows, and leaving. Two people who never loved each other at the same time, but couldn’t let each other go. Now here I was telling our story over drinks midday in an airport bar with my old diary clutched in my hand. Telling some version of our story, anyway. I left him once with no goodbye. Now I was returning home to give him what he needed to move on. “It’s important. It’s what you’re thinking.” I knew what his message meant, sent in the middle of the night after I woke from a fever dream. He was finally ready, and so was I. I just needed to finally give him the kiss he begged for. The one that meant goodbye.

There is a common misconception about KISS, one of the greatest hard-rock/heavy metal-bands of all-time: that their ‘non-makeup’ era of 1983-1996 is not as enduring as the period when they stalked stages as the Starchild, the Demon, the Spaceman, and the Cat. This is untrue. In fact, this period helped resuscitate KISS’s career, as they reestablished themselves in arenas, on the charts, and via MTV, and yielded some of their most popular songs – including Lick It Up, Heaven’s On Fire, Tears Are Falling, Crazy Crazy Nights, Hide Your Heart, Forever, Unholy, and more – many of which consistently found their way into the band’s set lists. While the majority of KISS books are focused on the glitz and glamour of the iconic makeup era, the non-makeup years are ripe to be explored in book form, and Take It Off does just that, zeroing in on the eleven albums KISS issued during this period – including such gold- and platinum-certified hits as Lick It Up, Animalize, Revenge, and Alive III – as well the resulting tours, videos, and other escapades. Take It Off draws on all-new interviews with KISS experts and associates, including the band’s lead guitarist throughout most of this period, Bruce Kulick, plus Crazy Nights producer Ron Nevison and video director Paul Rachman (Unholy/I Just Wanna/Domino). Among the other contributors are Charlie Benante (Anthrax), K.K. Downing (ex-Judas Priest), Derek Sherinan (ex-Dream Theater), and rock music experts Eddie Trunk, Katherine Turman, and Lonn Friend. The book also includes a foreword by Fozzy frontman Chris Jericho and an afterword by acclaimed producer Andreas Carlsson, as well as rare photographs and memorabilia from the period. With KISS currently in the midst of their last ever tour, now is the time to get Truly Unmasked.