Last Stand On Bataan

In the opening days of World War II, a joint U.S.-Filipino army fought desperately to defend Manila Bay and the Philippines against a Japanese invasion. Much of the five-month campaign was waged on the Bataan Peninsula and Corregidor Island. Despite dwindling supplies and dim prospects for support, the garrison held out as long as possible and significantly delayed the Japanese timetable for conquest in the Pacific. In the end, the Japanese forced the largest capitulation in U.S. military history. The defenders were hailed as heroes and the legacy of their determined resistance marks the Philippines today. Drawing on accounts from American and Filipino participants and archival sources, this book chronicles these critical months of the Pacific War, from the first air strikes to the fall of Bataan and Corregidor.

Focuses on America's first engagement in WWII. Unpublished letters, written and oral testimony of over 350 veterans restores these gruelling months into a historical record.

This epic story recounts the exceptional valor and endurance of American troops that battled Japanese forces in the Philippines during World War II. Bill Sloan, “a master of the combat narrative” (Dallas Morning News), tells the story of the outnumbered American soldiers and airmen who stood against invading Japanese forces in the Philippines at the beginning of World War II, and continued to resist through three harrowing years as POWs. For four months they fought toe to toe against overwhelming enemy numbers—and forced the Japanese to pay a heavy cost in blood. After the surrender came the infamous Bataan Death March, where up to eighteen thousand American and Filipino prisoners died as they marched sixty-five miles under the most hellish conditions imaginable. Interwoven throughout this gripping narrative are the harrowing personal experiences of dozens of American soldiers, airmen, and Marines, based on exclusive interviews with more than thirty survivors. Undefeated chronicles one of the great sagas of World War II—and celebrates a resounding triumph of the human spirit.

Last Stands from the Alamo to Benghazi examines how filmmakers teach Americans about the country’s military past. Examining twenty-three representative war films and locating them in their cultural and military landscape, the authors argue that Hollywood’s view of American military history has evolved in two phases. The first phase, extending from the very beginnings of filmmaking to the Korean War, projected an essential patriotic triumphalism. The second phase, from the Korean and Vietnam Wars to the present, reflects a retreat from consensus and reflexive patriotism. In describing these phases, the authors address recurring themes such as the experience of war and combat, the image of the American war hero, race, gender, national myths, and more. With helpful film commentaries that extend the discussion through popular movie narratives, this book is essential for anyone interested in American military and film history.

Tears in the Darkness is an altogether new look at World War II that exposes the myths of war and shows the extent of suffering and loss on both sides. For the first four months of 1942, U.S., Filipino, and Japanese soldiers fought what was America's first major land battle of World War II, the battle for the tiny Philippine peninsula of Bataan. It ended with the surrender of 76,000 Filipinos and Americans, the single largest defeat in American military history. The defeat, though, was only the beginning, as Michael and Elizabeth M. Norman make dramatically clear in this powerfully original book. From then until the Japanese surrendered in August 1945, the prisoners of war suffered an ordeal of unparalleled cruelty and savagery: forty-one months of captivity, starvation rations, dehydration, hard labor, deadly disease, and torture—far from the machinations of General Douglas MacArthur. The Normans bring to the story remarkable feats of reportage and literary empathy. Their protagonist, Ben Steele, is a figure out of Hemingway: a young cowboy turned sketch artist from Montana who joined the army to see the world. Juxtaposed against Steele's story and the sobering tale of the Death March and its aftermath is the story of a number of Japanese soldiers.

WINNER OF THE GILDER LEHRMAN PRIZE FOR MILITARY HISTORY An engrossing, epic history of the US Army in the Pacific War, from the acclaimed author of The Dead and Those About to Die “This eloquent and powerful narrative is military history written the way it should be.”—James M. McPherson, Pulitzer Prize-winning historian "Out here, mention is seldom seen of the achievements of the Army ground troops," wrote one officer in the fall of 1943, "whereas the Marines are blown up to the skies." Even today, the Marines are celebrated as the victors of the Pacific, a reflection of a well-deserved reputation for valor. Yet the majority of fighting and dying in the war against Japan was done not by Marines but by unsung Army soldiers. John C. McManus, one of our most highly acclaimed historians of World War II, takes readers from Pearl Harbor—a rude awakening for a military woefully unprepared for war—to Makin, a sliver of coral reef where the Army was tested against the increasingly desperate Japanese. In between were nearly two years of punishing combat as the Army transformed, at times unsteadily, from an undertrained garrison force into an unstoppable juggernaut, and America evolved from an inward-looking nation into a global superpower. At the pinnacle of this richly told story are the generals: Douglas MacArthur, a military autocrat driven by his dysfunctional lust for fame and power; Robert Eichelberger, perhaps the greatest commander in the theater yet consigned to obscurity by MacArthur's jealousy; "Vinegar Joe" Stillwell, a prickly soldier miscast in a diplomat's role; and Walter Krueger, a German-born officer who came to lead the largest American ground force in the Pacific. Enriching the narrative are the voices of men otherwise lost to history: the uncelebrated Army grunts who endured stifling temperatures, apocalyptic tropical storms, rampant malaria and other diseases, as well as a fanatical enemy bent on total destruction. This is an essential, ambitious book, the first of three volumes, a compellingly written and boldly revisionist account of a war that reshaped the American military and the globe and continues to resonate today. INCLUDES MAPS AND PHOTOS

The “Good War” in American Memory dispels the long-held myth that Americans forged an agreement on why they had to fight in World War II. John Bodnar's sociocultural examination of the vast public debate that took place in the United States over the war's meaning reveals that the idea of the "good war" was highly contested. Bodnar's comprehensive study of the disagreements that marked the American remembrance of World War II in the six decades following its end draws on an array of sources: fiction and nonfiction, movies, theater, and public monuments. He identifies alternative strands of memory—tragic and brutal versus heroic and virtuous—and reconstructs controversies involving veterans, minorities, and memorials. In building this narrative, Bodnar shows how the idealism of President Franklin Roosevelt's Four Freedoms was lost in the public commemoration of World War II, how the war's memory became intertwined in the larger discussion over American national identity, and how it only came to be known as the "good war" many years after its conclusion.