Lann D N Blades Of Destiny

In the fifth century, the arrival of a brutal band of pre-Viking Norse raiders entwines the Mother Goddess of Celtic Ireland in a desperate bid to rid her island of the invaders turned settlers. Danu and her fellow Tuatha Gods draw Breanna Ban Morna, a Gaelic warrior with blood from both sides, into a quest to find Lann Dàn, one of three pieces of magic needed to remove the Norse Dreadlord and his ilk from their land. While meeting Danu in a secret grove, roí Dàn chooses Breanna as Erin’s Hero. As the Mother Goddess sets the young warrior on a quest to find the Blades of Destiny, little does Breanna know the Dreadlord has invoked ancient enemies of the Tuatha. After an intervention by the Sun God Lugh, Erin’s Hero pursues her goal of vanquishing the Norsemen. Yet, when the headstrong warrior chosen by the Tuatha Gods to save the Gaels of Erin learns her Chief is in danger, she decides he must be her priority and not another quest for magic laid upon her by Lugh. Will her decision doom them all to a destiny that leads to the Norse ruling of the Gaels of Erin?

Black Skin, White Masks is a classic, devastating account of the dehumanising effects of colonisation experienced by black subjects living in a white world. First published in English in 1967, this book provides an unsurpassed study of the psychology of racism using scientific analysis and poetic grace.Franz Fanon identifies a devastating pathology at the heart of Western culture, a denial of difference, that persists to this day. A major influence on civil rights, anti-colonial, and black consciousness movements around the world, his writings speak to all who continue the struggle for political and cultural liberation.With an introduction by Paul Gilroy, author of There Ain't No Black in the Union Jack.

"Of the Nature of Things" is a first-century BCE didactic poem by the Roman poet and philosopher Lucretius to explain Epicurean philosophy to a Roman audience. In this work, T. Lucretius Carus presents the view that the world can be described by the function of material forces and natural laws. So, one should not fear the gods or death.

Second edition of Gloria Anzaldua's major work, with a new critical introduction by Chicano Studies scholar and new reflections by Anzaldua.

Published to accompany exhibition held at the Centre Georges Pompidou, Paris 22/5 - 26/8 1996.

In Reading the Figural, or, Philosophy after the New Media D. N. Rodowick applies the concept of “the figural” to a variety of philosophical and aesthetic issues. Inspired by the aesthetic philosophy of Jean-François Lyotard, the figural defines a semiotic regime where the distinction between linguistic and plastic representation breaks down. This opposition, which has been the philosophical foundation of aesthetics since the eighteenth century, has been explicitly challenged by the new electronic, televisual, and digital media. Rodowick—one of the foremost film theorists writing today—contemplates this challenge, describing and critiquing the new regime of signs and new ways of thinking that such media have inaugurated. To fully comprehend the emergence of the figural requires a genealogical critique of the aesthetic, Rodowick claims. Seeking allies in this effort to deconstruct the opposition of word and image and to create new concepts for comprehending the figural, he journeys through a range of philosophical writings: Thierry Kuntzel and Marie-Claire Ropars-Wuilleumier on film theory; Jacques Derrida on the deconstruction of the aesthetic; Siegfried Kracauer and Walter Benjamin on the historical image as a utopian force in photography and film; and Gilles Deleuze and Michel Foucault on the emergence of the figural as both a semiotic regime and a new stratagem of power coincident with the appearance of digital phenomena and of societies of control. Scholars of philosophy, film theory, cultural criticism, new media, and art history will be interested in the original and sophisticated insights found in this book.