La Condition Noire

Exploits des sportifs de haut niveau, émeutes en banlieue, lutte contre le racisme et les discriminations, mouvement associatif : depuis une dizaine d’années, les Noirs vivant en France métropolitaine sont apparus si visiblement sur la scène publique nationale qu’on peut parler aujourd’hui d’une « question noire » française. Plusieurs livres d’actualité ont relayé ces enjeux, mais jusqu’à présent, ils n’étaient pas encore étayés par des travaux de réflexion qui permettraient de les expliquer avec savoir et méthode. C’est à ce travail fondateur de black studies à la française que Pap Ndiaye s’est consacré. Comment définir les Noirs de France ? L’auteur démontre brillamment que la « condition noire » désigne une situation sociale qui n’est celle ni d’une classe, d’une caste ou d’une communauté, mais d’une minorité, c’est-à-dire d’un groupe de personnes ayant en partage l’expérience sociale d’être généralement considérées comme noires. Cet essai dense et limpide décrit et analyse l’expérience de ces hommes et de ces femmes du xviiie siècle à nos jours ; le passé et le présent d’une minorité française. En préface, une nouvelle inédite de Marie NDiaye, Les Sœurs.

The images of migrants and refugees arriving in precarious boats on the shores of southern Europe, and of the makeshift camps that have sprung up in Lesbos, Lampedusa, Calais and elsewhere, have become familiar sights on television screens around the world. But what do we know about the border places – these liminal zones between countries and continents – that have become the focus of so much attention and anxiety today, and what do we know about the individuals who occupy these places? In this timely book, anthropologist Michel Agier addresses these questions and examines the character of the borderlands that emerge on the margins of nation-states. Drawing on his ethnographic fieldwork, he shows that borders, far from disappearing, have acquired a new kind of centrality in our societies, becoming reference points for the growing numbers of people who do not find a place in the countries they wish to reach. They have become the site for a new kind of subject, the border dweller, who is both inside and outside, enclosed on the one hand and excluded on the other, and who is obliged to learn, under harsh conditions, the ways of the world and of other people. In this respect, the lives of migrants, even in the uncertainties or dangers of the borderlands, tell us something about the condition in which everyone is increasingly living today, a cosmopolitan condition in which the experience of the unfamiliar is more common and the relation between self and other is in constant renewal.

In Black France / France Noire, scholars, activists, and novelists address the paradox of race in France: the state does not acknowledge race as a meaningful category, but experiences of antiblack racism belie claims of color-blindness.

This stimulating and insightful book reveals how increased control over immigration has changed cultural and social production in theater, literature, and even museum construction. Dominic Thomas's analysis unravels the complex cultural and political realities of long-standing mobility between Africa and Europe. Thomas questions the attempt to place strict limits on what it means to be French or European and offers a sense of what must happen to bring about a renewed sense of integration and global Frenchness.

A groundbreaking study about everyday antiblackness and its refusal in an officially raceblind France. What does it mean to be racialized-as-black in France on a daily basis? #You Know You’re Black in France When… responds to that question. Under the banner of universalism, France messages a powerful and seductive ideology of blindness to race that disappears blackened people and the antiblackness they experience. As Tricia Keaton notes, in everyday life, France is anything but raceblind. In this interdisciplinary study, drawn from a range of critical scholarship including that of Philomena Essed and Frantz Fanon, Keaton illuminates how b/Black (racialized/politicized) French people distinctly expose and refuse what she calls “raceblind republicanism.” By officially turning a blind eye to the specificity of antiblackness, the French state in fact perpetuates it, she argues, along with structural racism. Through daily life, public policies, visual culture, the private lives of individuals and families shattered by police violence, the French courts where many are fighting back, and her own experiences, Keaton charts the troubling dynamics and continuities of antiblackness in French society.

An ambitious new vision of French citizenship from the perspective of Africans and Antilleans living in the colonies and mainland France. Lorelle Semley explores the ways in which these colonial subjects used French democratic ideals to demand rights and redefine the meanings of freedom and 'Frenchness'.

Black Existential Freedom looks at the ways in which Black cultural productions reflect a constant struggle for freedom and a refusal to surrender to the destructive forces of dehumanization. This book offers a counter-narrative to current Afro-Pessimist theorizations of Blackness that choose the power of death and nihilism over life.

This book approaches the study of AfroEurope through narrative forms produced in contemporary France, a location which richly illustrates race in European spaces. The book adopts a transdisciplinary lens that combines critical black and urban geographies, intersectional feminism, and textual analysis to explore the spatial negotiations of black women in France. It assesses literature, film, and music as narrative forms and engages with the sociocultural and political contexts from which they emerge. Through the figure of the black flâneuse and the analytical framework of "walking as method", the book goes beneath spectacular representations of ghettoised banlieues, televised protests, and shipwrecked migrants to analyse the spatiality of blackness in the everyday. It argues that the material-discursive framing of black flânerie, as both relational and embodied movements, renders visible a politics of place embedded in everyday micro-struggles of raced-sexed subjects. Foregrounding expressive modes and forms that have traditionally received little critical attention outside of the French and francophone world, this book will be relevant to academics, researchers, writers, students, activists, and readers with interests in Literary and Cultural Studies, African and Afrodiasporic Studies, Black Feminisms, Migration Studies, Critical Black Geographies, Francophone Studies, and the comparative framework of Afroeuropean Studies.