La Nuova Fotografia Giapponese

Una novella quasi poliziesca che si svolge nel Giappone moderno, con tradizioni e storie che affondano le loro radici nella psiche e nella storia millenaria del paese. Il protagonista ha lo stesso nome di un famoso artista italiano e chi l'aiuta nel lavoro e nella scoperta di strani retroscena e un'intelligente Madoka Mai che...

This book shows how aesthetic understanding of organizations can extend our knowledge and sharpen our insights into many processes that shape organizational action. Organizational life is pervaded by aesthetics, yet conventional organizational analysis has been dominated by a `scientific′, logico-rational tradition that ignores the aesthetic dimension. The book highlights the role of emotion in organizations, the importance of symbol, the subjective influence of culture and the processes of learning and cognition. These phenomena are related to the aesthetic rather than to purify rational, demanding new modes of inquiry that allow us richer insight into the dynamics of organizational life. Organization and Aesthetics provides a powerful new lens through which the daily, ever-chaning complexity of organizations can be better understood by students, researchers and mangers.

Inspired by the late, great cartoonist William Steig and his classic book, The Lonely Ones (which pairs Steig's line-drawn characters with simple one-liners of dialogue-to-self), photographer Gus Powell (born 1974) made his own "lonely ones"--quiet but evocative color photographs of interiors and landscapes, inhabited by people, animals and inanimate characters. Every photograph is paired with a suggestive text, functioning here as the opposite of a caption--each of the 40 color photographs in The Lonely Ones is hidden by a gate-fold, on which is printed the single phrase. Every photograph is revealed individually behind its gate-fold. "Which way to the symposium?" paired with a photograph of a butterfly in midair. "Let's not ruin it by talking." "Mistakes were made." "This might hurt." "Another small victory." "I am the host of this misadventure."

The Routledge Companion to Butoh Performance provides a comprehensive introduction to and analysis of the global art form butoh. Originating in Japan in the 1960s, butoh was a major innovation in twentieth century dance and performance, and it continues to shape-shift around the world. Taking inspiration from the Japanese avant-garde, Surrealism, Happenings, and authors such as Genet and Artaud, its influence can be seen throughout contemporary performing arts, music, and visual art practices. This Companion places the form in historical context, documents its development in Japan and its spread around the world, and brings together the theory and the practice of this compelling dance. The interdisciplinarity evident in the volume reflects the depth and the breadth of butoh, and the editors bring specially commissioned essays by leading scholars and dancers together with translations of important early texts.