Latino Dreams

A welcome addition to the fields of Latino and (trans-)American cultural and literary studies, Latino Dreams focuses on a selection of Latino narratives, published between the mid-1980s and the mid-1990s, that may be said to traffic in the U.S.A.'s attendant myths and governing cultural logics. The selection includes novels by authors who have received little academic attention--Abraham Rodriguez, Achy Obejas, and Benjamin Alire Sáenz--along with underattended texts from more renowned writers--Rosario Ferré, Coco Fusco, and Guillermo Gómez-Peña. Latino Dreams takes a transcultural approach in order to raise questions of subaltern subordination and domination, and the resistant capacities of cultural production. The analysis explores how the selected narratives deploy specific narrative tactics, and a range of literary and other cultural capital, in order to question and reform the U.S.A.'s imaginary coordinates. In these texts, moreover, national imperatives are complicated by recourse to feminist, queer, panethnic, postcolonial, or transnational agendas. Yet the analysis also recognizes instances in which the counter-narrative will is frustrated: the narratives may provide signs of the U.S.A.'s hegemonic resilience in the face of imaginary disavowal.

Arlene Dávila brilliantly considers the cultural politics of urban space in this lively exploration of Puerto Rican and Latino experience in New York, the global center of culture and consumption, where Latinos are now the biggest minority group. Analyzing the simultaneous gentrification and Latinization of what is known as El Barrio or Spanish Harlem, Barrio Dreams makes a compelling case that—despite neoliberalism's race-and ethnicity-free tenets—dreams of economic empowerment are never devoid of distinct racial and ethnic considerations. Dávila scrutinizes dramatic shifts in housing, the growth of charter schools, and the enactment of Empowerment Zone legislation that promises upward mobility and empowerment while shutting out many longtime residents. Foregrounding privatization and consumption, she offers an innovative look at the marketing of Latino space. She emphasizes class among Latinos while touching on black-Latino and Mexican-Puerto Rican relations. Providing a unique multifaceted view of the place of Latinos in the changing urban landscape, Barrio Dreams is one of the most nuanced and original examinations of the complex social and economic forces shaping our cities today.

"Dávila's keen insights into the politics of marketing ethnicity, community marginalization and class divisions cuts through neo-liberal postures to glaringly reveal the real issue - who will construct (and control) East Harlem's future? Well versed in the scholarship, Dávila has produced a book that is essential for understanding the increasingly important role and aspirations of Puerto Rican and Latino communities in New York's history."—Virginia Sánchez Korrol, author of From Colonia to Community: The History of Puerto Ricans in New York City "Providing an expansive ethnographic portal into New York's famous 'El Barrio,' Davila documents the ways in which the neighborhood's Latino cultures can be commodified as a magnet for gentrification as well as providing an obstacle to it. An absorbing read providing a unique contemporary perspective on East Harlem."—Neil Smith, author of American Empire: Roosevelt's Geographer and the Prelude to Globalization "Unlike most ethnographers of the urban poor in search of authentic street experience, Dávila gives us an ethnography of power. With rich insights and sensitivity, she documents the pitched battles between developers, politicians, long-time residents, newcomers, Puerto Ricans, Mexicans, and African Americans over space, gentrification and cultural representation in East Harlem. Dávila peels back the many layers of local stories in order to reveal a complex, national story of resistance against urban neoliberalism."—Robin D. G. Kelley, author of Freedom Dreams: The Black Radical Imagination

With an introduction by Pulitzer Prize-winning author Oscar Hijuelos, this important anthology of contemporary fiction represents the wide range of cultures and experiences that mark the diverse ethnic groups of the Latino community.

Written with passion, the stories told in this book are those of the search, loss and recreation of identities. From the Fiji-born women living in Canada looking for themselves to the Japanese of Korean origin having lost touch with their original culture, from the Catalonian demand for recognition to the quest for a common European heritage, we can read of the endless need of peoples to find their rightful place in our multicultural societies.

2018 Outstanding Academic Title, given by CHOICE Magazine Introduces key terms, concepts, debates, and histories for Latinx Studies Keywords for Latina/o Studies is a generative text that enhances the ongoing dialogue within a rapidly growing and changing field. The keywords included in this collection represent established and emergent terms, categories, and concepts that undergird Latina/o studies; they delineate the shifting contours of a field best thought of as an intellectual imaginary and experiential project of social and cultural identities within the US academy. Bringing together 63 essays, from humanists, historians, anthropologists, sociologists, among others, each focused on a single term, the volume reveals the broad range of the field while also illuminating the tensions and contestations surrounding issues of language, politics, and histories of colonization, specific to this area of study. From “borderlands” to “migration,” from “citizenship” to “mestizaje,” this accessible volume will be informative for those who are new to Latina/o studies, providing them with a mapping of the current debates and a trajectory of the development of the field, as well as being a valuable resource for scholars to expand their knowledge and critical engagement with the dynamic transformations in the field.

Applying a broad geographical approach to comparative Latino literary and cultural studies, Continental Shifts illuminates how the discursive treatment of Latinos changed dramatically following the enactment of NAFTA—a shift exacerbated by 9/11. While previous studies of immigrant representation have focused on single regions (the US/Mexico border in particular), specific genres (literature vs. political rhetoric), or individual groups, Continental Shifts unites these disparate discussions in a provocative, in-depth examination. Bringing together a wide range of groups and genres, this intercultural study explores novels by Latin American and Latino writers, a border film by Tommy Lee Jones and Guillermo Arriaga, “viral” videos of political speeches, popular television programming (particularly shows that feature incarceration and public shaming), and user-generated YouTube videos. These cultural products reveal the complexity of Latino representations in contemporary discourse. While tropes of Latino migrants as threatening, diseased foreign bodies date back to the nineteenth century, Continental Shifts marks the more pernicious, recent images of Latino laborers (legal and not) in a variety of contemporary media. Using vivid examples, John Riofrio demonstrates the connections between rhetorical and ideological violence and the physical and psychological violence that has more intensely plagued Latino communities in recent decades. Culminating with a consideration of the “American” identity, this eye-opening work ultimately probes the nation’s ongoing struggle to uphold democratic ideals amid dehumanizing multiethnic tension.

Mario Vargas Llosa is a heterogeneous writer whose positions have often not been consistent from novel to novel, between his fictional and nonfictional work, between his literary and political commentary, and as his political commentary has proceeded over the decades. This analysis of his work reveals his insights into socio-political matters.