Last Looks

THE STORY: After more than thirty years in their comfortable summer home on the Eastern Shore of Maryland, Ray and Delia Morrow are preparing to sell the house and move to New Mexico. They summon their grown children to sort out the sharing of a li

A razor-sharp, exquisitely paced, madly fun debut thriller that gleefully lampoons Hollywood culture and introduces the highly eccentric yet brilliant ex-detective gone rogue: Charlie Waldo. There are run-of-the-mill eccentric Californians, and then there's former detective Charlie Waldo. Waldo, a onetime LAPD superstar, now lives in solitude deep in the woods, pathologically committed to owning no more than one hundred possessions. He has left behind his career and his girlfriend, Lorena, to pay self-imposed penance for an awful misstep on an old murder case. But the old ghosts are about to come roaring back. There are plenty of difficult actors in Hollywood, and then there's Alastair Pinch. Alastair is a onetime Royal Shakespeare Company thespian who now slums it as the "wise" Southern judge on a tacky network show. He's absurdly rich, often belligerent, and typically drunk--a damning combination when Alastair's wife is found dead on their living room floor and he can't remember what happened. Waldo's old flame Lorena, hiding peril of her own, draws him toward the case, and Alastair's greedy network convinces Waldo to take it on. But after such a long time away from both civilization and sleuthing--and plagued by a confounding array of assailants who want him gone--Waldo must navigate complicated webs of ego and deceit to clear Alastair's name . . . or confirm his guilt.

Modern American poets writing in the face of death In Last Looks, Last Books, the eminent critic Helen Vendler examines the ways in which five great modern American poets, writing their final books, try to find a style that does justice to life and death alike. With traditional religious consolations no longer available to them, these poets must invent new ways to express the crisis of death, as well as the paradoxical coexistence of a declining body and an undiminished consciousness. In The Rock, Wallace Stevens writes simultaneous narratives of winter and spring; in Ariel, Sylvia Plath sustains melodrama in cool formality; and in Day by Day, Robert Lowell subtracts from plenitude. In Geography III, Elizabeth Bishop is both caught and freed, while James Merrill, in A Scattering of Salts, creates a series of self-portraits as he dies, representing himself by such things as a Christmas tree, human tissue on a laboratory slide, and the evening/morning star. The solution for one poet will not serve for another; each must invent a bridge from an old style to a new one. Casting a last look at life as they contemplate death, these modern writers enrich the resources of lyric poetry.

This fruitful pairing of literary and biographical interpretation follows Wallace Stevens’s poetry through the lens of its dominant metaphor—the seasons of nature—and illuminates the poet’s personal life experiences reflected there. From Stevens’s first collection, Harmonium (1923), to his last poems written shortly before his death in 1955, George S. Lensing offers clear and detailed examination of Stevens’s seasonal poetry, including extensive discussions of “Autumn Refrain,” “The Snow Man,” “The World as Meditation,” and “Credences of Summer.” Drawing upon a vast knowledge of the poet, Lensing argues that Stevens’s pastoral poetry of the seasons assuaged a profound and persistent personal loneliness. An important scholarly assessment of a major twentieth-century modernist, Wallace Stevens and the Seasons also serves as an appealing introduction to Stevens.

From New York Times bestselling author Mariah Stewart comes a novel of sexy romantic suspense for fans of Nora Roberts, Catherine Coulter, and Karen Robards. THE TRUTH WON’T STAY BURIED. News that the body of a recently murdered prostitute–stabbed repeatedly and dumped on Georgia’s Shelter Island–has been identified as Shannon Randall stuns the FBI, particularly special agent Dorsey Collins. Twenty-four years ago, nineteen-year-old Eric Louis Beale was convicted and later executed for Shannon’ s murder–and the agent in charge of the case was Dorsey’s father. Now Dorsey is determined to find out where her father’s investigation went wrong, what part he played in the death of an innocent man, and where Shannon has been all this time. The heat is on FBI special agent Andrew Shields to discover what happened to Shannon on that night decades ago–to find out who killed her and why. Dorsey shadows Andrew’s every investigative move, hoping to redeem her father’s reputation and capture a cunning killer. Together, Dorsey and Andrew unravel a shocking mystery that will shatter one family and rock an entire town.

An unprecedented reading of Hegel’s Logic that sets this difficult work in a dialogue with literary texts. In this book, Angelica Nuzzo proposes a reading of Hegel’s Logic as “logic of transformation” and “logic of action,” and supports this thesis by looking to works of literature and history as exemplary of Hegel’s argument and method. By examining Melville’s Billy Budd, Molière’s Tartuffe, Beckett’s Endgame, Elizabeth Bishop’s and Giacomo Leopardi’s late poetry along with Thucydides’ History in this way, Nuzzo finds an unprecedented and productive way to render Hegel’s Logic alive and engaging. She argues that Melville’s Billy Budd is the most successful embodiment of the abstract movement of thinking presented in Hegel’s Logic, connecting Billy Budd’s stutter to the puzzlingly inarticulate beginning of Hegel’s Logic, “Being, pure Being,” identical with “Nothing,” and argues that the Logic serves as an especially appropriate tool for understanding the sudden violent action that strikes Claggart dead. Through these and other readings, Nuzzo finds a fresh way to address interpretive issues that have remained unresolved for almost two centuries in Hegel scholarship, and also presents well-known works of literature in an entirely new light. This account of Hegel’s Logic is framed by the need for an interpretive tool able to orient our understanding of the contemporary world as mired in an unprecedented global crisis. How can the story of our historical present—the tragedy or the comedy we all play parts in—be told? What is the inner logic of our changing world? Angelica Nuzzo is Professor of Philosophy at the Graduate Center and Brooklyn College, City University of New York. She is the author of Memory, History, Justice in Hegel and the editor of Hegel on Religion and Politics, also published by SUNY Press.

This book has been written for those who must work with and give care to the dying. Our discussion is not simple narrative or description; it is a ""rendition of reality,"" informed by a rather densely woven and fairly abstract theoretical scheme. This scheme evolved gradually during the course of our research. The second audience for this volume is social scientists who are less interested in dying than they are in useful substantive theory. Our central concern is with the temporal aspects of work. The theory presented here may be useful to social scientists interested in areas far removed from health, medicine, or hospitals. The training of physicians and nurses equips them for the technical aspects of dealing with illness.Medical students learn not to kill patients through error, and to save lives through diagnosis and treatment. But their teachers put little or no emphasis on how to talk with dying patients; how-or whether-to disclose an impending death; or even how to approach the subject with the wives, husbands, children, and parents of the dying. Students of nursing are taught how to give nursing care to terminal patients, as well as how to give ""post-mortem care."" But the psychological aspects of dealing with the dying and their families are virtually absent from training. Although physicians and nurses are highly skilled at handling the bodies of terminal patients, their behavior to them otherwise is actually outside the province of professional standards. Much, if not most, nontechnical conduct toward, and in the presence of, dying patients and their families is profoundly influenced by ""common sense"" assumptions, essentially untouched by professional or even rational considerations or by current advancement in social-psychological knowledge. The process of dying in hospitals is much affected by professional training and codes, and by the particular conditions of work generated by hospitals as places of work. A third important consideration in int

A Rabbi Offers a Fresh Look at the End Times Few topics capture the imagination of believers like the last days. Yet fear and incorrect teachings continue to surround this topic. Rabbi Jonathan Bernis, by contrast, offers with warmth and clarity a unique and surprising perspective on the end times. Many see explosive turmoil in the Middle East and the mark of the beast as signs of the return of the Messiah. Bernis points out an even clearer and more immediate sign: the fulfillment of Old Testament prophecies regarding the restoration of the land of Israel and the regathering of the Lost Tribes of Israel--which is happening in record numbers right now. This book unpacks surprising and life-changing insights on Israel, the last days, and the Messianic hope of every believer.