Laura S Ghost

In 1990, the groundbreaking television series Twin Peaks, co-created by David Lynch and Mark Frost, opened with a murder mystery when a beautiful homecoming queen, wrapped in plastic, washed up on a cold and rocky beach. Laura Palmer's character began as a plot device that triggered a small town to face its fractured self. But after three seasons and a film, Laura Palmer is no longer just a plot device. Instead of solely focusing on the murderer, like most traditional storytelling at the time, the audience gets to know the victim, a complex young woman who explores her sexuality and endures incredible abuse. Laura's Ghost: Women Speak About Twin Peaks is an examination of Laura Palmer's legacy on the 30th anniversary of Twin Peaks. Palmer's character was one of the few frank and horrific representations of sexual abuse victims which did not diminish the strength and complexity of the victim. Sheryl Lee, who played Laura Palmer, discusses the challenges of the role and how it has impacted herself as well as women she has met over the years, many of whom are survivors of sexual abuse. The role demanded Lee give all of her vulnerability as an actor to this role. This role is one she cannot escape, one with which she will forever be identified. It's a role that still haunts her today. For many women, this character represents them. Here was a woman who was not just a victim, but who was owning her sexuality as well—a woman coming into her own and discovering her sources of power. This book is a reckoning in which women from the show and community speak about grief, mischief, humor, sexuality, strength, weakness, wickedness, and survival.

Strange goings-on at her great-uncle's summer home in Cape May, New Jersey, draw Lily and a new friend into a mystery involving lost treasure, a fake medium, and ghosts of all sizes, shapes, and dispositions

At once hilarious and incredibly moving, Giving Up the Ghost is a memoir of lost love and second chances, and a ghost story like no other. Eric Nuzum is afraid of the supernatural, and for good reason: As a high school oddball in Canton, Ohio, during the early 1980s, he became convinced that he was being haunted by the ghost of a little girl in a blue dress who lived in his parents’ attic. It began as a weird premonition during his dreams, something that his quickly diminishing circle of friends chalked up as a way to get attention. It ended with Eric in a mental ward, having apparently destroyed his life before it truly began. The only thing that kept him from the brink: his friendship with a girl named Laura, a classmate who was equal parts devoted friend and enigmatic crush. With the kind of strange connection you can only forge when you’re young, Laura walked Eric back to “normal”—only to become a ghost herself in a tragic twist of fate. Years later, a fully functioning member of society with a great job and family, Eric still can’t stand to have any shut doors in his house for fear of what’s on the other side. In order to finally confront his phobia, he enlists some friends on a journey to America’s most haunted places. But deep down he knows it’s only when he digs up the ghosts of his past, especially Laura, that he’ll find the peace he’s looking for.

“The lives of two teenage girls living 160 years apart intertwine in this magical coming-of-age story . . . [an] evocative graphic novel.” —Publishers Weekly An untalented punk band and a parallel dimension—what could go wrong? In Borja González’s stunning graphic novel, two parallel stories reflect and intertwine in a tale of youthful dreams and desires. In 1856, Teresa, a young aristocrat, is more interested in writing avant-garde horror poetry than making a suitable marriage. In 2016, three teenage girls, Gloria, Laura, and Cristina, want to start a punk band called the Black Holes. They have everything they need: attitude, looks, instinct . . . and an alarming lack of musical talent. They’ve barely started rehearsing when strange things begin to happen. As their world and Teresa’s intersect, they’re haunted by the echo of something that happened 160 years ago. “Elegantly crafted, with delicate cartooning and a brilliant autumnal color palette, González’s first full-length work delivers a quietly emotional evocation of the universal hopes and desires linking characters across centuries.” —Library Journal “This thoughtful, graceful look into young women trying to find their place in the world may appeal to other adolescent, frustrated artists.” —Booklist “A Gift for a Ghost is an uncommon fantasy that speaks to the perennial, difficult-to-verbalize issues that teenagers face.” —BookPage “A Gift for A Ghost is the exact opposite of the way so many stories are told today . . . It’s about collaboration between the reader and the work and creating a personal experience from it, something that all the best creative works aspire to.” —The Comics Beat

“A haunted, haunting examination of mental illness and murder in a more or less ordinary American city…Mature and thoughtful…A Helter Skelter for our time, though without a hint of sensationalism—unsettling in the extreme but written with confidence and deep empathy” (Kirkus Reviews, starred review). On March 11, 2003, in Brownsville, Texas—one of America’s poorest cities—John Allen Rubio and Angela Camacho murdered their three young children. The apartment building in which the brutal crimes took place was already run down, and in their aftermath a consensus developed in the community that it should be destroyed. In 2008, journalist Laura Tillman covered the story for The Brownsville Herald. The questions it raised haunted her and set her on a six-year inquiry into the larger significance of such acts, ones so difficult to imagine or explain that their perpetrators are often dismissed as monsters alien to humanity. Tillman spoke with the lawyers who tried the case, the family’s neighbors and relatives and teachers, even one of the murderers: John Allen Rubio himself, whom she corresponded with for years and ultimately met in person. Her investigation is “a dogged attempt to understand what happened, a review of the psychological, sociological and spiritual explanations for the crime…a meditation on the death penalty and on the city of Brownsville” Star Tribune (Minneapolis). The result is a brilliant exploration of some of our age’s most important social issues and a beautiful, profound meditation on the truly human forces that drive them. “This thought-provoking…book exemplifies provocative long-form journalism that does not settle for easy answers” (Publishers Weekly, starred review).

ONE OF TIME'S 10 BEST FICTION BOOKS OF 2020. Longlisted for the Joyce Carol Oates Prize. Named a Best Book of 2020 by NPR, Bustle, Good Housekeeping, the New York Public Library, Library Journal, Lit Hub, Electric Literature, and Tor.com "As enchanting as fairy tales, as mysterious as dreams, these exquisitely composed fictions are as urgent and original as any being written today.” —Sigrid Nunez, author of The Friend, winner of the 2018 National Book Award for Fiction An urgent and unsettling collection of women on the verge from Laura van den Berg, author of The Third Hotel I Hold a Wolf by the Ears, Laura van den Berg’s first story collection since her prizewinning book The Isle of Youth, draws readers into a world of wholly original, sideways ghost stories that linger in the mouth and the mind. Both timeless and urgent, these eleven stories confront misogyny, violence, and the impossible economics of America with van den Berg’s trademark spiky humor and surreal eye. Moving from the peculiarities of Florida to liminal spaces of travel in Mexico City, Sicily, and Iceland, I Hold a Wolf by the Ears is uncannily attuned to our current moment, and to the fears we reveal to no one but ourselves. In “Lizards,” a man mutes his wife’s anxieties by giving her a LaCroix-like seltzer laced with sedatives. In the title story, a woman poses as her more successful sister during a botched Italian holiday, a choice that brings about strange and destructive consequences, while in “Karolina,” a woman discovers her prickly ex-sister-in-law in the aftermath of an earthquake and is forced to face the truth about her violent brother. I Hold a Wolf by the Ears presents a collection of women on the verge, trying to grasp what’s left of life: grieving, divorced, and hyperaware, searching, vulnerable, and unhinged, they exist in a world that deviates from our own only when you look too closely. With remarkable control and transcendent talent, van den Berg dissolves, in the words of the narrator of “Slumberland,” “that border between magic and annihilation,” and further establishes herself as a defining fiction writer of our time.

The dramatic story of the legal and emotional battle that raged between two of Oscar Wilde's closest friends – both former lovers – following the playwright's death

Laura Palmer was introduced to television audiences in the opening scenes of "Twin Peaks"--as a beautiful dead girl, wrapped in plastic. Now available in print for the first time in many years (and in e-book for the very first time!), THE SECRET DIARY OF LAURA PALMER chronicles Laura's life from age 12 to her death at 17, and is filled with secrets, character references, and even clues to the identity of her eventual killer. Fans of the show will love seeing their favorite characters again, and Laura's diary makes compelling reading as she turns from a naive freshman having her first kiss to a "bad girl" experimenting with drugs, sex and the occult. "As seen by" Jennifer Lynch, creator David Lynch's daughter, THE SECRET DIARY OF LAURA PALMER is authentic, creepy, and a perfect book for anyone who loves supernatural suspense.