Landscapes Of Indigenous Performance

This collection shows how traditional music and dance have responded to colonial control in the past and more recently to other external forces beyond local control. It looks at musical pasts and presents as a continuum of creativity; at contemporary cultural performance as a contested domain; and at cross-cultural issues of recording and teaching music and dance as experienced by Indigenous leaders and educators and non-Indigenous researchers and scholars.

This book is a turning point in the evolution of Canada's philanthropic landscape - a testament to new and ground-breaking knowledge that reflects a distinct Canadian foundation sector. Explore established and emerging landscapes, Indigenous perspectives on philanthropy and creative and innovative pathways to change.

This volume explores the multi-faceted semantics of ecology in contemporary Indigenous theater and performance. It focuses on the ways in which Indigenous playwrights from North America and Oceania depict the human link with Nature in today's global age.

How does one read across cultural boundaries? The multitude of creative texts, performance practices, and artworks produced by Indigenous writers and artists in contemporary Australia calls upon Anglo-European academic readers, viewers, and critics to respond to this critical question. Contributors address a plethora of creative works by Indigenous writers, poets, playwrights, filmmakers, and painters, including Richard Frankland, Lionel Fogarty, Lin Onus, Kim Scott, Sam Watson, and Alexis Wright, as well as Durrudiya song cycles and works by Western Desert artists. The complexity of these creative works transcends categorical boundaries of Western art, aesthetics, and literature, demanding new processes of reading and response. Other contributors address works by non-Indigenous writers and filmmakers such as Stephen Muecke, Katrina Schlunke, Margaret Somerville, and Jeni Thornley, all of whom actively engage in questioning their complicity with the past in order to challenge Western modes of knowledge and understanding and to enter into a more self-critical and authentically ethical dialogue with the Other. In probing the limitations of Anglo-European knowledge-systems, essays in this volume lay the groundwork for enter¬ing into a more authentic dialogue with Indigenous writers and critics. Beate Neumeier is Professor and Chair of English at the University of Cologne. Her research is in gender, performance, and postcolonial studies. Editor of the e-journal Gender Forum and the database GenderInn, she has published books on English Re¬naissance and contemporary anglophone drama, contemporary American and British-Jewish literature, and women’s writing. Kay Schaffer, an Adjunct Professor in Gender Studies and Social Analysis at the University of Adelaide. is the author of ten books and numerous articles at the intersections of gender, culture, and literary studies. Her recent publications address the Stolen Generations in Australia, life narratives in human-rights campaigns, and readings of contemporary Chinese women writers.

This book demonstrates how active and meaningful collaboration between researchers and local stakeholders and indigenous communities can lead to the co-production of knowledge and the empowerment of communities. Focusing on the Asia Pacific region, this interdisciplinary volume looks at local and indigenous relations to the landscape, showing how applied scholarship and collaborative research can work to empower indigenous and descendant communities. With cases ranging across Indonesia, Thailand, Taiwan, the Philippines, Cambodia, Pohnpei, Guam, and Easter Island, this book demonstrates the many ways in which co-production of knowledge is reconnecting local and indigenous relations to the landscape, and diversifying the philosophy of human-land relations. In so doing, the book is enriching the knowledge of landscape, and changing the landscape of knowledge. This important contribution to our understanding of knowledge production will be of interest to readers across Anthropology, Archaeology, Development, Geography, Heritage Studies, Indigenous Studies, and Policy Studies.

The adoption of White Australia as government policy in 1901 demonstrates that whiteness was crucial to the ways in which the new nation of Australia was constituted. And yet, historians have largely overlooked whiteness in their studies of Australia's racial past. Creating White Australia takes a fresh approach to the question of ‘race’ in Australian history. It demonstrates that Australia's racial foundations can only be understood by recognising whiteness too as 'race'. Including contributions from some of the leading as well as emerging scholars in Australian history, it breaks new ground by arguing that ‘whiteness’ was central to the racial ideologies that created the Australian nation. This book pursues the foundations of white Australia across diverse locales. It also situates the development of Australian whiteness within broader imperial and global influences. As the recent apology to the Stolen Generations, the Northern Territory Intervention and controversies over asylum seekers reveal, the legacies of these histories are still very much with us today.

In the long history of documenting the material culture of the archaeological record, meaning and actions of makers and users of these items is often overlooked. The authors in this book focus on rituals exploring the natural and made landscape stages, the ritual directors, including their progression from shaman to priesthood, and meaning of the rites. They also provide comments on the end or failure of rites and cults from Paleoindian into post-DeSoto years. Chapters examine the archaeological records of Cahokia, the lower Ohio Valley, Aztalan Wisconsin, Vermont, Florida, and Georgia, and others scan the Eastern US, investigating tobacco/datura, color symbolism, deer symbolism, mound stratigraphy, flintknapping, stone caching, cults and their organization, and red ochre. These authors collectively query the beliefs that can be gleaned from mortuary practices and their variation, from mound construction, from imagery, from the choice of landscape setting. While some rituals were short-lived, others can be shown to span millennia as the ritual specialists modified their interpretations and introduced innovations.

Cover -- Half Title -- Title Page -- Copyright Page -- Dedication -- Epigraph -- Table of Contents -- List of Figures -- List of Tables -- List of Boxes -- Preface -- List of Abbreviations -- 1 The Maritime Heritage Crisis -- 2 Coastal Change -- 3 Cultural Resource Management -- 4 The shíshálh Coast Study -- 5 Problematizing the Heritage Crisis -- 6 Looking Forward, Looking Back -- Appendix: The Club of Rome's Forty-Nine Critical Continuous Problems -- References -- Index.