Landscapes Decoded

Presenting the research into the landscape history of the Bourn Valley, west of Cambridge, this book is published as the first volume in a series of mid-length monographs on unusual subjects within local and regional history. It is illustrated throughout with maps and photos.

Since the velvet revolution of 1989, the totalitarian communist urbanscapes of central European cities have been 'cleansed' or 'recycled', bringing in new architectural, functional and social forms to transform how they look and how they are used. This book examines the culturally conditional variations between local powers and structures despite the similarities in the general processes and systems. It assesses whether these urbanscapes clearly reflect the social, cultural and political conditions and aspirations of these transitional countries and so a critical analysis of them provides important insights.

Considering the minor settlements of England's Danelaw--villages known as thorps or throps--this history demonstrates how place-name evidence can be used to understand early cultures. By integrating linguistic and archaeological approaches, it establishes a compelling connection between the creation of these place-names and the fundamental changes taking place in the English landscape between AD 850 and 1250. The integral role of thorps in revolutionizing agricultural practice at that time is thoroughly analyzed.

Why in the pre-industrial period were some settlements resilient and stable over the long term while other settlements were vulnerable to crisis? Indeed, what made certain human habitations more prone to decline or even total collapse, than others? All pre-industrial societies had to face certain challenges: exogenous environmental hazards such as earthquakes or plagues, economic or political hazards from ’outside’ such as warfare or expropriation of property, or hazards of their own-making such as soil erosion or subsistence crises. How then can we explain why some societies were able to overcome or negate these problems, while other societies proved susceptible to failure, as settlements contracted, stagnated, were abandoned, or even disappeared entirely? This book has been stimulated by the questions and hypotheses put forward by a recent ’disaster studies’ literature - in particular, by placing the intrinsic arrangement of societies at the forefront of the explanatory framework. Essentially it is suggested that the resilience or vulnerability of habitation has less to do with exogenous crises themselves, but on endogenous societal responses which dictate: (a) the extent of destruction caused by crises and the capacity for society to protect itself; and (b) the capacity to create a sufficient recovery. By empirically testing the explanatory framework on a number of societies between the Middle Ages and the nineteenth century in England, the Low Countries, and Italy, it is ultimately argued in this book that rather than the protective functions of the state or the market, or the implementation of technological innovation or capital investment, the most resilient human habitations in the pre-industrial period were those than displayed an equitable distribution of property and a well-balanced distribution of power between social interest groups. Equitable distributions of power and property were the underlying conditions in pre-industrial societies that all

This companion is a collection of newly-commissioned essays written by leading scholars in the field, providing a comprehensive introduction to British art history. A generously-illustrated collection of newly-commissioned essays which provides a comprehensive introduction to the history of British art Combines original research with a survey of existing scholarship and the state of the field Touches on the whole of the history of British art, from 800-2000, with increasing attention paid to the periods after 1500 Provides the first comprehensive introduction to British art of the eighteenth, nineteenth, and twentieth centuries, one of the most lively and innovative areas of art-historical study Presents in depth the major preoccupations that have emerged from recent scholarship, including aesthetics, gender, British art’s relationship to Modernity, nationhood and nationality, and the institutions of the British art world

An original and approachable account of how archaeology can tell the story of the English village. Shapwick lies in the middle of Somerset, next to the important monastic centre of Glastonbury: the abbey owned the manor for 800 years from the 8th to the 16th century and its abbots and officials had a great influence on the lives of the peasants who lived there. It is possible that abbot Dunstan, one of the great reformers of tenth century monasticism directed the planning of the village. The Shapwick Project examined the development and history of an English parish and village over a ten thousand-year period. This was a truly multi-disciplinary project. Not only were a battery of archaeological and historical techniques explored - such as field walking, test-pitting, archaeological excavation, aerial reconnaissance, documentary research and cartographic analysis - but numerous other techniques such as building analysis, dendrochronological dating and soil analysis were undertaken on a large scale. The result is a fascinating study about how the community lived and prospered in Shapwick. In addition we learn how a group of enthusiastic and dedicated scholars unravelled this story. As such there is much here to inspire and enthuse others who might want to embark on a landscape study of a parish or village area. Seven of the ten chapters begin with a fictional vignette to bring the story of the village to life. Text-boxes elucidate re-occurring themes and techniques. Extensively illustrated in colour including 100 full page images.

The varied character of Britain's countryside and towns provides communities with a strong sense of local identity. One of the most significant features of the southern British landscape is the way that its character differs from region to region, with compact villages in the Midlands contrasting with the sprawling hamlets of East Anglia and isolated farmsteads of Devon. Even more remarkable is the very 'English' feel of the landscape in southern Pembrokeshire, in the far south west of Wales. Hoskins described the English landscape as 'the richest historical record we possess', and in this book Stephen Rippon explores the origins of regional variations in landscape character, arguing that while some landscapes date back to the centuries either side of the Norman Conquest, other areas across southern Britain underwent a profound change around the 8th century AD.

Most people believe that traditional landscapes did not survive the collapse of Roman Britain, and that medieval open fields and commons originated in Anglo-Saxon innovations unsullied by the past. The argument presented here tests that belief by contrasting the form and management of early medieval fields and pastures with those of the prehistoric and Roman landscapes they are supposed to have superseded. The comparison reveals unexpected continuities in the layout and management of arable and pasture from the fourth millennium BC to the Norman Conquest. The results suggest a new paradigm: the collective organisation of agricultural resources originated many centuries, perhaps millennia, before Germanic migrants reached Britain. In many places, medieval open fields and common rights over pasture preserved long-standing traditions for organising community assets. In central, southern England, a negotiated compromise between early medieval lords eager to introduce new managerial structures and communities as keen to retain their customary traditions of landscape organisation underpinned the emergence of nucleated settlements and distinctive, highly-regulated open fields.