Landscapes Or Seascapes

This book deals with the geographical evolution of the coastal areas adjacent to the North Sea, with a focus upon the last two thousand years. Although many articles are reworked in a fundamental way, most of them are the result of a conference which took place in 2010 at the University of Ghent (Belgium). The various disciplines in which the coastal plains are studied too often remain within their own borders, and so the authors have set out to thoroughly interweave them in the hope that this will spur greater interdisciplinary cooperation. This collection of texts is intended to appeal not just to experts in historical geography, but to historians and scientists working in any field who wish to gain insights into the present ‘state of play’.

An inspiring guide to creating successful landscapes and seascapes in mixed media, including watercolour, pastels, wax crayons, ink and acrylics. Mixed media is ever growing in popularity. In this useful and insightful book, artist and teacher Chris Forsey shows how to use this technique to create stunning landscapes and seascapes. The book concentrates on combining water-based media – watercolour, pastels, wax crayons, ink and acrylics – to create an exciting and often unpredictable way to paint. It allows the artist to create textures and effects that can exhilarate the painting surface with unusual serendipitous washes, smears and drifts of colour and tone. The book encourages readers to experiment with media, wile providing advice, instruction and step-by-step demonstrations to show how to get the best from two, three or four different media working together. The introduction helps the reader determine what they wish to achieve in a painting. The following chapters then goes on to focus on one of the media combinations: wax crayon and watercolour; oil pastel, watercolour and acrylic; oil pastel and acrylics; oil pastel, watercolour, ink and acrylics. Featuring plenty of step-by-step demonstrations on how to combine the materials, with finished examples of finished paintings. The book offers the reader an array of ways to improve their landscape and seascape painting, taking it to a new level.

This open access book presents up-to-date analyses of community-based approaches to sustainable resource management of SEPLS (socio-ecological production landscapes and seascapes) in areas where a harmonious relationship between the natural environment and the people who inhabit it is essential to ensure community and environmental well-being as well as to build resilience in the ecosystems that support this well-being. Understanding SEPLS and the forces of change that can weaken their resilience requires the integration of knowledge across a wide range of academic disciplines as well as from indigenous knowledge and experience. Moreover, given the wide variation in the socio-ecological makeup of SEPLS around the globe, as well as in their political and economic contexts, individual communities will be at the forefront of developing the measures appropriate for their unique circumstances. This in turn requires robust communication systems and broad participatory approaches. Sustainability science (SuS) research is highly integrated, participatory and solutions driven, and as such is well suited to the study of SEPLS. Through case studies, literature reviews and SuS analyses, the book explores various approaches to stakeholder participation, policy development and appropriate action for the future of SEPLS. It provides communities, researchers and decision-makers at various levels with new tools and strategies for exploring scenarios and creating future visions for sustainable societies.

Written from within the best traditions of ecocritical thought, this book provides a wide-ranging account of the spatial imagination of landscape and seascape in literary and cultural contexts from many regions of the world. It brings together essays by authors writing from within diverse cultural traditions, across historical periods from ancient Egypt to the postcolonial and postmodern present, and touches on an array of divergent theoretical interventions. The volume investigates how our spatial imaginations become "wired," looking at questions about mediation and exploring how various traditions compete for prominence in our spatial imagination. In what ways is personal experience inflected by prevailing cultural traditions of representation and interpretation? Can an individual maintain a unique and distinctive spatial imagination in the face of dominant trends in perception and interpretation? What are the environmental implications of how we see landscape? The book reviews how landscape is at once conceptual and perceptual, illuminating several important themes including the temporality of space, the mediations of place that form the response of an observer of a landscape, and the development of response in any single life from early, partial thoughts to more considered ideas in maturity. Chapters provide suggestive and culturally nuanced propositions from varying points of view on ancient and modern landscapes and seascapes and on how individuals or societies have arranged, conceptualized, or imagined circumambient space. Opening up issues of landscape, seascape, and spatiality, this volume commences a wide-ranging critical discussion that includes various approaches to literature, history and cultural studies. Bringing together research from diverse areas such as ecocriticism, landscape theory, colonial and postcolonial theory, hybridization theory, and East Asian Studies to provide a historicized and global account of our ecospatial imaginations, this book will be useful for scholars of landscape ecology, ecocriticism, physical and social geography, postcolonialism and postcolonial ecologies, comparative literary studies, and East Asian Studies.

The how-to handbook that exactly explains and illustrates the step-by-step processes for drawing complete, succesful landscapes and seascapes and teaches the fundamentals of good composition as well as the separate picture elements. This guide combines the simplest kind of scenery sketching with the most complex renderings to give every artist, beginner or professional, essential scenery drawing techniques. More than 900 diagrams, pictorial explanations, and pictures

Seascape Ecology provides a comprehensive look at the state-of-the-science in the application of landscape ecology to the seas and provides guidance for future research priorities. The first book devoted exclusively to this rapidly emerging and increasingly important discipline, it is comprised of contributions from researchers at the forefront of seascape ecology working around the world. It presents the principles, concepts, methodology, and techniques informing seascape ecology and reports on the latest developments in the application of the approach to marine ecology and management. A growing number of marine scientists, geographers, and marine managers are asking questions about the marine environment that are best addressed with a landscape ecology perspective. Seascape Ecology represents the first serious effort to fill the gap in the literature on the subject. Key topics and features of interest include: The origins and history of seascape ecology and various approaches to spatial patterning in the sea The links between seascape patterns and ecological processes, with special attention paid to the roles played by seagrasses and salt marshes and animal movements through seascapes Human influences on seascape ecology—includes models for assessing human-seascape interactions A special epilogue in which three eminent scientists who have been instrumental in shaping the course of landscape ecology offer their insights and perspectives Seascape Ecology is a must-read for researchers and professionals in an array of disciplines, including marine biology, environmental science, geosciences, marine and coastal management, and environmental protection. It is also an excellent supplementary text for university courses in those fields.

While the European Landscape Convention adopted in Florence in 2000 by the European Council offers a public-action framework through a normative definition, the marine and submarine dimensions of landscapes are attracting growing interest from researchers worldwide. At a time when marine-conservation objectives are strongly endorsed by the Convention on Biological Diversity, the French Marine Protected Areas Agency, a public institution under the governance of the French Ministry of the Environment, has gathered prominent experts to draft the very first interdisciplinary overview of underwater seascapes, so as to initiate and lend direction to a wider reflection on this emerging research topic.

Documents how Whistler's unorthodox pictorial design and vision of space set the stage for geometric abstractions.