Kiss Me Kate

The hot new Broadway revival of this show deserves a new edition of the vocal selections! Our book for this classic Cole Porter musical features 14 songs, several of which are appearing for the first time in piano/vocal format. Includes: Always True to You in My Fashion * Brush Up Your Shakespeare * From This Moment On * I Hate Men * So in Love * Tom, Dick or Harry * Too Darn Hot * We Open in Venice * Why Can't You Behave? * Wunderbar * more! Winner of 5 Tony Awards , including Best Revival of a Musical!

Giles Channing may hail from England, but he's quickly become a top developer at Orion Developers International. Teddy Beaumont is out to redevelop a city block in Atlanta, and he's hired Giles to handle the development...unless?Kate?Beaumont has her way. Who will win out? The English business developer or the local girl on a mission?

Hollywood's conversion to sound in the 1920s created an early peak in the film musical, following the immense success of The Jazz Singer. The opportunity to synchronize moving pictures with a soundtrack suited the musical in particular, since the heightened experience of song and dance drew attention to the novelty of the technological development. Until the near-collapse of the genre in the 1960s, the film musical enjoyed around thirty years of development, as landmarks such as The Wizard of Oz, Meet Me in St Louis, Singin' in the Rain, and Gigi showed the exciting possibilities of putting musicals on the silver screen. The Oxford Handbook of Musical Theatre Screen Adaptations traces how the genre of the stage-to-screen musical has evolved, starting with screen adaptations of operettas such as The Desert Song and Rio Rita, and looks at how the Hollywood studios in the 1930s exploited the publication of sheet music as part of their income. Numerous chapters examine specific screen adaptations in depth, including not only favorites such as Annie and Kiss Me, Kate but also some of the lesser-known titles like Li'l Abner and Roberta and problematic adaptations such as Carousel and Paint Your Wagon. Together, the chapters incite lively debates about the process of adapting Broadway for the big screen and provide models for future studies.

Kate was lissa’s best friend. they’ve shared everything for four years. then one night at a drunken party, Kate leaned in to kiss lissa, and lissa kissed her back. And now Kate is pretending lissa doesn’t exist. Confused and alone, lissa’s left questioning everything she thought she knew about herself, and about life. but with the help of a free-spirit new friend, lissa’s beginning to find the strength to realize that sometimes falling in love with the wrong person is the only way to find your footing.

Cole Porter's musical that incorporates Shakespeare's The Taming of the Shrew within his own story. This was Porter's 'comeback' musical and was indeed his most successful. Titles: Always True to You in My Fashion * Another Op'nin', Another Show * Bianca * Brush Up Your Shakespeare * I Am Ashamed That Women Are So Simple * I Hate Men * I Sing of Love * I've Come to Wive It Wealthily in Padua * Overture--Kiss Me, Kate * So in Love * Tom, Dick, or Harry * Too Darn Hot * We Open in Venice * Were Thine That Special Face * Where Is the Life That Late I Led? * Why Can't You Behave? * Wunderbar.

One of the New York Times Ten Best Books of the Year • A National Book Critics Circle Award Finalist • A New York Times Notable Book A timely exploration of what Shakespeare’s plays reveal about our divided land. “In this sprightly and enthralling book . . . Shapiro amply demonstrates [that] for Americans the politics of Shakespeare are not confined to the public realm, but have enormous relevance in the sphere of private life.” —The Guardian (London) The plays of William Shakespeare are rare common ground in the United States. For well over two centuries, Americans of all stripes—presidents and activists, soldiers and writers, conservatives and liberals alike—have turned to Shakespeare’s works to explore the nation’s fault lines. In a narrative arching from Revolutionary times to the present day, leading scholar James Shapiro traces the unparalleled role of Shakespeare’s four-hundred-year-old tragedies and comedies in illuminating the many concerns on which American identity has turned. From Abraham Lincoln’s and his assassin, John Wilkes Booth’s, competing Shakespeare obsessions to the 2017 controversy over the staging of Julius Caesar in Central Park, in which a Trump-like leader is assassinated, Shakespeare in a Divided America reveals how no writer has been more embraced, more weaponized, or has shed more light on the hot-button issues in our history.

Watergate Amphitheatre, Saint Subber and Lemuel Ayers present "Kiss Me, Kate," with Frances McCann, Robert Wright, Benny Baker, Marc Platt, Betty George, music and lyrics by Cole Porter, book by Sam and Bella Spewack, choreography by Hanya Holm, settings and costumes by Lemuel Ayers, orchestra under the direction of George Hirst, orchestrations by Robert Russell Bennett, musical director Pembroke Davenport, incidental ballet music arranged by Genevieve Pitot, production staged by John C. Wilson.