Lange

A riveting debut that combines the relentless immediacy of Thirteen Reasons Why with the can't-look-away drama of TV shows like Biggest Loser. A lonely obese boy everyone calls "Butter" is about to make history. He is going to eat himself to death-live on the Internet-and everyone is invited to watch. When he first makes the announcement online to his classmates, Butter expects pity, insults, and possibly sheer indifference. What he gets are morbid cheerleaders rallying around his deadly plan. Yet as their dark encouragement grows, it begins to feel a lot like popularity. And that feels good. But what happens when Butter reaches his suicide deadline? Can he live with the fallout if he doesn't go through with his plans? With a deft hand, Erin Jade Lange allows readers to identify with both the bullies and the bullied in this all-consuming look at one teen's battle with himself. Acclaim for Butter An ABC New Voices Pick Abraham Lincoln Masterlist Nevada Young Readers Award nominee Iowa High School Book Award nominee Sakura Medal winner Waterstones Children's Book Prize nominee South Carolina Young Adult Book Award nominee Blue Hen Book Award nominee TAYSHAS List Teens' Top Ten Pick

**INSTANT NEW YORK TIMES BESTSELLER** In the vein of Mary Beth Keane’s Ask Again, Yes and Cynthia D'Aprix Sweeney's The Nest, Tracey Lange’s We Are the Brennans explores the staying power of shame—and the redemptive power of love—in an Irish Catholic family torn apart by secrets. When twenty-nine-year-old Sunday Brennan wakes up in a Los Angeles hospital, bruised and battered after a drunk driving accident she caused, she swallows her pride and goes home to her family in New York. But it’s not easy. She deserted them all—and her high school sweetheart—five years before with little explanation, and they've got questions. Sunday is determined to rebuild her life back on the east coast, even if it does mean tiptoeing around resentful brothers and an ex-fiancé. The longer she stays, however, the more she realizes they need her just as much as she needs them. When a dangerous man from her past brings her family’s pub business to the brink of financial ruin, the only way to protect them is to upend all their secrets—secrets that have damaged the family for generations and will threaten everything they know about their lives. In the aftermath, the Brennan family is forced to confront painful mistakes—and ultimately find a way forward, together.

The Videography of Darcy Lange is a critical monograph of a pivotal figure in early analogue video. Trained as a sculptor at the Royal College of Art, Lange developed a socially engaged video practice with remarkable studies of people at work in industrial, farming, and teaching contexts that drew from conceptual art, social documentary and structuralist filmmaking. Lange saw in portable video a democratic tool for communication and social transformation, continuing the legacy of the revolutionary avant-garde projects that merged art with social life and turned audiences into producers. This book follows Lange's trajectory from his early observational studies to the crisis of representation and socially engaged video and activism, as it is shaped by, and resists, the artistic, cultural and political preoccupations of the 1970s and 1980s. It strikes a balance between being a monographic account providing a close analysis of Lange's oeuvre and drawing from unpublished archival materials—a sort of catalogue raisonné—whilst maintaining a breadth with theoretical discourses around the themes of labour and class, education, and indigenous struggles central to his work. The book's frameworks of Conceptual Art, structuralist and ethnographic film theory, social documentary and the critique of representation, video as social practice and the notion of 'feedback', participatory socially engaged art and postcolonial and indigenous theory,—expand our understanding of video outside the predominant structuralist tendencies. Lange's transnational and nomadic career introduces notions of alterity and challenges nationalistic accounts that excluded him in the past.

Mads Johansen Lange (1807-1856) was the most influential person that made Bali prosper during the mid 19th century. In order to receive favorable treatment and procure lucrative trade deals, he presented the kings of Bali with luxury goods. His philosophy was to unite and share rather than divide and conquer, so he treated all his relationships equally within the social-political system of the time. Lange strived to have peace maintained in Bali for his business to succeed and for the welfare of the inhabitants. The prosperity is evident in the luxury goods that he presented to his contacts, from valuable daggers with gold and precious gems, to elaborate temple sculptures, to fancy carved cabinets. Lange branded these gifts with his name, many with an image of his face or important scenes from his life. Portrait figures done in an unusual and animated style illustrate important events, from befriending royalty, to playful interactions with his wives, to negotiating peace treaties between the Balinese and the Dutch. Those who are closely or remotely familiar with Lange’s role in Balinese history will be fascinated by these artifacts as they increase the interest and understanding of him as a human being. These gifts remained hidden in palaces, temples, and caves across the island for nearly 200 years. This unique collection was made possible through the untiring efforts of a fellow Dane, Peter Bloch.

Please note: This is a companion version & not the original book. Sample Book Insights: #1 There are only three things that humans can do: think, feel, and act. We are constantly thinking, feeling, and acting, and we must learn how to direct and control our responses to those who push our buttons. #2 There are four main screwball feelings: excessive anxiety, anger/defensiveness, depression/burnout, and guilt. If you get excessively anxious, you will not handle that situation effectively. If you get excessively angry, you will not handle it well. #3 When you are overreacting, you are making yourself excessively guilty. When you are excessively guilty, others can manipulate you, and you will make decisions for all the wrong reasons. #4 The ABC’s are a model that I developed in 1955 when I began practicing Rational Emotive Behavior Therapy, the first of today’s cognitive behavior therapies. They represent specific people and things that could push your buttons. The two types of Activating Events are major crises like flood, famine, disease, or war, and daily hassles, frustrations, worries, problems, decisions, and difficult people.

In this follow-up to his memoir Too fat to fish, the comedian and radio personality focuses on his drug addiction and life-threatening depression with an unflinching eye and his signature wit. A veteran comedian and radio personality, Lange was addicted to heroin and prescription drugs. He details his very public meltdown, and explains how he turned his life and career around.

A riddle rarely makes sense the first time you hear it. The connection between Dane and Billy D doesn't make sense any time you hear it. But it's a collection of riddles that brings these two unlikely friends together. Dane Washington lives by two rules: don't hit girls and don't hit special kids. Billy D has Down's Syndrome and thinks a fierce boy who won't hit him could come in useful. Billy D has a puzzle to solve, after all, and he has the perfect plan to make Dane help him. Billy is sure the riddles in his atlas are really clues left by his missing dad. Together, Billy and Dane must embark on an epic road trip, although most of the clues lead to dead ends. What Dane doesn't realise is that Billy D isn't as innocent as he seems and the biggest secret is hidden close to home...