L Ge D Or De La Peinture Danoise
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L ge d or de la peinture Danoise
Author | : Anonim |
Publsiher | : Unknown |
Total Pages | : 0 |
Release | : 1999 |
Genre | : Electronic Book |
ISBN | : OCLC:1353215445 |
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L ge d or danois
Author | : Anonim |
Publsiher | : Unknown |
Total Pages | : 344 |
Release | : 2021 |
Genre | : Electronic Book |
ISBN | : 2759604802 |
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L age d or de la peinture danoise 1800 1850
Author | : Anonim |
Publsiher | : Unknown |
Total Pages | : 308 |
Release | : 1984 |
Genre | : Painting |
ISBN | : UOM:39015017078513 |
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The Classical Heritage in Nordic Art and Architecture
Author | : Marjatta Nielsen |
Publsiher | : Museum Tusculanum Press |
Total Pages | : 306 |
Release | : 1990 |
Genre | : History |
ISBN | : 8772890975 |
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This volume contains eighteen articles dealing with the "reception" of Classical art and architecture in the Scandinavian countries, mainly Denmark, from the Renaissance onwards. This volume is the publication of an interdisciplinary seminar held at the University of Copenhagen 1988 with the participation of archaeologists and art historians.
Representation in Religion
Author | : Moshé Barash,Jan Assmann,Albert I. Baumgarten |
Publsiher | : BRILL |
Total Pages | : 392 |
Release | : 2001-01-01 |
Genre | : Art |
ISBN | : 9004119396 |
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The volume consists of presentations made at an international conference. Authors consider the issues concerning the role of representation in religion across a variety of traditions, from the three Abrahamic faiths to those of antiquity and the East.
Nordic Landscape Painting in the Nineteenth Century
Author | : Torsten Gunnarsson |
Publsiher | : Yale University Press |
Total Pages | : 318 |
Release | : 1998-01-01 |
Genre | : Art |
ISBN | : 9780300070415 |
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This study identifies and analyzes the different types of landscape painting that dominated the Scandinavian countries in the 19th century. The author shows how the wilderness became a symbol of Nordic strength, as well as a counter-image to industrialization and European urban culture.
Ruins of Ancient Rome
Author | : Roberto Cassanelli |
Publsiher | : Getty Publications |
Total Pages | : 232 |
Release | : 2002 |
Genre | : Architectural drawing |
ISBN | : 089236680X |
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Traditionally a critical component of the education of any architect was to draw the ruins of ancient Rome, reconstructing either from ancient sources or, more often, pure fantasy, what the original structures must have looked like. From this training emerged generations of architects imbued with the aesthetic ideals that would form the Neoclassical and Beaux-Arts building styles. In this magnificently printed volume are reproduced some of the most extraordinarily handsome drawings of the ruins of ancient Rome made by French "Prix de Rome" architects from 1775 through 1925. Accompanied by text that explains how the Prix de Rome was awarded and the significance of the prize in the history of architecture, as well as how the study of ancient models formed the basis for nineteenth- and early twentieth-century architectural styles, these drawings provide an invaluable understanding of how the modern imagination recorded and transformed ancient fragments into a modern architectural idiom.
Le si cle d or de la peinture danoise
Author | : Jonathan Lévy,Jens Toft |
Publsiher | : Editions Gallimard |
Total Pages | : 215 |
Release | : 2013-10-24 |
Genre | : Landscape painting, Danish |
ISBN | : 2070142884 |
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Depuis une trentaine d'années, on assiste à la découverte d'un art méconnu, que l'on a longtemps appelé l'Age d'or de la peinture danoise. L'école de peinture de Copenhague attira dès le début du siècle tous les peintres du nord jusqu'à Friedrich et développa un style qui lui est propre sous l'impulsion des premières générations qui firent le voyage d'Italie. Une lumière particulière, une apparente simplicité dans les portraits et un goût du paysage, reflétant le climat et le relief de ce pays plat pénétré de tous côtés par la mer en sont les caractéristiques majeures. Après les guerres et les pertes de territoires, la Norvège en 1814, le Schleswig et le Holstein en 1864, l'art danois voulut délaisser les exemples étrangers pour se focaliser sur un art national et sur son propre paysage, jusqu'à la fin du XIXe siècle. Un collectionneur français a réuni en quelques années plus de 200 peintures par la plupart des artistes de l'époque, dans un univers au charme discret et envoûtant, où la mer et la campagne sont indissociables et où les animaux ont leurs portraits comme les humains.