Ladies Of Gothic Horror A Collection Of Classic Stories

Classic gothic horror stories from the literary mistresses of the past! Many of gothic horror’s spookiest tales have come from the pens of women. Yet a substantial number of these women were overshadowed by their male contemporaries, especially with regard to the classics. Ladies of Gothic Horror (A Collection of Classic Stories) redresses this imbalance by bringing together a selection of gothic stories from the past written exclusively by women. Carefully edited and compiled by author and anthologist Mitzi Szereto, Ladies of Gothic Horror offers readers plenty of good old-fashioned chills and thrills. Whether you’re a devotee of the genre, a literature lover, an academic or a student, this volume of short fiction is sure to please. The biographies accompanying each story will show that these women were anything but typical for their time. Includes seventeen stories from authors Mary Shelley, Elizabeth Gaskell, Edith Wharton, Marjorie Bowen, Gertrude Atherton, Virginia Woolf, Charlotte Perkins Gilman, Elia W. Peattie and many more. "Ladies of Gothic Horror (A Collection of Classic Stories) is a must-read for anyone who loves the horror, mystery, science fiction, or paranormal genres." - Long and Short Reviews "An inspiring collection, to be enjoyed in its own right, preferably by candlelight while sat in your favourite chair…" - ScreamFix "You’ll find some damn fine fiction in this collection and some equally impressive true stories." - Get On My Damn Level book reviews "We have stories with ghosts, some malevolent, some seeking vengeance, and some simply waiting for a wrong to be corrected…. [Including] a thoughtful look into the time period, and the challenges that these women had faced in getting published, let alone in living their everyday lives." - Girl Who Reads

The theme is Gothic-- the horror of Gothic romance. Throughout the mid-century, paperback Gothic romance books dominated the shelves, always featuring a woman running away from a house. (Go ahead, Google "women running from houses.") Gothic romances tended to tell stories of women coming into conflict with old families, old houses and old traditions. So we've asked a bevy of best-selling writers to celebrate the movement with their own horrific takes on gothic. Run from the house with us! In Churl Yo offers a Bradburyesque sci-fi take on the Gothic, Alethea Kontis also chooses sci-fi in her tale of a futuristic medical procedure gone awry, John Ohno brings a classic governess-arrives-and-things-go-bad story, Jim Towns sets his story in 1972 with his movie-world horror tale, Amanda DeWees has a Gothic tale with an ingenious and tech-savvy female, Jeremiah Dylan Cook gives us a mysterious mansion-and sexy maybe-ghost, Leanna Renee Hieber brings us a ballad-like ghost origin story, Rob Nisbet makes a Lovecraft story out of Lovecraft himself, Bonnie Jo Stufflebeam comes to us with a ghost story of a house with its own ideas, Jason Henderson brings the beginning of a serialized story about an expedition into the fabled and haunted House of Usher, Charles R. Rutledge returns with a Carter Decamp psychic mystery, Henry Herz turns to folklore with his tale of a supernatural being wreaking vengeance on Scottish shores, Tony Jones spins us in the direction of violent, supernatural creatures with a taste for the nightlife, Michael Aronovitz weaves a tale about a person coming to terms with what it takes to escape an attic, Sam Knight perfectly evokes the smells and textures of life at an orchard, and Scott Pearson returns us once again to the contemporary era with his feminist commentary on the Modern Gothic.

Featuring crumbling castles, chilling cathedrals, and haunted manors as their eerie settings, these stories are sure to terrify and entertain in equal measure. Supernatural terrors lurk around every corner. Here you will find tales by landmark gothic writers like Edgar Allan Poe, Mary Shelley, Sheridan Le Fanu, Sir Walter Scott and many more. Often controversial in their own time, these stories pushed the boundaries of what was possible in fiction and evoked unsettling emotions as they told their tales of mysterious places, lost secrets, and sudden, shocking violence.

Winner of the 2019 Broken Frontier Award for Best Book on Comics Today fans still remember and love the British girls’ comic Misty for its bold visuals and narrative complexities. Yet its unique history has drawn little critical attention. Bridging this scholarly gap, Julia Round presents a comprehensive cultural history and detailed discussion of the comic, preserving both the inception and development of this important publication as well as its stories. Misty ran for 101 issues as a stand-alone publication between 1978 and 1980 and then four more years as part of Tammy. It was a hugely successful anthology comic containing one-shot and serialized stories of supernatural horror and fantasy aimed at girls and young women and featuring work by writers and artists who dominated British comics such as Pat Mills, Malcolm Shaw, and John Armstrong, as well as celebrated European artists. To this day, Misty remains notable for its daring and sophisticated stories, strong female characters, innovative page layouts, and big visuals. In the first book on this topic, Round closely analyzes Misty’s content, including its creation and production, its cultural and historical context, key influences, and the comic itself. Largely based on Round’s own archival research, the study also draws on interviews with many of the key creators involved in this comic, including Pat Mills, Wilf Prigmore, and its art editorial team Jack Cunningham and Ted Andrews, who have never previously spoken about their work. Richly illustrated with previously unpublished photos, scripts, and letters, this book uses Misty as a lens to explore the use of Gothic themes and symbols in girls’ comics and other media. It surveys existing work on childhood and Gothic and offers a working definition of Gothic for Girls, a subgenre which challenges and instructs readers in a number of ways.

Proud and solitary, Eel Marsh House surveys the windswept reaches of the salt marshes beyond Nine Lives Causeway. Arthur Kipps, a junior solicitor, is summoned to attend the funeral of Mrs Alice Drablow, the house's sole inhabitant, unaware of the tragic secrets which lie hidden behind the shuttered windows. It is not until he glimpses a pale young woman, dressed all in black, at the funeral, that a creeping sense of unease begins to take hold, a feeling deepened by the reluctance of the locals to talk of the woman in black - and her terrible purpose.

NEW YORK TIMES BESTSELLER • “It’s Lovecraft meets the Brontës in Latin America, and after a slow-burn start Mexican Gothic gets seriously weird.”—The Guardian IN DEVELOPMENT AS A HULU ORIGINAL LIMITED SERIES PRODUCED BY KELLY RIPA AND MARK CONSUELOS • ONE OF TIME’S 100 BEST MYSTERY AND THRILLER BOOKS OF ALL TIME • WINNER OF THE LOCUS AWARD • NOMINATED FOR THE BRAM STOKER AWARD ONE OF THE BEST BOOKS OF THE YEAR: The New Yorker, Vanity Fair, NPR, The Washington Post, Tordotcom, Marie Claire, Vox, Mashable, Men’s Health, Library Journal, Book Riot, LibraryReads An isolated mansion. A chillingly charismatic aristocrat. And a brave socialite drawn to expose their treacherous secrets. . . . From the author of Gods of Jade and Shadow comes “a terrifying twist on classic gothic horror” (Kirkus Reviews) set in glamorous 1950s Mexico. After receiving a frantic letter from her newly-wed cousin begging for someone to save her from a mysterious doom, Noemí Taboada heads to High Place, a distant house in the Mexican countryside. She’s not sure what she will find—her cousin’s husband, a handsome Englishman, is a stranger, and Noemí knows little about the region. Noemí is also an unlikely rescuer: She’s a glamorous debutante, and her chic gowns and perfect red lipstick are more suited for cocktail parties than amateur sleuthing. But she’s also tough and smart, with an indomitable will, and she is not afraid: Not of her cousin’s new husband, who is both menacing and alluring; not of his father, the ancient patriarch who seems to be fascinated by Noemí; and not even of the house itself, which begins to invade Noemi’s dreams with visions of blood and doom. Her only ally in this inhospitable abode is the family’s youngest son. Shy and gentle, he seems to want to help Noemí, but might also be hiding dark knowledge of his family’s past. For there are many secrets behind the walls of High Place. The family’s once colossal wealth and faded mining empire kept them from prying eyes, but as Noemí digs deeper she unearths stories of violence and madness. And Noemí, mesmerized by the terrifying yet seductive world of High Place, may soon find it impossible to ever leave this enigmatic house behind. “It’s as if a supernatural power compels us to turn the pages of the gripping Mexican Gothic.”—The Washington Post “Mexican Gothic is the perfect summer horror read, and marks Moreno-Garcia with her hypnotic and engaging prose as one of the genre’s most exciting talents.”—Nerdist “A period thriller as rich in suspense as it is in lush ’50s atmosphere.”—Entertainment Weekly

Bringing together the work of such writers as Edgar Allan Poe, Nathaniel Hawthorne, Arthur Conan Doyle, Eudora Welty, Thomas Hardy, William Faulkner, Isak Dinesen, and Joyce Carol Oates, The Oxford Book of Gothic Tales presents 37 sinister and unsettling tales for all lovers of ghost stories, fantasy, and horror.