Last Words Of Saints And Sinners

This collection of 700 quotes includes the last words of commoners, atheists, poets, and politicians along with noted Christians and martyrs. Ready reference source for the pastor or public speaker.

The last words of the dying have long captured the popular imagination. Why this abiding interest in exit lines? Perhaps because these final words—spoken in hope or fear, joy or sorrow—provide a view from the border between this world and the next. As this provocative and sometimes amusing collection illustrates, those who have gone before leave us with much more than helpful epigrams or witticisms. Paul Thigpen points out that their final words can actually "point us to fundamental realities—to the very heart of God." Even those sinners and strays who failed to live their faith may reveal much about the final shape of things to come. From comforting to sobering, these selections provide food for thought regarding the nature of Christian hope and the promise of eternal life.

Whether Goethe actually cried "More light!" on his deathbed, or whether Conrad Hilton checked out of this world after uttering "Leave the shower curtain on the inside of the tub," last words, regardless of authenticity, have long captured the imagination of Western society. In this playfully serious investigation based on factual accounts, anecdotes, literary works, and films, Karl Guthke explores the cultural importance of those words spoken at the border between this world and the next. The exit lines of both famous and ordinary people embody for us a sense of drama and truthfulness and reveal much about our thoughts on living and dying. Why this interest in last words? Presenting statements from such figures as Socrates, Nathan Hale, Marie Antoinette, and Oscar Wilde ("I am dying as I have lived, beyond my means"), Guthke examines our fascination in terms of our need for closure, our desire for immortality, and our attraction to the mystique of death scenes. The author considers both authentic and invented final statements as he looks at the formation of symbols and legends and their function in our culture. Last words, handed down from generation to generation like cultural heirlooms, have a good chance of surviving in our collective memory. They are shown to epitomize a life, convey a sense of irony, or play to an audience, as in the case of the assassinated Mexican revolutionary Pancho Villa, who is said to have died imploring journalists: "Don't let it end like this. Tell them I said something." Originally published in 1992. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

With her inimitable gift for describing the workings of the heart and mind, Edna O'Brien introduces us to a vivid new cast of restless, searching people who-whether in the Irish countryside or London or New York-remind us of our own humanity. In Send My Roots Rain, Miss Gilhooley, a librarian, waits in the lobby of a posh Dublin hotel-expecting to meet a celebrated poet while reflecting on the great love who disappointed her. The Irish workers of "The Shovel Kings" have pipe dreams of becoming millionaires in London, but long for their quickly changing homeland-exiles in both places. "Green Georgette" is a searing anatomy of class, through the eyes of a little girl; "Old Wounds" illuminates the importance of family and memory in old age. In language that is always bold and vital, Edna O'Brien pays tribute to the universal forces that rule our lives.

Reproduction of the original: The Last Words of Distinguished Men and Women by Frederic Rowland Marvin

Now a New York Times bestselling author, Nadia Bolz-Weber takes no prisoners as she reclaims the term "pastrix"(pronounced "pas-triks," a term used by some Christians who refuse to recognize female pastors) in her messy, beautiful, prayer-and-profanity laden narrative about an unconventional life of faith. ​ Heavily tattooed and loud-mouthed, Nadia, a former stand-up comic, sure as hell didn't consider herself to be religious leader material—until the day she ended up leading a friend's funeral in a smoky downtown comedy club. Surrounded by fellow alcoholics, depressives, and cynics, she realized: These were her people. Maybe she was meant to be their pastor. Using life stories—from living in a hopeful-but-haggard commune of slackers and her unusual but undeniable spiritual calling to her experiences pastoring people from all walks of life—and poignant honesty, Nadia portrays a woman who is both deeply faithful and deeply flawed, giving hope to the rest of us along the way. Wildly entertaining and deeply resonant, this is the book for people who hunger for a bit of hope that doesn't come from vapid consumerism; for women who talk too loud and guys who love chick flicks; and for the gay person who loves Jesus and won't be shunned by the church. In short, this book is for every misfit suspicious of institutionalized religion but who is still seeking transcendence and mystery.