Lafcadio Hearn

The dead wreak revenge on the living, paintings come alive, spectral brides possess mortal men and a priest devours human flesh in these chilling Japanese ghost stories retold by a master of the supernatural. Lafcadio Hearn drew on the phantoms and ghouls of traditional Japanese folklore - including the headless 'rokuro-kubi', the monstrous goblins 'jikininki' or the faceless 'mujina' who stalk lonely neighbourhoods - and infused them with his own memories of his haunted childhood in nineteenth-century Ireland to create these terrifying tales of striking and eerie power. Today they are regarded in Japan as classics in their own right. Edited with an introduction by Paul Murray

Setsuko Koizumi (1868-1932) was the daughter of a Japanese samurai family in Matsué. In 1891 she married a foreigner - Lafcadio Hearn (1850-1904) - in a union that lasted 13 years and produced three children. Hearn adopted her family name, becoming Koizumi Yakumo ????,and spent those years in Japan writing and teaching while achieving international recognition and success. Setsuko's Reminiscences tells something of the couple's moves and travels, but focuses mostly on the character, habits, and eccenticities of her husband. The book is a heartfelt intimate portrait of a marriage that brought Lafcadio the home and family he had never before had. This book shares a charming story of domestic happiness, as told by his closest companion, collaborator, and interpreter of life and death in Meiji Japan.

Lafcadio Hearn (1850-1904) has long been marginalised as a failed Victorian Romantic whose writings on Japan were poetic but inconsequential; as a person, he emerges as a one-dimensional neurotic. In this new study, based on a wealth of hitherto unpublished sources, as well as a fresh reading of Hearn's writings, Paul Murray reveals a multi-faceted character of considerable depth, intelligence and literary skill. This is a book, therefore, that will appeal on many levels. The story of Hearn's life makes fascinating reading; his fantastic journey took him from conception outside marriage on a Greek island to a protected upbringing in Dublin; from a Gothic education in England to Cincinnati in the United States where, as Paddy Hearn, he established himself as a journalist of the macabre par excellence. In New Orleans, in the 1860s, he transformed himself into Lafcadio Hearn, litterateur and a man of the South. Finally after two years in the West Indies, he spent the last fourteen years of his life in Japan - arriving in 'the land of the gods' in the spring of 1890. Although it was always to be an ambiguous relationship with his adopted country, Hearn gave to the world some of the most valuable and enduring insights into Japanese society and culture that continue to stand the test of time. For students of the Anglo-Irish tradition, a little explored strand of Hearn's heritage, this book is also essential reading, providing substantial insights into Hearn's mastery of the literary horror genre. Equally, students of Japan will want to understand, for the first time, the make-up and motivation of one of its greatest ever Western interpreters.

This fascinating fictional account of the life and times of Lafcadio Hearn probes the question: "What was the nature of this man, born wanderer, informant of the fiendish details of Japanese lore... a man who chose to live his life 'in defiance of the season'?" Though now largely forgotten in the West, he is, in the 21st century, still considered by the Japanese to be the foreigner with the most insight into their mind and mores. Orphan of Europe, chronicler of the eerie and the grotesque, journalist and ethnographer of subcultures, Greek-Irish author Lafcadio Hearn arrived in Yokohama from the United States in 1890. During his 14-year stay in Japan he wrote 14 books about the country, becoming known, in the decades succeeding his death, as the foremost interpreter of things Japanese in the West. The Dream of Lafcadio Hearn is a novel not only about Hearn in Meiji Japan but about any person in any era who may feel, for a time or forever, more at home in a foreign land than in their own. The novel is preceded by a detailed introduction on Hearn from the time of his birth in Greece in 1850 until his death in Japan in 1904.

Lafcadio Hearn (1850-1904) prowled the streets of New Orleans from 1877 to 1888 before moving on to a new life and global fame as a chronicler of Japan. Hearn's influence on our perceptions of New Orleans, however, has unjustly remained unknown. In ten years of serving as a correspondent and selling his writing in such periodicals as the New Orleans Daily Item, Times-Democrat, Harper's Weekly, and Scribner's Magazine he crystallized the way Americans view New Orleans and its south Louisiana environs. Hearn was prolific, producing colorful and vivid sketches, vignettes, news articles, essays, translations of French and Spanish literature, book reviews, short stories, and woodblock prints. He haunted the French Quarter to cover such events as the death of Marie Laveau. His descriptions of the seamy side of New Orleans, tainted with voodoo, debauchery, and mystery made a lasting impression on the nation. Denizens of the Crescent City and devotees who flock there for escapades and pleasures will recognize these original tales of corruption, of decay and benign frivolity, and of endless partying. With his writing, Hearn virtually invented the national image of New Orleans as a kind of alternative reality to the United States as a whole. S. Frederick Starr, a leading authority on New Orleans and Louisiana culture, edits the volume, adding an introduction that places Hearn in a social, historical, and literary context. Hearn was sensitive to the unique cultural milieu of New Orleans and Louisiana. During the decade that he spent in New Orleans, Hearn collected songs for the well-known New York music critic Henry Edward Krehbiel and extensively studied Creole French, making valuable and lasting contributions to ethnomusicology and linguistics. Hearn's writings on Japan are famous and have long been available. But Inventing New Orleans: Writings of Lafcadio Hearn brings together a selection of Hearn's nonfiction on New Orleans and Louisiana, creating a previously unavailable sampling. In these pieces Hearn, an Anglo-Greek immigrant who came to America by way of Ireland, is alternately playful, lyrical, and morbid. This gathering also features ten newly discovered sketches. Using his broad stylistic palette, Hearn conjures up a lost New Orleans which later writers such as William Faulkner and Tennessee Williams used to evoke the city as both reality and symbol.

Extensive collection of excerpts exploring the psychological, spiritual, supernatural, social aspects of Japan. Including Lafcadio Hearn's Farewell and letters from 1894 to 1904.