Larry Fink On Composition And Improvisation
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Larry Fink on Improvisation and Composition
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Author | : Larry Fink |
Publsiher | : Unknown |
Total Pages | : 127 |
Release | : 2014 |
Genre | : Composition (Photography) |
ISBN | : 1597112739 |
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Larry Fink on Composition and Improvisation
Author | : Larry Fink |
Publsiher | : Photography Workshop Series |
Total Pages | : 0 |
Release | : 2014 |
Genre | : Composition (Photography) |
ISBN | : 1597112739 |
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Photography deepens our connections to the world around us, to ourselves, and to one another. In this new and innovative series, Aperture works with the worlds top photographers, many of whom also teach, to publish their core thinking on photography, making their experience, insight, and knowledge accessible to a wider audience, including students. Each title in the series will provide an essential primer on the photographers area of expertise and creative process.
Larry Fink
Author | : Laurie Dahlberg,Laurie Virginia Dahlberg |
Publsiher | : Phaidon Press Limited |
Total Pages | : 136 |
Release | : 2005-05 |
Genre | : Photography |
ISBN | : UCSC:32106018331667 |
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An introduction to the 40 year career of the American photographer.
Mary Ellen Mark on the Portrait and the Moment
Author | : Mary Ellen Mark,Laurie Rae Baxter |
Publsiher | : Photography Workshop |
Total Pages | : 0 |
Release | : 2015 |
Genre | : Photography |
ISBN | : 1597113166 |
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In The Photography Workshop Series, Aperture Foundation works with the world's top photographers to distill their creative approaches, teachings, and insights on photography- offering the workshop experience in a book. Our goal is to inspire photographers of all levels who wish to improve their work, as well as readers interested in deepening their understanding of the art of photography. Each volume is introduced by a well-known student of the featured photographer. In this book, Mary Ellen Mark-well-known for her pictures' emotional power, be they of people or animals-offers her insight on observing the world and capturing dramatic moments that reveal more than the reality at hand. Through words and pictures, she shares her own creative process and discusses a wide range of issues, from gaining the trust of the subject and taking pictures that are controlled but unforced, to organizing the frame so that every part contributes toward telling the story.
Alex Webb and Rebecca Norris Webb on Street Photography and the Poetic Image
Author | : Alex Webb,Rebecca Norris Webb,Teju Cole |
Publsiher | : Photography Workshop Series |
Total Pages | : 0 |
Release | : 2014 |
Genre | : Street photography |
ISBN | : 1597112577 |
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In this series, Aperture Foundation works with the world's top photographers to distill their creative approaches, teachings, and insights on photography-offering the workshop experience in a book. Our goal is to inspire photographers of all levels who wish to improve their work, as well as readers interested in deepening their understanding of the art of photography. Each volume is introduced by a well-known student of the featured photographer. In this book, internationally acclaimed color photographers Alex Webb and Rebecca Norris Webb, offer their expert insight into street photography and the poetic image. Through words and photographs-their own and others'-they invite the reader into the heart of their artistic processes. They share their thoughts about a wide range of practical and philosophical issues, from questions about seeing and being in the world with a camera, to how to shape a complete body of work in a way that's both structured and intuitive.
Altman and After
Author | : Peter F. Parshall |
Publsiher | : Scarecrow Press |
Total Pages | : 264 |
Release | : 2012-06-21 |
Genre | : Performing Arts |
ISBN | : 9780810885073 |
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In American cinema, films with multiple plots can be traced back to Grand Hotel in 1932, but the form was used only sporadically in subsequent decades. However, filmmakers of the 1970s and 80s, notably Robert Altman and Woody Allen, repeatedly employed complex narratives to weave sprawling stories in their films. Later filmmakers such as Quentin Tarantino, Paul Thomas Anderson, Wong Kar-Wai, Steven Soderbergh, and Paul Haggis embraced multiple plotlines, a device that eventually achieved mainstream respectability in such Oscar winners as Traffic and Crash. In the past two decades, more than 200 films utilizing some variation of this format have appeared worldwide. In Altman and After: Multiple Narratives in Film, Peter Parshall carefully examines films that feature various plotlines. Parshall asserts that although this form may lose some of the close psychological identification and forward drive of linear narratives, such films gain a corresponding strength by developing thematic relationships in the various story lines. In each of these chapters, Parshall examines a different example of the multi-plot form, such as network narrative and the multiple-draft narrative, demonstrating that the structure of each is central to their artistry. He also argues that these devices open up a variety of creative vistas, a strength that appeals to directors and audiences alike. Films studied in this book include Nashville, Pulp Fiction, Amores Perros, Code Unknown, The Edge of Heaven, Virgin Stripped Bare by Her Bachelors, The Double Life of Veronique, and Run Lola Run. A long overdue examination of this unique cinematic form, Altman and After will appeal to scholars, students, and fans eager to learn more about complex-narrative films.
Photography Theory
Author | : James Elkins |
Publsiher | : Routledge |
Total Pages | : 481 |
Release | : 2013-10-18 |
Genre | : Art |
ISBN | : 9781135867744 |
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Photography Theory presents forty of the world's most active art historians and theorists, including Victor Burgin, Joel Snyder, Rosalind Krauss, Alan Trachtenberg, Geoffrey Batchen, Carol Squiers, Margaret Iversen and Abigail Solomon-Godeau in animated debate on the nature of photography. Photography has been around for nearly two centuries, but we are no closer to understanding what it is. For some people, a photograph is an optically accurate impression of the world, for others, it is mainly a way of remembering people and places. Some view it as a sign of bourgeois life, a kind of addiction of the middle class, whilst others see it as a troublesome interloper that has confused people's ideas of reality and fine art to the point that they have difficulty even defining what a photograph is. For some, the whole question of finding photography's nature is itself misguided from the beginning. This provocative second volume in the Routledge The Art Seminar series presents not one but many answers to the question what makes a photograph a photograph?
Constructivism in Film A Cinematic Analysis
Author | : Vlada Petric |
Publsiher | : CUP Archive |
Total Pages | : 356 |
Release | : 1993-06-25 |
Genre | : Performing Arts |
ISBN | : 0521443873 |
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Vlada Petric explicates the cinematic text of one of the most famous works of avant-garde nonfiction film, Dziga Vertov's Man with a Movie Camera