Last Of The Blue And Gray

Richard Serrano, Pulitzer Prize-winning journalist for the Los Angeles Times, pens a story of two veterans. In the late 1950s, as America prepared for the Civil War centennial, two very old men lay dying. Albert Woolson, 109 years old, slipped in and out of a coma at a Duluth, Minnesota, hospital, his memories as a Yankee drummer boy slowly dimming. Walter Williams, at 117 blind and deaf and bedridden in his daughter's home in Houston, Texas, no longer could tell of his time as a Confederate forage master. The last of the Blue and the Gray were drifting away; an era was ending. Unknown to the public, centennial officials, and the White House too, one of these men was indeed a veteran of that horrible conflict and one according to the best evidence nothing but a fraud. One was a soldier. The other had been living a great, big lie.

For the first time, the entire story of the Civil War is told in poetry. Over a 40 year span of time, Richard Raymond has created a traditional rhyme and meter particularly appropriate to the telling of the Civil War story. It is a celebration of valor. Blue and Gray Ballads is a tribute to the sacrifice of the soldiers North and South, and to the steadfast women and children who gave those soldiers a reason to persevere.

More Americans were killed during the years 1861-1865 than any other date in history. Men shattered, women lost, families broken. In Shades of Blue and Gray, editor Steve Berman offers readers tales of the supernatural -- ghost stories that range from the haunts of the battlefield to revenants on the long march home. Yank. Rebel. Both finding themselves at odds in flesh and spirit.

One of only two Confederate generals who are buried in Arlington National Cemetery.

During the Civil War, Americans from homefront to battlefront played baseball as never before. While soldiers slaughtered each other over the country's fate, players and fans struggled over the form of the national pastime. George Kirsch gives us a color commentary of the growth and transformation of baseball during the Civil War. He shows that the game was a vital part of the lives of many a soldier and civilian--and that baseball's popularity had everything to do with surging American nationalism. By 1860, baseball was poised to emerge as the American sport. Clubs in northeastern and a few southern cities played various forms of the game. Newspapers published statistics, and governing bodies set rules. But the Civil War years proved crucial in securing the game's place in the American heart. Soldiers with bats in their rucksacks spread baseball to training camps, war prisons, and even front lines. As nationalist fervor heightened, baseball became patriotic. Fans honored it with the title of national pastime. War metaphors were commonplace in sports reporting, and charity games were scheduled. Decades later, Union general Abner Doubleday would be credited (wrongly) with baseball's invention. The Civil War period also saw key developments in the sport itself, including the spread of the New York-style of play, the advent of revised pitching rules, and the growth of commercialism. Kirsch recounts vivid stories of great players and describes soldiers playing ball to relieve boredom. He introduces entrepreneurs who preached the gospel of baseball, boosted female attendance, and found new ways to make money. We witness bitterly contested championships that enthralled whole cities. We watch African Americans embracing baseball despite official exclusion. And we see legends spring from the pens of early sportswriters. Rich with anecdotes and surprising facts, this narrative of baseball's coming-of-age reveals the remarkable extent to which America's national pastime is bound up with the country's defining event.

Richard Serrano, Pulitzer Prize-winning journalist for the Los Angeles Times, pens a story of two veterans. In the late 1950s, as America prepared for the Civil War centennial, two very old men lay dying. Albert Woolson, 109 years old, slipped in and out of a coma at a Duluth, Minnesota, hospital, his memories as a Yankee drummer boy slowly dimming. Walter Williams, at 117 blind and deaf and bedridden in his daughter's home in Houston, Texas, no longer could tell of his time as a Confederate forage master. The last of the Blue and the Gray were drifting away; an era was ending. Unknown to the public, centennial officials, and the White House too, one of these men was indeed a veteran of that horrible conflict and one according to the best evidence nothing but a fraud. One was a soldier. The other had been living a great, big lie.

1916, in an alternative world. The independent Confederate States of America has gone to the aid of its old ally Britain, and become bogged down in the stalemate on the Western Front. At a Confederate airfield in France, a new pilot reports for duty: Lieutenant Amos Ninekiller, of the independent Cherokee Nation, comes to see how the white people wage war. He isn't going to like it...A dark antiwar comedy from the author of Journey to Fusang and The Ballad of Billy Badass and the Rose of Turkestan, now in print again in this new edition, specially revised and corrected by the author. The Wild Blue and the Gray is a tragicomic alternate look at the first great catastrophe of the twentieth century. Laughter is often the only way to shield ourselves from pain that would otherwise be intolerable. Sanders understands this well - and also that, the more things change, the more they sometimes look the same. - Harry Turtledove. God damn! I liked Sanders' new book! It pushes all the right buttons for me - a great protagonist, WWI fighter pilots, terrific background, and - mainly - a fine story with really clever twists. satisfying place to stop. The Wild Blue and the Gray is an absolutely captivating story by one of the hottest new talents in the business. Subtle, strong, gutsy, humorous - it's got it all. Watch this man. You won't regret it. - Roger Zelazny.

Ambition will fuel him. Competition will drive him. But power has its price. It is the morning of the reaping that will kick off the tenth annual Hunger Games. In the Capitol, eighteen-year-old Coriolanus Snow is preparing for his one shot at glory as a mentor in the Games. The once-mighty house of Snow has fallen on hard times, its fate hanging on the slender chance that Coriolanus will be able to outcharm, outwit, and outmaneuver his fellow students to mentor the winning tribute. The odds are against him. He's been given the humiliating assignment of mentoring the female tribute from District 12, the lowest of the low. Their fates are now completely intertwined - every choice Coriolanus makes could lead to favor or failure, triumph or ruin. Inside the arena, it will be a fight to the death. Outside the arena, Coriolanus starts to feel for his doomed tribute . . . and must weigh his need to follow the rules against his desire to survive no matter what it takes.