Late Medieval Mysticism

Included in this collection of Medieval writings are Ray Petry's careful essays on the province and character of mysticism and the history of mysticism from Plato to Bernard of Clairvaux. Long recognized for the quality of its translations, introductions, explanatory notes, and indexes, the Library of Christian Classics provides scholars and students with modern English translations of some of the most significant Christian theological texts in history. Through these works--each written prior to the end of the sixteenth century--contemporary readers are able to engage the ideas that have shaped Christian theology and the church through the centuries.

This book contains translations and introductions to some of the major representatives of the spiritual tradition of the Low Countries from ca. 1350 onwards.

Additional Editor Is Henry P. Van Dusen. The Library Of Christian Classics, V13.

Do we have to conceive of ourselves as isolated individuals, inevitably distanced from other people and from whatever we might mean when we use the word God? On Becoming God offers an innovative approach to the history of the modern Western self by looking at human identity as something people do together rather than on their own. Ben Morgan argues that the shared practices of human identity can be understood as ways of managing and keeping at bay the impulses and experiences associated with the word God. The "self" is a way of doing things, or of not doing things, with "God." The book draws on phenomenology (Heidegger), gender studies (Beauvoir, Butler) and contemporary neuroscience to present a new approach to the history of modern identity. It surveys existing approaches to modern selfhood (Foucault, Charles Taylor) and proposes an alternative account by investigating late medieval mysticism, in particular texts written in Germany by Meister Eckhart and others in the same milieu. Reactions to the condemnation of Meister Eckhart's teaching for heresy in 1329 offer a microcosm of the circumstances in which something like the modern self arises as people change their behavior toward others, toward themselves, and toward what they call "God." The book makes Meister Eckhart and his contemporaries appear as our contemporaries by changing the assumptions with which we approach our own identity. To make this change requires a revision of current vocabularies for approaching ourselves, and in particular the vocabulary and habits inherited from psychoanalysis. The book finishes by exploring the parallel between late medieval confessors and their spiritual charges, and late-nineteenth-century psychoanalysts and their patients. The result is a renewed vision of the Freud's project of finding a vocabulary for acknowledging and nurturing our everyday commitments to others and to our spiritual longings.

These papers are the proceedings of the fourth international Exeter Symposium. They promote enquiry into, and understanding of, the medieval mystics and the cultural context to which they belong. Here, historians, literary critics, theologians, philosophers and bibliographical scholars explore ways in which the contemplative tradition was mediated and perceived in the very early and very late medieval period, and ask fundamental questions about the nature of contemporary understanding of this subject. CONTRIBUTORS: GEORGE R. KEISER, SUE ELLEN HOLBROOK, WILLIAM F. POLLARD, JAMES HOGG, SANDRA MCENTIRE, ANNE SAVAGE, PETER DINZELBACHER, NICHOLAS WATSON, PETER MOORE, ROBERT K. FORMAN

Examining correlations between the material and the mystical, this books investigates collective writing and devotional culture in late medieval piety.

The volume explores the hitherto uncharted late medieval religious landscape of Northern Germany, from 13th-century Helfta to the 15th-century Lüneburg convents. The mystical and devotional writing of Northern Germany is contextualised through chapters on the Netherlands, Scandinavia and East Prussia. The seminal influence of the liturgy on these texts and their transmission is revealed in the creative interplay of Latin and Low German. Through the individual chapters and their appendices, which also contain translations into English, the reader can access a wealth of texts produced by communities of religious and lay women who write learnedly in Latin and fervently in Low German. Together, the chapters and appendices reveal a fascinating regional "mystical culture" which also reverberated across Northern Europe. Contributors include: Jürgen Bärsch, Anne Bollmann, Veerle Fraeters, Ulrike Hascher-Burger, Ernst Hellgardt, Tanja Mattern, Balazs Nemes, Sara S. Poor, Eva Schlotheuber, Almut Suerbaum, and Geert Warnar.

From the visual and textual art of Anglo-Saxon England onwards, images held a surprising power in the Western Christian tradition. Not only did these artistic representations provide images through which to find God, they also held mystical potential, and likewise mystical writing, from the early medieval period onwards, is also filled with images of God that likewise refracts and reflects His glory. This collection of essays introduces the currents of thought and practice that underpin this artistic engagement with Western Christian mysticism, and explores the continued link between art and theology. The book features contributions from an international panel of leading academics, and is divided into four sections. The first section offers theoretical and philosophical considerations of mystical aesthetics and the interplay between mysticism and art. The final three sections investigate this interplay between the arts and mysticism from three key vantage points. The purpose of the volume is to explore this rarely considered yet crucial interface between art and mysticism. It is therefore an important and illuminating collection of scholarship that will appeal to scholars of theology and Christian mysticism as much as those who study literature, the arts and art history.