Last House

**A Reese Witherspoon x Hello Sunshine Book Club Pick and New York Times bestseller** A year after a summer guest dies under suspicious circumstances, her best friend lives under a cloud of grief and suspicion in this “fast-paced and gripping” (People) thriller filled with “dizzying plot twists and multiple surprise endings” (The New York Times Book Review). Littleport, Maine, has always felt like two separate towns: an ideal vacation enclave for the wealthy, whose summer homes line the coastline; and a simple harbor community for the year-round residents whose livelihoods rely on service to the visitors. Typically, fierce friendships never develop between a local and a summer girl—but that’s just what happens with visitor Sadie Loman and Littleport resident Avery Greer. Each summer for almost a decade, the girls are inseparable—until Sadie is found dead. While the police rule the death a suicide, Avery can’t help but feel there are those in the community, including a local detective and Sadie’s brother, Parker, who blame her. Someone knows more than they’re saying, and Avery is intent on clearing her name, before the facts get twisted against her. “A riveting read…from master of suspense, Megan Miranda,” (Mary Kubica, New York Times bestselling author of The Good Girl) The Last House Guest is a clever, twisty mystery that brilliantly explores the elusive nature of memory and the complexities of female friendships.

A community’s past sins rise to the surface in New York Times bestselling author Diane Chamberlain’s The Last House on the Street when two women, a generation apart, find themselves bound by tragedy and an unsolved, decades-old mystery. 1965 Growing up in the well-to-do town of Round Hill, North Carolina, Ellie Hockley was raised to be a certain type of proper Southern lady. Enrolled in college and all but engaged to a bank manager, Ellie isn’t as committed to her expected future as her family believes. She’s chosen to spend her summer break as a volunteer helping to register black voters. But as Ellie follows her ideals fighting for the civil rights of the marginalized, her scandalized parents scorn her efforts, and her neighbors reveal their prejudices. And when she loses her heart to a fellow volunteer, Ellie discovers the frightening true nature of the people living in Round Hill. 2010 Architect Kayla Carter and her husband designed a beautiful house for themselves in Round Hill’s new development, Shadow Ridge Estates. It was supposed to be a home where they could raise their three-year-old daughter and grow old together. Instead, it’s the place where Kayla’s husband died in an accident—a fact known to a mysterious woman who warns Kayla against moving in. The woods and lake behind the property are reputed to be haunted, and the new home has been targeted by vandals leaving threatening notes. And Kayla’s neighbor Ellie Hockley is harboring long buried secrets about the dark history of the land where her house was built. Two women. Two stories. Both on a collision course with the truth--no matter what that truth may bring to light--in Diane Chamberlain's riveting, powerful novel about the search for justice.

"The buzz...is real. I've read it and was blown away. It's a true nerve-shredder that keeps its mind-blowing secrets to the very end." —Stephen King Winner of the British Fantasy Award for Best Horror Novel! A World Fantasy Award Finalist! An Indie Next Pick! A LibraryReads Top 10 Pick! A Library Journal Editors' Pick! STARRED reviews from Library Journal and Publishers Weekly! Named one of the "50 Best Horror Books of All Time" by Esquire! "Brilliant....[a] deeply frightening deconstruction of the illusion of the self." —The New York Times Catriona Ward's The Last House on Needless Street is a shocking and immersive read perfect for fans of Gone Girl and The Haunting of Hill House. In a boarded-up house on a dead-end street at the edge of the wild Washington woods lives a family of three. A teenage girl who isn’t allowed outside, not after last time. A man who drinks alone in front of his TV, trying to ignore the gaps in his memory. And a house cat who loves napping and reading the Bible. An unspeakable secret binds them together, but when a new neighbor moves in next door, what is buried out among the birch trees may come back to haunt them all. “The new face of literary dark fiction.” —Sarah Pinborough At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

The story is the cross section of the life and realities of Kerala State, South India, during the hoary and obfuscated years of internal emergency. The protagonists in the story are generally sad, and the sadness they are charged with makes them philosophical in various ways. Each one is gnawed by a nostalgia to reach out to a state of being and also to a state of mind they seem to have forfeited somewhere beyond the time-space capsule they are shut into. The story largely covers the life of Christian Syrian settlers who settled in the virgin forests of northeastern hill tracts of Kerala, destroying the forests that were there for thousands of years, supporting a community of aborigines who survived in the woods quite unobtrusively and sustainably. The relation between man and nature has degraded to be that of hunter and prey, from that of child and mother, and the socio-environmental ramifications thereof are far-reaching. Also, the story examines the relation between the rulers and the ruled from an elemental angle. The story is basically centered on a man who undergoes a spiritual, as well as political, evolution through the rigorous course of life. The desolation, poverty, political opportunism, and the poetic suffering of the rural masses of the hill tracts of Kerala State, South India, offer the fecund canvass for the development of the story. It explores the possibility of man reaching a solemn level of inner maturity across the trials and tribulations. Particularly in the backdrop of the Communist party spreading its mass base and then declining through decadence and avarice. The faces, places, and events elaborated in the story are very near to me and very dear to me. The plot is very realistic, and my own life is spread thin in the story.

Recipient of the Jo Anne Stolaroff Cotsen Prize Occupied from around 7500 BC to 5700 BC, the large Neolithic and Chalcolithic settlement of Catalhoyuk in Anatolia is composed entirely of domestic buildings; no public buildings have been identified. First excavated in the early 1960s, the site was left untouched until 1993. During the summers of 1997-2003 a team from the University of California at Berkeley (the BACH team) excavated an area at the northern end of the East Mound of Catalhoyuk. The houses there date predominantly to the late Aceramic and early Ceramic Neolithic, around 7000 BC. Last House on the Hill is the final report of the BACH excavations. This volume comprises both interpretive chapters and empirical data from the excavations and their materials. The research of the BACH team focuses on the lives and life histories of houses and people, the use of digital technologies in documenting and sharing the archaeological process, the senses of place, and the nature of cultural heritage and our public responsibilities.

'My heart was in my mouth as I raced through it. You have to read this one' Clare Mackintosh You will be gripped and moved by the powerful, unputdownable new novel from Sunday Times and New York Times bestselling author Diane Chamberlain. 'Taut, compelling and moving' Sunday Times bestseller Adele Parks, Platinum magazine 'Both powerful and page-turning' Sunday Times bestseller Cathy Kelly 'Diane Chamberlain is at her absolute best' NYT bestseller Sally Hepworth A street where the neighbours are always watching. A family's secret lies behind closed doors... 1965. A young white female student becomes involved in the fight for civil rights in North Carolina, falling in love with one of her fellow activists, a Black man, in a time and place where an interracial relationship must be hidden from family, friends and especially the reemerging Ku Klux Klan. As tensions rise in the town, she realises not everyone is who they appear to be. 2010. A recently widowed architect moves into the home she and her late husband designed, heartbroken that he will never cross the threshold. But when disturbing things begin to happen, it's clear that someone is sending her a warning. Who is trying to frighten her away, and why? Decades later, past and present are set to collide in the last house on the street... 'A mystery that will keep you turning those pages well past lights out' Woman & Home 'Thoughtful, vivid storytelling' Good Housekeeping, top ten books to read this month 'I loved how past and present connections were revealed' Prima 'Sensitively and unflinchingly told, this novel will make you cry, seethe, swoon and rage. I've loved every book Diane Chamberlain has written, but The Last House on The Street is, without doubt, is her masterpiece' Sally Hepworth, NYT bestselling author of The Good Sister 'Diane Chamberlain elegantly braids together two stories, set apart by history, to render this taut, edge-of-your-seat tale of two women... As compelling as it is important, the novel's focus...will no doubt make it a favorite amongst book clubs everywhere' Chandler Baker, NYT bestselling author of Whisper Network REAL READERS CAN'T STOP TALKING ABOUT THE LAST HOUSE ON THE STREET: 'Had me guessing right to the end. Highly recommend. Some stories just stay with you. This will stay with me *****' 'Diane Chamberlain has done it again. It's another unputdownable read. The ending was great, a wonderful climax' 'Hooks you in from the start and is full of unpredictable twists and turns. I found this book to be completely gripping and I absolutely adored it' 'Excellent page-turner. It's the sort of book you go to sleep thinking about when you've read the last chapter for the evening. Highly recommend. *****' 'A stunning, powerful, emotional and immersive read. Chamberlain is a powerful storyteller and I could not put this book down *****' 'As per usual Diane pulled out all the stops. Fantastic style of writing as always. It pulled me from the very start and had me guessing all the way through *****' 'I really liked the two strong women featured in this novel *****' 'I loved it *****'

A child cherishes every second of their grandmother's last week of life in this sensitive portrayal of medical assistance in dying (MAiD). “In this last week, there are seven days.” That's one hundred and sixty-eight hours. Or ten thousand and eighty minutes. Or six hundred four thousand and eight hundred seconds. A child counts every second because this is their grandmother’s last week of life. As friends and family come to call on Flippa—as Gran is fondly known—the child observes the strange mix of grief, humor, awkwardness, anger and nostalgia that attends these farewell visits. Especially precious are the times they have alone, just the two of them. Flippa, the child sees, has made up her mind. Like time, she is unstoppable. So as Sunday approaches, the child must find a way to come to terms with Flippa’s decision. What is the best way to say goodbye? Beautifully illustrated in black and white—with one unexpectedly joyful splash of color—Last Week is a nuanced look at what death with dignity can mean to a whole family, with an afterword and additional resources by MAiD expert Dr. Stefanie Green. Key Text Features illustrations afterword explanation resources Correlates to the Common Core State Standards in English Language Arts: CCSS.ELA-LITERACY.RL.6.3 Describe how a particular story's or drama's plot unfolds in a series of episodes as well as how the characters respond or change as the plot moves toward a resolution.

A man wakes up in a hospital with one word in his head: Sapporo. He dimly recalls this as the place where he was raised, and it becomes his name and identity. Like an immigrant without language or memory he relies on his young son as guide and interpreter, but soon drifts away into what some might see as madness. In Sapporo's floating world, he is also Prospero, summoning the ancestors and channeling the lost dreams that gave way to the modern industrial era. His son, meanwhile, has escaped to the city's underworld. His laconic account of the anarchic, callous, tender tribe of street kids is beyond the scope of any realist fiction, yet compelling as a documentary and fiercely poetic. Parallel to these worlds, and destined to reconnect them, is a young woman's journey through what is indeed the Third World - as surreal in its poverty and shifting realities as anything in Sapporo's visions or his son's predations. The Beautiful Children is a triumph of language and structure; it is also a haunting, and haunted, elegy upon innocence.